Akira Kurosawa (Rashomon) photo

Akira Kurosawa (Rashomon)

Rashomon

(1950),

The Seven Samurai

(1954), and

Ran

(1985), set in feudal Japan of director Akira Kurosawa, greatly influenced American and European filmmaking.

This producer, screenwriter, and editor, regarded of the most important and influential in the history of cinema, directed thirty in a career, spanning 57 years.

Following a brief stint as a painter, Kurosawa entered the industry in 1936. After years of working as an assistant and scriptwriter, he made his debut in 1943 during World War II with the popular action film Sanshiro Sugata, also known as Judo Saga. After the war, the critically acclaimed Drunken Angel (1948), in which Kurosawa cast then-unknown actor Toshirō Mifune in a starring role, cemented the reputation of the most important young filmmakers in Japan. The two men went to collaborate on another 15 films.

Rashomon, which premiered in Tokyo in August 1950, and which also starred Mifune, on 10 September 1951 surprisingly won the golden lion at the Venice film festival and was subsequently released in Europe and North America. The commercial and critical success opened up western markets for the first time to the products of the industry, which in turn led to international recognition for other artists. Throughout the 1950s and early 1960s, Kurosawa included a number of highly regarded films, such as Ikiru (1952) and Yojimbo (1961). After the mid-1960s, his much less prolific later work, including his penultimate epic, Kagemusha (1980), continued to win awards, including the Palme d'Or, more often abroad.

In 1990, he accepted the academy award for lifetime achievement. Posthumously, AsianWeek magazine and Cable News Network named him "Asian of the century" in the "arts, literature, and culture" category and cited him as "one of the [five] people who contributed most to the betterment of Asia in the past 100 years."


“I like silent pictures and I always have ... I wanted to restore some of this beauty. I thought of it, I remember in this way: one of techniques of modern art is simplification, and that I must therefore simplify this film.”
Akira Kurosawa (Rashomon)
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