“Prince Andrew shrugged his shoulders and frowned, as lovers of music do when they hear a false note.”

“How can he talk like that?" thought Pierre. He considered his friend a model of perfection because Prince Andrew possessed in the highest degree just the very qualities Pierre lacked, and which might be best described as strength of will.”

“Music makes me forget my real situation. It transports me into a state which is not my own. Under the influence of music I really seem to feel what I do not feel, to understand what I do not understand, to have powers which I cannot have. Music seems to me to act like yawning or laughter; I have no desire to sleep, but I yawn when I see others yawn; with no reason to laugh, I laugh when I hear others laugh. And music transports me immediately into the condition of soul in which he who wrote the music found himself at that time.”

“The chief reason why the prince was so particularly disagreeable to Vronsky was that he could not help seeing himself in him. And what he saw in this mirror did not gratify his self-esteem. He was a very stupid and very self-satisfied and very healthy and very well-washed man, and nothing else... He was equable and not cringing with his superiors, was free and ingratiating in his behavior with his equals, and was contemptuously indulgent with his inferiors... for this prince he was an inferior, and his contemptuous and indulgent attitude to him revolted him.”

“I believe that art has a kind of rightness, as in music, when we hear whether or not a note is false”

“Oh how lovely it is!’ she kept saying. Look what a moon! Oh, how lovely!…I feel like squatting down on my heels, putting my arms round my knees like this, tight – as tight as can be – and flying away!” Prince Andrei, a serious man who thought he had given up on the pleasures of life, hears her from below, and “all at once such an unexpected turmoil of youthful thoughts and hopes, contrary to the whole tenor of his life, surged up in his heart.”

“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha singing, and something new and blissful stirred in his soul. He was happy, and at the same time he was sad. He certainly had nothing to weep about, but he was ready to weep. For what? For his past love? For the little princess? For his lost illusions? For his hopes for the future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid sense of the fearful contrast between something infinitely great and illimitable existing in him, and something limited and material, which he himself was, and even she was. This contrast made his heart ache, and rejoiced him while she was singing.”