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Albert Speer

Albert Speer, born Berthold Konrad Hermann Albert Speer, was a German architect who was, for a part of World War II, Minister of Armaments and War Production for the Third Reich. Speer was Adolf Hitler's chief architect before assuming ministerial office. As "the Nazi who said sorry", he accepted responsibility at the Nuremberg trials and in his memoirs for crimes of the Nazi regime. His level of involvement in the persecution of the Jews and his level of knowledge of the Holocaust remain matters of dispute.


“The communications apparatus at headquarters was remarkable...It was possible to communicate directly with all important theaters of the war...They could be directed from Hitler's table in the situation room. The more fearful the situation, the greater was the gulf modern technology created between reality and fantasies with which the man at this table operated.”
Albert Speer
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“Hitler knew nothing about his enemies and even refused to use the information that was available to him. Instead, he trusted his inspirations, no matter how inherently contradictory they may be and these inspirations were governed by extreme contempt and underestimation of the others.”
Albert Speer
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“Hitler's dictatorship was the first of an industrial estate in this age of modern technology, a dictatorship which employed to perfection the instruments of technology to dominate its own people. By means of such instruments of technology, eighty million persons could be made subject to the will of one individual. Telephone, teletype, radio, made it possible to transmit the commands of the highest levels directly to the lowest organs where they were executed uncritically”
Albert Speer
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“At headquarters, where everyone lived under the tremendous pressure of responsibility, probably nothing was more welcome than a dictate from above. That meant being freed of a decision and simultaneously being provided with an excuse for failure.”
Albert Speer
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“As I see it today, Hitler and Goebbels were in fact molded by the mob itself, guided by its yearnings and its daydreams. Of course, Goebbels and Hitler knew how to penetrate through to the instincts of their audiences; but in the deeper sense they derived their whole existence from these audiences. Certainly the masses roared to the beat set by Hitler's and Goebbels' baton; yet they were not the true conductors. The mob determined the theme. To compensate for misery, insecurity, unemployment, and hopelessness, this anonymous assemblage wallowed for hours at a time in obsessions, savagery and license. The personal unhappiness caused by the breakdown of the economy was replaced by a frenzy that demanded victims. By lashing out at their opponents and vilifying the Jews, they gave expression and direction to fierce primal passions.”
Albert Speer
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“By no means would I describe Adolph Hitler as sexually normal in his relationships with women. In the case of Eva Braun in particular, it seems clear to me that aside from occasional passionate episodes there was no sexual activity at all for long periods of time. The effect of this on Hitler I do not know, but Eva Braun's misery was well-known at headquarters. During the long dry spells she was irritable, impatient and quick to anger. She smoked much more and was incessantly lighting one cigarette after another. By contrast, when once in a great while Hitler's more human feelings expressed themselves in a sudden cloudburst, her manner changed completely. Eva at such times was radiant, flushed with happiness. Her natural warmth and high spirits returned, and she seemed to sparkle again like the cheerful and spontaneous girl she once was. Though it seems obscene to pity one individual human being with so many millions dead, I do believe that Eva Braun was the loneliest woman I ever knew.”
Albert Speer
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“...being in a position to know and nevertheless shunning knowledge creates direct responsibility for the consequences...”
Albert Speer
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“One seldom recognizes the devil when he is putting his hand on your shoulder.”
Albert Speer
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