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Alan Bradley

With an education in electronic engineering, Alan worked at numerous radio and television stations in Ontario, and at Ryerson Polytechnical Institute (now Ryerson University) in Toronto, before becoming Director of Television Engineering in the media centre at the University of Saskatchewan in Saskatoon, where he remained for 25 years before taking early retirement to write in 1994.

He became the first President of the Saskatoon Writers, and a founding member of the Saskatchewan Writers Guild. His children's stories were published in The Canadian Children's Annual, and his short story, Meet Miss Mullen, was the first recipient of the Saskatchewan Writers Guild Award for Children's Literature.

For a number of years, he regularly taught Script Writing and Television Production courses at the University of Saskatchewan (Extension Division) at both beginner and advanced levels.

His fiction has been published in literary journals and he has given many public readings in schools and galleries. His short stories have been broadcast by CBC Radio.

He was a founding member of The Casebook of Saskatoon, a society devoted to the study of Sherlock Holmes and Sherlockian writings. Here, he met the late Dr. William A.S. Sarjeant, with whom he collaborated on their classic book, Ms Holmes of Baker Street. This work put forth the startling theory that the Great Detective was a woman, and was greeted upon publication with what has been described as "a firestorm of controversy".

The release of Ms. Holmes resulted in national media coverage, with the authors embarking upon an extensive series of interviews, radio and television appearances, and a public debate at Toronto's Harbourfront. His lifestyle and humorous pieces have appeared in The Globe and Mail and The National Post.

His book The Shoebox Bible (McClelland and Stewart, 2006) has been compared with Tuesdays With Morrie and Mr. God, This is Anna.

In July of 2007 he won the Debut Dagger Award of the (British) Crimewriter's Association for his novel The Sweetness at the Bottom of the Pie, the first of a series featuring eleven year old Flavia de Luce, which has since won the 2009 Agatha Award for Best First Novel,the 2010 Dilys Award,the Spotted Owl Award, and the 2010 Arthur Ellis Award for Best First Novel.

The Sweetness at the Bottom of the Pie has also been nominated for the Macavity, the Barry, and the Arthur Awards.

Alan Bradley lives in Malta with his wife Shirley and two calculating cats.


