“One day you'll hear that song you both liked on the radio and it won't make you cry. You'll wake up one morning and they won't be the first thing you think about, or the last thing you think about when you're falling asleep at night. Their face won't be the one you see any more when you close your eyes, or in a crowd when you're walking down a street. And when something makes you laugh, or cry, they won't be the person you want to share it with.”
“But I figure you're never too old to learn. That's when you become old, when you stop being fascinated by things, when you stop wanting to learn and explore ...”
“Why is it that when you discover you can't have something, you want it even more?”
“...when you decide you want to be with someone forever, you want forever to start right now.”
“The first time I met you, I fell in love with you there and then, but you didn't notice me. Then you stood me up. And then I met you again and I hated you. Well, I tried to hated you, but then when you cleaned up after Welly... I fell in love with you all over again.”
“You see, one of the best things about reading is that you'll always have something to think about when you're not reading.”
“No! I don't want to speak of that! But I'm going to. I want you to hear. I want you to know what's in store for you. There will be days when you'll look at your hands and you'll want to take something and smash every bone in them, because they'll be taunting you with what they could do, if you found a chance for them to do it, and you can't find that chance, and you can't bear your living body because it has failed those hands somewhere. There will be days when a bus driver will snap at you as you enter a bus, and he'll be only asking for a dime, but that won't be what you hear; you'll hear that you're nothing, that he's laughing at you, that it's written on your forehead, that thing they hate you for. There will be days when you'll stand in the corner of a hall and listen to a creature on a platform talking about buildings, about the work you love, and the things he'll say will make you wait for somebody to rise and crack him open between two thumbnails; and then you'll hear people applauding him, and you'll want to scream, because you won't know whether they're real or you are, whether you're in a room full of gored skulls, or whether someone has just emptied your own head, and you'll say nothing, because the sounds you could make - they're not a language in that room any longer; but you'd want to speak, you won't anyway, because you'll be brushed aside, you who have nothing to tell them about buildings! Is that what you want?”