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Adi Alsaid

Adi Alsaid was born and raised in Mexico City, where he now lives, writes, and spills hot sauce on things. He's the author of several YA novels including LET'S GET LOST, NEVER ALWAYS SOMETIMES, and NORTH OF HAPPY.


“A native tongue, in my opinion, isn't the language spoken where you were born or the first language you learned; it's a language that makes you feel at home. It's a language that you don't command, but that commands you. And without it, you'd feel lost, unsure of how to express to the world everything you care enough to express.”
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“Waking up to a smell is a lot more satisfying than waking up to a noise. Instead of barging in uninvited and yanking you out into reality, smells enter your dreams with a silent knock and a polite "Excuse me?”
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“The thing with thoughts is that they die, like everything else. But almost everything else leaves a trace behind, even if it's a tiny carcass, some proof that it existed. Unless thoughts are spoken or written or sung or acted upon, there's no evidence that they were ever there.”
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“What's so great about writing?" "You can make anything true”
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“Panic strikes me when I think about a sentence that isn’t given the chance to live because I don’t have a pen in my hand or am not sitting near enough to someone familiar to speak it to. Especially if it’s a particularly good sentence, a sentence with truth or beauty or humor or sadness to it. The best ones always take you by surprise. They sneak into your head while you’re walking down the aisles at a supermarket, or flat-out assault you when you’re at your grandmother’s funeral, and you have to scramble to give the thought life before it’s gone forever. Cocktail napkins, palms, text messages sent to yourself.”
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“I hate technology. It provides so many different channels of loneliness. Every time you check your email and don’t see a new message, you know that, even though people have the ability to contact you at any time of the day from anywhere on the planet, no one is interested in doing so. Phones are constant reminders that 160 people you know fairly well have nothing to say to you most of the time.”
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“God crafted men’s eyes and women’s breast from the same material, I’m convinced. Whenever eyes wander toward cleavage, they’re just trying to feel like they’re home. It’s also why breasts always know when they’re being watched.”
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