“People who walk across dark bridges, past saints,with dim, small lights.Clouds which move across gray skiespast churcheswith towers darkened in the dusk.One who leans against granite railinggazing into the evening waters,His hands resting on old stones.”
In this quote by Franz Kafka, the speaker describes a scene of contemplation and solitude. The imagery of dark bridges, saints, dim lights, gray skies, and churches with darkened towers evokes a sense of mystery and reflection. The mention of leaning against a granite railing and gazing into evening waters suggests a moment of stillness and introspection. The use of descriptive language creates a mood of quiet reverence and introspection in this passage. Kafka's exploration of themes such as isolation, spirituality, and the passage of time is evident in this evocative portrayal of a solitary figure in a contemplative moment.
Franz Kafka's poetic description of a person taking a contemplative stroll captures the essence of finding solace in ordinary moments. In today's fast-paced world, it is essential to pause and appreciate the small details that surround us. Whether it is a walk across a dark bridge or gazing into evening waters, these moments remind us to slow down and appreciate the beauty around us.
Here is a passage from a work by Franz Kafka that beautifully describes a scene of people walking across bridges and observing their surroundings with a sense of contemplation and reflection.
“People who walk across dark bridges, past saints, with dim, small lights. Clouds which move across gray skies past churches with towers darkened in the dusk. One who leans against granite railing gazing into the evening waters, His hands resting on old stones.” - Franz Kafka
Reflecting on this passage from Franz Kafka, consider the following questions:
“Once more the odious courtesies began, the first handed the knife across K. to the second, who handed it across K. back again to the first. K. now perceived clearly that he was supposed to seize the knife himself, as it traveled from hand to hand above him, and plunge it into his own breast. But he did not do so, he merely turned his head, which was still free to move, and gazed around him. He could not completely rise to the occasion, he could not relieve the officials of all their tasks; the responsibility for this last failure of his lay with him who had not left him the remnant of strength necessary for the deed.”
“It was half past six and the hands were quietly moving forwards.”
“Anyone who keeps the ability to see beauty never grows old.”
“Anyone who cannot cope with life while he is alive needs one hand to ward off a little his despair over his fate...but with his other hand he can jot down what he sees among the ruins, for he sees different and more things than the others; after all, he is dead in his own lifetime and the real survivor.”
“One of the first signs of the beginnings of understanding is the wish to die. This life appears unbearable, another unattainable. One is no longer ashamed of wanting to die; one asks to be moved from the old cell, which one hates, to a new one, which one will only in time come to hate.”
“I stand on the end platform of the tram and am completely unsure of my footing in this world, in this town, in my family. Not even casually could I indicate any claims that I might rightly advance in any direction. I have not even any defense to offer for standing on this platform, holding on to this strap, letting myself be carried along by this tram, nor for the people who give way to the tram or walk quietly along or stand gazing into shop windows. Nobody asks me to put up a defense, indeed, but that is irrelevant.”