A. S. Byatt photo

A. S. Byatt

A.S. Byatt (Antonia Susan Byatt) is internationally known for her novels and short stories. Her novels include the Booker Prize winner Possession, The Biographer’s Tale and the quartet, The Virgin in the Garden, Still Life, Babel Tower and A Whistling Woman, and her highly acclaimed collections of short stories include Sugar and Other Stories, The Matisse Stories, The Djinn in the Nightingale’s Eye, Elementals and her most recent book Little Black Book of Stories. A distinguished critic as well as a writer of fiction, A S Byatt was appointed CBE in 1990 and DBE in 1999.

BYATT, Dame Antonia (Susan), (Dame Antonia Duffy), DBE 1999 (CBE 1990); FRSL 1983; Chevalier de l’Ordre des Arts et des Lettres (France), 2003 , writer; born 24 Aug. 1936;

Daughter of His Honour John Frederick Drabble, QC and late Kathleen Marie Bloor

Byatt has famously been engaged in a long-running feud with her novelist sister, Margaret Drabble, over the alleged appropriation of a family tea-set in one of her novels. The pair seldom see each other and each does not read the books of the other.

Married

1st, 1959, Ian Charles Rayner Byatt (Sir I. C. R. Byatt) marriage dissolved. 1969; one daughter (one son deceased)

2nd, 1969, Peter John Duffy; two daughters.

Education

Sheffield High School; The Mount School, York; Newnham College, Cambridge (BA Hons; Hon. Fellow 1999); Bryn Mawr College, Philadelphia, USA; Somerville College, Oxford.

Academic Honours:

Hon. Fellow, London Inst., 2000; Fellow UCL, 2004

Hon. DLitt: Bradford, 1987; DUniv York, 1991; Durham, 1991; Nottingham, 1992; Liverpool, 1993; Portsmouth, 1994; London, 1995; Sheffield, 2000; Kent 2004; Hon. LittD Cambridge, 1999

Prizes

The PEN/Macmillan Silver Pen Of Fiction prize, 1986 for STILL LIFE

The Booker Prize, 1990, for POSSESSION

Irish Times/Aer Lingus International Fiction Prize, 1990 for POSSESSION

The Eurasian section of Best Book in Commonwealth Prize, 1991 for POSSESSION

Premio Malaparte, Capri, 1995;

Mythopoeic Fantasy Award for Adult Literature, California, 1998 for THE DJINN IN THE NIGHTINGALE''S EYE

Shakespeare Prize, Toepfer Foundation, Hamburg, 2002;

Publications:

The Shadow of the Sun, 1964;

Degrees of Freedom, 1965 (reprinted as Degrees of Freedom: the early novels of Iris Murdoch, 1994);

The Game, 1967;

Wordsworth and Coleridge in their Time, 1970 (reprinted as Unruly Times: Wordsworth and Coleridge in their Time, 1989);

Iris Murdoch 1976

The Virgin in the Garden, 1978;

GEORGE ELIOT Selected Essays, Poems and Other Writings , 1979 (editor);

Still Life, 1985

Sugar and Other Stories, 1987;

George Eliot: selected essays, 1989 (editor)

Possession: a romance, 1990

Robert Browning''s Dramatic Monologues, 1990 (editor);

Passions of the Mind, (essays), 1991;

Angels and Insects (novellas),1992

The Matisse Stories (short stories),1993;

The Djinn in the Nightingale''s Eye: five fairy stories, 1994

Imagining Characters, 1995 (joint editor);

New Writing 4, 1995 (joint editor);

Babel Tower, 1996;

New Writing 6, 1997 (joint editor);

The Oxford Book of English Short Stories, 1998 (editor);

Elementals: Stories of fire and ice (short stories), 1998;

The Biographer''s Tale, 2000;

On Histories and Stories (essays), 2000;

Portraits in Fiction, 2001;

The Bird Hand Book, 2001 (Photographs by Victor Schrager Text By AS Byatt);

A Whistling Woman, 2002

Little


“He was beautiful, that was always affirmed, but his beauty was hard to fix or to see, for he was always glimmering, flickering, melting, mixing, he was the shape of a shapeless flame, he was the eddying thread of needle-shapes in the shapeless mass of the waterfall. He was the invisible wind that hurried the clouds in billows and ribbons. You could see a bare tree on the skyline bent by the wind, holding up twisted branches and bent twigs, and suddenly its formless form would resolve itself into that of the trickster.”
A. S. Byatt
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“Our days weave together the simple pleasures of daily life, which we should never take for granted, and the higher pleasures of Art and Thought which we may now taste as we please, with none to forbid or criticise.”
A. S. Byatt
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“He had been violently confused by her real presence in the opposite inaccessible corner. For months he had been possessed by the imagination of her. She had been distant and closed away, a princess in a tower, and his imagination’s work had been all to make her present, all of her, to his mind and senses, the quickness of her and the mystery, the whiteness of her, which was part of her extreme magnetism, and the green look of those piercing or occluded eyes. Her presence had been unimaginable, or more strictly, only to be imagined. Yet here she was, and he was engaged in observing the ways in which she resembled, or differed from, the woman he dreamed, or reached for in sleep, or would fight for.”
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“His forty-third year. His small time's end. His time-Who saw Infinity through the countless cracksIn the blank skin of things, and died of it.”
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“Pedro of Portugal's rapt and bizarre declaration of love, in 1356, for the embalmed corpse of his murdered wife, Inez de Castro, who swayed beside him on his travels, leather-brown and skeletal, crowned with lace and gold circlet, hung about with chains of diamonds and pearls, her bone-fingers fantastically ringed.”
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“[H]is mouth pursed, but pursed in American, more generous than English pursing, ready for broader vowels and less mincing sounds. His body was long and lean and trim; he had American hips, ready for a neat belt and the faraway ghost of a gunbelt.”
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“History, writing, infect after a time a man's sense of himself...”
A. S. Byatt
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“There are things that happen and leave no discernible trace, are not spoken or written of, though it would be very wrong to say that subsequent events go on indifferently, all the same, as though such things had never been.”
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“When the morning light came into the room it found them curled together in a nest of red and white sheets. It revealed also marks, all over the pale cool skin: handprints around the narrow waist, sliding impressions from delicate strokes, like weals, raised rosy discs where his lips had rested lightly. He cried out, when he saw her, that he had hurt her. No, she said, she was part icewoman, it was her nature, she had an icewoman's skin that responded to every touch by blossoming red. Sasan still stared, and repeated, I have hurt you. No, no, said Fiammarosa, they are the marks of pleasure, pure pleasure. I shall cover them up, for only we ourselves should see our happiness.But inside her a little melted pool of water slopped and swayed where she had been solid and shining.”
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