“I know you've all heard the advice, "Show, don't tell." The best writers don't tell you, and quite frankly they don't just show you -- they make you feel it, live it, taste it, touch it. Storytelling is about being in the moment with the characters.”

“You don't look so hot, Adrien." "Yeah, well I'm having a bad heart day."His upper lip curled in a semblance of a smile. "Tell me about it.”

“It means I know you, Adrien with an e, and I know you get reckless when you're impatient. You're paying for this investigation, and I'll keep you apprised every step of the way, but if you even think about going rogue on this one, I'm turning in my fedora and you can hire some other dick."I don't want any other dick. I closed my mouth on that one—metaphorically speaking—and said, “I don't know why the hell everyone seems to think I'm so reckless—”

“You got a little bit of an attitude, Mr. English, if you don't mind my saying so.I don't mind.”

“You're crazy about me, Elliot ...""You know how I know, Elliot?" ..."I know how you feel because I feel the same way.”

“I want that. I don’t think a week goes by I don’t dream about it. The way it feels to move inside you. The way your body grabs on like tight velvet. The sounds you make, like having me inside you is the best thing that ever happened to you.”

“Why do you think they don’t like me? They hired me for God’s sake. It’s not like there was any mystery about my history.”“I heard you used iambic pentameter once when you should have used a catalexis.”“Huh?”“Believe me, whatever the reason is, it will make as much sense.”Swift thought this over. Max was probably right, but it was still a weird, unhappy feeling. His mouth curved. “Do you really know what catalexis is?”“Not a clue. I heard you mention it once. It stuck in my memory because it sounds like a cross between a Cadillac and a Lexus.”