Adam Gopnik

“What drives innovation is abundance and ease, not the pressure of scarcity.”

“Paris, on the other hand, looked exactly as it was supposed to look. It wore its heart on its sleeve, and the strange thing was that the heart it wore so openly was in other ways so closed-mysterious, uninviting.”

“The hardest thing to convey is how lovely it all is and how that loveliness seems all you need. The ghosts that haunted you in New York or Pittsburgh will haunt you anywhere you go, because they’re your ghosts and the house they haunt is you. But they become disconcerted, shaken confused for half a minute, and in that moment on a December at four o’clock when you’re walking from the bus stop to the rue Saint-Dominique and the lights are twinkling across the river–only twinkling in the bateaux-mouches, luring the tourists, but still…–you feel as if you’ve escaped your ghosts if only because, being you, they’re transfixed looking at the lights in the trees on the other bank, too, which they haven’t seen before, either. It’s true that you can’t run away from yourself. But we were right: you can run away.”

“[T]he relentless note of incipient hysteria, the invitation to panic, the ungrounded scenarios--the overwhelming and underlying desire for something truly terrible to happen so that you could have something really hot to talk about--was still startling. We call disasters unimaginable, but all we do is imagine such things. That, you could conclude mordantly, is the real soundtrack of our time: the amplification of the self-evident toward the creation of paralyzing, preëmptive paranoia.”

“Good editorial writing has less to do with winning an argument, since the other side is mostly not listening, than with telling the guys on your side how they ought to sound when they're arguing.”

“This is surely the most significant of the elements that Tolkien brought to fantasy.... his arranged marriage between the Elder Edda and "The Wind in the Willows"--big Icelandic romance and small-scale, cozy English children's book. The story told by "The Lord of the Rings" is essentially what would happen if Mole and Ratty got drafted into the Nibelungenlied.”

“Big writers become a kind of shared climate.”

“Of all the unexpected things in contemporary literature, this is among the oddest: that kids have an inordinate appetite for very long, very tricky, very strange books about places that don’t exist.”

“There is, I believe now, a force in stories, words in motion, that either drives them forward past things into feelings or doesn't. Sometimes the words fly over the fence and all the way out to the feelings.”

“The special virtue of freedom is not that it makes you richer and more powerful but that it gives you more time to understand what it means to be alive.”

“[A]s military history reveals, a bad plan is often better than no plan, especially if the people on the other side think it’s a good plan.”

“I love you forever' really means 'Just trust me for now,' which is all it ever means, and we just hope to keep renewing the "now," year after year.”

“The loneliness of the expatriate is of an odd and complicated kind, for it is inseparable from the feeling of being free, of having escaped.”

“This can shake you up, this business of things almost but not quite being the same. A pharmacy is not quite a drugstore; a brasserie is not quite a coffee shop; a lunch is not quite a lunch.”

“Men choose Hamlet because every man sees himself as a disinherited monarch. Women choose Alice [in Wonderland] because every woman sees herself as the only reasonable creature among crazy people who think they are disinherited monarchs.”

“Yet human intelligence has another force, too: the sense of urgency that gives human smarts their drive. Perhaps our intelligence is not just ended by our mortality; to a great degree, it is our mortality.”

“Wit and puns aren't just decor in the mind; they're essential signs that the mind knows it's on, recognizes its own software, can spot the bugs in its own program.”

“We don't know that we've lost half a minute from our lives but we feel it somehow, we feel its absence. Something is missing, we think. And so we long for the thing we've missed and can't name, and out of that wanting - well, everything else rises, good and bad. What do you think leads us to the windows in the first place? The light in your eyes shines because of the longing in your soul. And the longing in your souls rises because you are looking for the lost half minute.”

“In Darwin's work, time moves at two speeds: there is the vast abyss of time in which generations change and animals mutate and evolve; and then there is the gnat's-breath, hummingbird-heart time of creaturely existence, where our children are born and grow and, sometimes, die before us...The space between the tiny but heartfelt time of human life and the limitless time of Nature became Darwin's implicit subject. Religion had always reconciled quick time and deep time by pretending that the one was in some way a prelude to the other - a prelude or a porlogue or a trial or a treatment. Artists of the Romantic period, in an increasingly secularized age, thought that through some vague kind of transcendence they could bridge the gap. They couldn't. Nothing could. The tragedy of life is not that there is no God but that the generations through which it progresses are too tiny to count very much. There isn't a special providence in the fall of a sparrow, but try telling that to the sparrows. The human challenge that Darwin felt, and that his work still presents, is to see both times truly - not to attempt to humanize deep time, or to dismiss quick time, but to make enough of both without overlooking either.”

“...you have taken part in the only really majestic choice we get to make in life, which is to continue it.”

“She always called him Luca, in the Italian manner, and said it with that funny trans-European intonation, the accent oddly placed on the first syllable: 'Where's Loo-ka?', just like Audrey Hepburn saying, 'Take the pic-ture,' in Funny Face.”

“The romance of your child's childhood may be the last romance you can give up.”

“After all, spinning is its own reward. There wouldn't be carousels if it weren't so.”

“When you see a Gauguin, you think, This man is living in a dream world. When you see a van Gogh, you think, This dream world is living in a man.”

“Oliver, success is usually a feeling of mere relief, where failure is pain. Happiness, you see, lies in neither, but in sticking to a daily ritual and becoming absorbed in something useful. When the war is over, even the greatest warriors do not exult. They go back to their garden or kitchen or library -- or school -- and resume life.(as said by Mrs. Pearson)”

“Writing well isn't just a question of winsome expression, but of having found something big and true to say and having found the right words to say it in, of having seen something large and having found the right words to say it small, small enough to enter an individual mind so that the strong ideas of what the words are saying sound like sweet reason.”

“Can't repeat the past? We do it every day. We build a life, or try to, of pleasures and duties that will become routine, so that every day will be the same day, or nearly so, "the day of our life," Randall Jarrell called it.”

“we swim in our second language, we breathe in our first”

“The French believe that all errors are distant, someone else's fault. Americans believe that there is no distance, no difference, and therefore that there are no errors, that any troubles are simple misunderstandings, consequent on your not yet having spoken English loudly enough.”

“We breathe in our first language, and swim in our second.”

“Love, like light, is a thing that is enacted better than defined: we know it afterward by the traces it leaves on paper.”

“Leafing through Forbes or Fortune [magazine]s is like reading the operating manual of a strangely sanctimonious pirate ship”

“Writers are married to their keyboards, as to their passports.”

“There are two kinds of travelers. There is the kind who goes to see what there is to see, and the kind who has an image in his head and goes out to accomplish it. The first visitor has an easier time, but I think the second visitor sees more.”

“American long for a closed society in which everything can be bought, where laborers are either hidden away or dressed up as nonhumans, so as not to be disconcerting. This place is called Disney World”

“Whatever our official pieties, deep down we all believe in lives. The sternest formalists are the loudest gossips, and if you ask a cultural-studies maven who believes in nothing but collective forces and class determinisms how she came to believe in this doctrine, she will begin to tell you, eagerly, the story of her life.”

“History is not an agreed-upon fiction but what gets made in a crowded room; what is said isn't what's heard, and what's heard isn't what gets repeated. Civilization is an agreement to keep people from shouting 'Fire!' in a crowded theater, but the moments we call historical occur when there is a fire in a crowded theater; and then we all try to remember afterward when we heard it, and if we ever really smelled smoke, and who went first and what they said. The indeterminancy is built into the emotion of the moment. The past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present. If we had been there listening, we still might not have been able to determine exactly what Stanton said. All we know for sure is that everyone was weeping and the room was full.”