“To multiply the years and divide by the desire to live is a kind of false accounting.”

“He's getting old. I don't count the years. I don't multiply by seven. They bred dogs for everything else, even diving for fish, why didn't they breed them to live longer, to live as long as a man?”

“The difference maybe between the living and the dead: the living often want to be numb, the dead never do ...”

“Also I wonder how Bangley is built inside and everyone like him. He is at home with his solitude as the note reverberating inside a bell. Prefers it. Will protect it to the death. Lives for protecting it the way a peregrine lives for killing other birds midflight. Does not want to communicate what the death and the beauty do to each other inside him.”

“Life and death lived inside each other. That's what occured to me. Death was inside all of us, waiting for warmer nights, a compromised system, a beetle, as in the now dying black timber on the mountains.”

“Funny how you can live your whole life waiting and not know it... Waiting for your real life to begin. Maybe the most real thing the end. To realize when it's too late. I know now that I loved him more than anything on earth or off of it.”

“Back then I took up flying with the sense of coming to something I had been meant to do all my life. Many people who fly feel this way and I think it has more to do with some kind of treetop or clifftop gene than with any sense of unbounded freedom or metaphors of the soaring spirit. The way the earth below resolves. The way the landscape falls into place around the drainages, the capillaries and arteries of falling water: mountain slopes bunched and wrinkled, wringing themselves into the furrows of couloir and creek , draw and chasm, the low places defining the spurs and ridges and foothills the way creases define the planes of a face, lower down the canyon cuts, and then the swales and valleys of the lowest slopes, the sinuous rivers and the dry beds where water used to run seeming to hold the hills the waves of the high plains all together and not the other way around… but what I loved the most from the first training flight was the neatness, the sense of everything in its place. The farms in their squared sections, the quartering county roads oriented to the cardinal compass points, the round bales and scattered cattle and horses as perfect in their patterns as sprays of stars and holding the same ruddy sun on their flanks…the immortal stillness of a landscape painting.”