“The name of the author is the first to gofollowed obediently by the title, the plot,the heartbreaking conclusion, the entire novelwhich suddenly becomes one you have never read,never even heard of,as if, one by one, the memories you used to harbordecided to retire to the southern hemisphere of the brain,to a little fishing village where there are no phones.Long ago you kissed the names of the nine Muses goodbyeand watched the quadratic equation pack its bag,and even now as you memorize the order of the planets,something else is slipping away, a state flower perhaps,the address of an uncle, the capital of Paraguay.Whatever it is you are struggling to remember,it is not poised on the tip of your tongue,not even lurking in some obscure corner of your spleen.It has floated away down a dark mythological riverwhose name begins with an L as far as you can recall,well on your own way to oblivion where you will join thosewho have even forgotten how to swim and how to ride a bicycle.No wonder you rise in the middle of the nightto look up the date of a famous battle in a book on war.No wonder the moon in the window seems to have driftedout of a love poem that you used to know by heart.”

“The Death of Allegory I am wondering what became of all those tall abstractions that used to pose, robed and statuesque, in paintings and parade about on the pages of the Renaissance displaying their capital letters like license plates. Truth cantering on a powerful horse, Chastity, eyes downcast, fluttering with veils. Each one was marble come to life, a thought in a coat, Courtesy bowing with one hand always extended, Villainy sharpening an instrument behind a wall, Reason with her crown and Constancy alert behind a helm. They are all retired now, consigned to a Florida for tropes. Justice is there standing by an open refrigerator. Valor lies in bed listening to the rain. Even Death has nothing to do but mend his cloak and hood, and all their props are locked away in a warehouse, hourglasses, globes, blindfolds and shackles. Even if you called them back, there are no places left for them to go, no Garden of Mirth or Bower of Bliss. The Valley of Forgiveness is lined with condominiums and chain saws are howling in the Forest of Despair. Here on the table near the window is a vase of peonies and next to it black binoculars and a money clip, exactly the kind of thing we now prefer, objects that sit quietly on a line in lower case, themselves and nothing more, a wheelbarrow, an empty mailbox, a razor blade resting in a glass ashtray. As for the others, the great ideas on horseback and the long-haired virtues in embroidered gowns, it looks as though they have traveled down that road you see on the final page of storybooks, the one that winds up a green hillside and disappears into an unseen valley where everyone must be fast asleep.”

“Tell me who you are. You need not tell me your name. Names have power, even human ones. Tell me where you live and what you do with your living.”

“But some nights, I must tell you,I go down there after everyone has fallen asleep.I swim back and forth in the echoing blackness.I sing a love song as well as I can,lost for a while in the home of the rain. ”

“You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight. You either continue to write puerile bilge, or you change. In the process of simplifying oneself, one often discovers the thing called voice.”

“...here we have the first lesson about the nature of memory: what you wish to forget, you may not be able to. What seems to have died, perhaps is just asleep. On the other hand, sometimes you wish to remember something, and there it stands at the doorway of your consciousness, and refuses to come in. You know you know something, the name of some useless celebrity, perhaps, and yet you cannot fish that name out of your inner aquarium. And this illustrates a critical feature of memory, which resembles, as it turns out, most of the processes in the internal realm: the same cause will regularly yield different, even opposite effects.”

“Marginalia Sometimes the notes are ferocious,skirmishes against the authorraging along the borders of every pagein tiny black script.If I could just get my hands on you,Kierkegaard, or Conor Cruise O'Brien,they seem to say,I would bolt the door and beat some logic into your head.Other comments are more offhand, dismissive -Nonsense." "Please!" "HA!!" -that kind of thing.I remember once looking up from my reading,my thumb as a bookmark,trying to imagine what the person must look likewho wrote "Don't be a ninny"alongside a paragraph in The Life of Emily Dickinson.Students are more modestneeding to leave only their splayed footprintsalong the shore of the page.One scrawls "Metaphor" next to a stanza of Eliot's.Another notes the presence of "Irony"fifty times outside the paragraphs of A Modest Proposal.Or they are fans who cheer from the empty bleachers,Hands cupped around their mouths.Absolutely," they shoutto Duns Scotus and James Baldwin.Yes." "Bull's-eye." "My man!"Check marks, asterisks, and exclamation pointsrain down along the sidelines.And if you have managed to graduate from collegewithout ever having written "Man vs. Nature"in a margin, perhaps nowis the time to take one step forward.We have all seized the white perimeter as our ownand reached for a pen if only to showwe did not just laze in an armchair turning pages;we pressed a thought into the wayside,planted an impression along the verge.Even Irish monks in their cold scriptoriajotted along the borders of the Gospelsbrief asides about the pains of copying,a bird singing near their window,or the sunlight that illuminated their page-anonymous men catching a ride into the futureon a vessel more lasting than themselves.And you have not read Joshua Reynolds,they say, until you have read himenwreathed with Blake's furious scribbling.Yet the one I think of most often,the one that dangles from me like a locket,was written in the copy of Catcher in the RyeI borrowed from the local libraryone slow, hot summer.I was just beginning high school then,reading books on a davenport in my parents' living room,and I cannot tell youhow vastly my loneliness was deepened,how poignant and amplified the world before me seemed,when I found on one pageA few greasy looking smearsand next to them, written in soft pencil-by a beautiful girl, I could tell,whom I would never meet-Pardon the egg salad stains, but I'm in love.”