“I wanted to cry.I also wanted to go to my laboratory and prepare an enormous batch of nitrogen triiodide with which to blow up, in a spectacular mushroom cloud of purple vapor, the world and everyone in it.”
Alan Bradley
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“Aunque olvides todo lo demás, acuérdate de esto: la inspiración que viene de fuera de uno mismo es igual que el calor en el horno. De él salen panecillos mediocres. Pero la inspiración que proviene de tu interior es como un volcán: puede cambiar el mundo.”
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“Do What?' 'Lie,' he said. 'Why do you fabricate these outlandish stories?''Well,' I wanted to say, 'there are those of us who create because all around us, things visible and invisible are crumbling. We are like the stonemasons of Babylon, forever working, as it says in Jeremiah, to shore up the city of walls.'I didn't say that, of course. What I did say was: 'I don't know.”
Alan Bradley
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“We Three Kings of Leicester Square,Selling ladies’ underwear,So fantastic, no elastic,Only tuppence a pair.”
Alan Bradley
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“There's an unwritten law of the universe which assures that the thing you seek will always be found in the last place you look. It applies to everything in life from lost socks to misplaced poisons. . .”
Alan Bradley
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“I had found by experience that putting things down on paper helped to clear the mind in precisely the same way, as Mrs. Mullet had taught me, that an eggshell clarifies the consommé or the coffee, which, of course, is a simple matter of chemistry. The albumin contained in the eggshell has the property of collecting and binding the rubbish that floats in the dark liquid, which can then be removed and discarded in a single reeking clot: a perfect description of the writing process.”
Alan Bradley
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“Was sorrow, in the end, a private thing? A closed container? Something that, like a bucket of water, could be borne only on a single pair of shoulders?”
Alan Bradley
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“Ladies and gentlemen, friends and neighbors, and anyone else I've managed to leave out–”
Alan Bradley
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“Good morning, Flavia," she said at last, but her acknowledgment of my presence came too late for my liking.”
Alan Bradley
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“No point in wasting time with false vanity when you possess the real thing.”
Alan Bradley
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“My head was spinning. I could think of nothing better to calm it down than the Oxford English Dictionary.”
Alan Bradley
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“You must have loved her awfully," I said, realizing even as I spoke that I made it sound as if Fenella were already dead. "Yes, sometimes very much," Porcelain said reflectively, "-and sometimes not at all." She must have seen my startled reaction. "Love's not some big river that flows on and on forever, and if you believe it is, you're a bloody fool. It can be dammed up until nothing's left but a trickle..." "Or stopped completely, I added.”
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“A long hallway, hung profusely with dark, water-stained sporting prints, served as a lobby, in which centuries of sacrificed kippers had left the smell of their smoky souls clinging to the wallpaper. Only the patch of sunshine visible through the open front door relieved the gloom”
Alan Bradley
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“A dead body is much more fascinating than a live one, and I have learned that most corpses tell better stories.”
Alan Bradley
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“The sweater didn't fit me, of course. Even with the sleeves rolled up I looked like a baggy monkey picking bananas. But to my way of thinking, at least in winter, woolly warmth trumps freezing fashion any day of the week.”
Alan Bradley
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“The very best people are like that. They don't entangle you like flypaper.”
Alan Bradley
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“I had once repeated the experiment to reassure myself that this was so, and it was. Ashes to ashes; starch to sugar. A little window into the Creation”
Alan Bradley
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“Not very good with death? Father was a military man, and military men lived with death; lived for death; lived on death. To a professional soldier, oddly enough, death was life.”
Alan Bradley
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“I had concocted the gunpowder myself from niter, sulfur, charcoal, and a happy heart. When working with explosives, I've found that attitude is everything.”
Alan Bradley
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“Although it is pleasant to think about poison at any season, there is something special about Christmas, and I found myself grinning.”
Alan Bradley
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“Perhaps, I thought, whenever we began to breathe the breath of others, when the spinning atoms of their bodies began to mingle withour own, we took on something of their personality, like crystals in a snowflake. Perhaps we became something more, yet something lesser than ourselves.”
Alan Bradley
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“Now, glancing over...as she knelt with her eyes closed, her fingertips touching and pointed to Heaven, and her lips shaping soft words of devotion, I had to pinch myself to keep in mind that I was sitting next to the Devil's Hairball.”
Alan Bradley
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“Yaroo!" I shouted, and I didn't give a beetle's bottom who heard me. "Ya-rooo!”
Alan Bradley
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“Diamonds were nothing more than carbon, but carbon in a crystal lattice that made it the hardest known mineral in nature. That was the way we all were headed. I was sure of it. We were destined to be diamonds!How exciting it was to think that, long after the world had ended, whatever was left of our bodies would be transformed into a dazzling blizzard of diamond dust, blowing out towards eternity in the red glow of a dying sun.”
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“I was me, I was Flavia. And I loved myself, even if no one else did.”
Alan Bradley
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“Not to be too dramatic about it, that night I slept the sleep of the damned. I dreamt of turrets and craggy ledges where the windswept rain blew in from the ocean with the odor of violets. A pale woman in Elizabethan dress stood beside my bed and whispered in my ear that the bells would ring. An old salt in an oilcloth jacket sat atop a piling, mending nets with an awl, while far out at sea a tine aeroplane winged its way towards the setting sun.”
