“Poetry restores language by breaking it, and I think that much contemporary writing restores fantasy, as a genre of writing in contrast to a genre of commodity or a section in a bookstore, by breaking it. Michael Moorcock revived fantasy by prying it loose from morality; writers like Jeff VanderMeer, Stepan Chapman, Lucius Shepard, Jeffrey Ford, Nathan Ballingrud are doing the same by prying fantasy away from pedestrian writing, with more vibrant and daring styles, more reflective thinking, and a more widely broadcast spectrum of themes.”

“She starkly sees her inanimate future blocked out before her right through to her own end—without him... ...and worst of all, she knows she will be asked about him and be called upon to talk about him and tell the story again and again...her jaws will work without end with all that talking her jaws will chew up the ravel of all her remaining life, telling the same story until it becomes bare and alien and something blunt to her; more the belonging of other people, and no longer hers. Now she has to live ordinarily...she's going to have to numb herself if she's going to go on—no going on from this point without getting numb.”

“I am a commercial writer and I'm proud of that. I am writing things to be put in the bookstore next month. I think it is a mistake to try to write for the ages.”

“...[T]he only means I have to stop ignorant snobs from behaving towards genre fiction with snobbish ignorance is to not reinforce their ignorance and snobbery by lying and saying that when I write SF it isn't SF, but to tell them more or less patiently for forty or fifty years that they are wrong to exclude SF and fantasy from literature, and proving my arguments by writing well.”

“But when reality was hopeless, fantasy became more and more necessary.”

“The wind seems to be blowing through the gaps in the conversation like the rushing of empty space.”

“Anyone could say that a miracle is something impossible, but they say it thoughtlessly, mindlessly, because most people have such weak imaginations they couldn’t possibly understand what they’re saying when they say that a miracle is something impossible. Ask anyone what that means, what it means to see a miracle, and they will say that it’s something impossible, but they mean that a miracle is something formerly believed to be impossible that turns out not to be, not to be impossible, in other words, but possible after all. If this were really true, then miracles would be the most ordinary things in the world, the most uninspiring things in the world, and what can one expect from people who have never been anything but ordinary and uninspired.”