Alan Bradley
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“As Daffy once said, the best place to hide a glum countenance is onstage at the opera.”
Alan Bradley
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“How curious it was, [...], that we humans had taken millions of year to crawl up out of the swamps and yet, within minutes of death, we were already tobogganing back down the slope.”
Alan Bradley
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“When you're that age, you sometimes have a great enthusiasm that is very deep and very narrow, and that is something that has always intrigued me-- that world of the eleven-year-old that is so quickly lost.”
Alan Bradley
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“Sorry, old girl," I said to [my bicycle] Gladys in the gray dishwater light of early morning, "but I have to leave you at home."I could see that she was disappointed, even though she managed to put on a brave face."I need you to stay here as a decoy," I whispered. "When they see you leaning against the greenhouse, they'll think I'm still in bed." Gladys brightened considerably at the thought of a conspiracy. [...]At the corner of the garden, I turned, and mouthed the words, "Don't do anything I wouldn't do," and Gladys signaled that she wouldn't.I was off like a shot.”
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“…because I was only eleven years old, I was wrapped in the best cloak of invisibility in the world.”
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“Excuse me,' I said. 'I've just remembered something.' It was true. What I'd remembered was this: While I was not in the least afraid of the dead, there were those among the living who gave me the creeping hooly-goolies...”
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“I was learning that among friends, a smile can be better than a belly laugh.”
Alan Bradley
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“I had learned by personal experience that grumblers are deaf to any voices but their own.”
Alan Bradley
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“Spare us the pout, there’s enough lip in the world without you adding to it.”
Alan Bradley
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“If God meant for pictures to be sent through the air He’d have never would have given us cinema. Or the national gallery.”
Alan Bradley
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“...and I realized not without a sinking feeling that he was already completely in Feely’s thrall, hanging on her every word like ball on a rubber string, nodding like a demented woodpecker, and grinning like a fool.”
Alan Bradley
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“Impertinent children ought to be given six coats of shellac and set up in public places as a warning to others.”
Alan Bradley
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“Thinking and prayer are much the same thing anyway, when you stop to think about it -- if that makes any sense. Prayer goes up and thought comes down -- or so it seems. As far as I can tell, that's the only difference.”
Alan Bradley
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“I lay for a long time in silence, staring at the ceiling. Was my life always to be like this? I wondered. Was it going to go, forever, in an instant, from sunshine to shadow? From pandemonium to loneliness? From fierce anger to a fiercer kind of love?”
Alan Bradley
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“I realized at once that a great actress can never be greater than when she's starring in her own life.”
Alan Bradley
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“It always surprises me after a family row to find that the world outdoors has remained the same. While the passions and feelings that accumulate like noxious gases inside a house seem to condense and cling to the walls and ceilings like old smoke the out-of-doors is different. The landscape seems incapable of accumulating human radiation. Perhaps the wind blows anger away.”
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“It’s not polite to ask ” he said with a slight smile. “One must never ask a policeman his secrets.” “Why not ” “For the same reason I don’t ask you yours.” How I adored this man! Here we were the two of us engaged in a mental game of chess in which both of us knew that one of us was cheating. At the risk of repetition, how I adored this man!”
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“I had long ago discovered that when a word or formula refused to come to mind the best thing for it was to think of something else: tigers for instance or oatmeal. Then when the fugitive word was least expecting it I would suddenly turn the full blaze of my attention back onto it catching the culprit in the beam of my mental torch before it could sneak off again into the darkness.”
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“I remembered Father remarking once that if rudeness was not attributable to ignorance it could be taken as a sure sign that one was speaking to a member of the aristocracy.”
Alan Bradley
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“I remembered that Johnson had declared portrait painting to be an improper employment for a woman. “Public practice of any art and staring in men’s faces is very indelicate in a female,” he had said. Well I’d seen Dr. Johnson’s face in the book’s frontispiece and I couldn’t imagine anyone male or female wanting to stare into it for any length of time —the man was an absolute toad.”
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“I have no fear of the dead. Indeed in my own limited experience I have found them to produce in me a feeling that is quite the opposite of fear. A dead body is much more fascinating than a live one and I have learned that most corpses tell better stories. I’d had the good fortune of seeing several of them in my time.”
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“Compared with my life Cinderella was a spoiled brat.”
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“I was gazing at a cup of cocoa on my night table. As I focused on the thick brown skin that had formed upon its surface like ice on a muddy pond something at the root of my tongue leapt like a little goat and my stomach turned over. There are not many things that I despise but chiefest among them is skin on milk. I loathe it with a passion. Not even the thought of the marvelous chemical change that forms the stuff—the milk’s proteins churned and ripped apart by the heat of boiling then reassembling themselves as they cool into a jellied skin—was enough to console me. I would rather eat a cobweb.”
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“I had to make water ” I said. It was the classic female excuse and no male in recorded history had ever questioned it. “I see ” the Inspector said and left it at that. Later I would have a quick piddle behind the caravan for insurance purposes. No one would be any the wiser.”
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