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Alice Sebold


“The living room seemed to be where no living ever actually occurred.”
Alice Sebold
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“At Evensong one night, while Holly played at sax and Mrs. Bethel Utemeyer joined in, I saw him: Holiday, racing past a fluffy white Samoyed. He had lived to a ripe old age on earth and slept at my father's feet after my mother left, never wanting to let him out of his sight... I waited for him to sniff me out, anxious to know if here, on the other side, I would still be the little girl he slept beside. I did not have to wait long: he was so happy to see me, he knocked me down.”
Alice Sebold
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“Almost, not quite,I wish you all a long and happy Life”
Alice Sebold
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“That night my mother had what she considered a wonderful dream. She dreamed of the country of India, where she had never been. There were orange traffic cones and beautiful lapis lazuli insects with mandibles of gold. A young girl was being led through the streets. She was taken to a pyre where she was wound in a sheet and placed up on a platform built from sticks. The bright fire that consumed her brought my mother into that deep, light, dreamlike bliss. The girl was being burned alive, but, first, there had been her body, clean and whole.”
Alice Sebold
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“You could not be filled with hate and be beautiful. Like any other girl, I wanted to be beautiful. But I was filled with hate.”
Alice Sebold
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“I never let myself yearn for Buckley, afraid he might see my image in a mirror or a bottle cap. Like everyone else I was trying to protect him.”
Alice Sebold
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“If I was aware I would have to tie laces I would not have been able to put my feet into socks.”
Alice Sebold
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“Susie?" "Yes?" "Just have fun, kid.”
Alice Sebold
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“They would go back to their homes and put me to rest, a letter from the past never reopened or reread.”
Alice Sebold
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“Her brain was a storm, her usual insight gone.”
Alice Sebold
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“ll you have to do is desire it, and if you desire it enough and understand why, it will come.”
Alice Sebold
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“I have never liked the phone. Ten years ago, during a misguided fit of self-improvement, I pasted smiley-faced stickers on the phone in my bedroom and on the one in the kitchen. Then I typed out two labels and taped them to the handsets. “It’s an opportunity, not an attack,” they read.”
Alice Sebold
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“We lay there with our bodies touching, and as I shook, a powerful knowledge took hold. He had done this thing to me and I had lived. That was all. I was still breathing. I heard his heart. I smelled his breath. The dark earth around us smelled like what it was, moist dirt where animals lived their daily lives. I could have yelled for hours.”
Alice Sebold
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“Poison and medicine are often the same thing, given in different proportions”
Alice Sebold
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“Out loud I said I had two children. Silently I said three. I always felt like apologizing to her for that.”
Alice Sebold
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“We stood-- the dead child and the living --on either side of my father, both wanting the same thing. To have him to ourselves forever. To please us both was an impossibility.”
Alice Sebold
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“This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.”
Alice Sebold
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“She used the bathroom, running the tap noisily and disturbing the towels. She knew immediately that her mother had bought these towels — cream, a ridiculous color for towels — and monogrammed — also ridiculous, my mother thought. But then, just as quickly, she laughed at herself. She was beginning to wonder how useful her scorched-earth policy had been to her all these years. Her mother was loving if she was drunk, solid if she was vain. When was it all right to let go not only of the dead but of the living—to learn to accept?”
Alice Sebold
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“Mi madre era eterna como la luna. Viva o muerta, la madre o la ausencia de la madre siempre determina la vida de una persona".”
Alice Sebold
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“I wish you all a long and happy life”
Alice Sebold
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“Pero esperaba con paciencia. Ya no creía en el poder de la palabra. Nunca salvaba nada. A los setenta años había acabado creyendo únicamente en el tiempo.”
Alice Sebold
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“By the time I was eighteen, she had sat me down and detailed her alcoholism, its onset and aftermath. She believed that by sharing such things I might be able to avoid them or, if need be, recognize them when they occurred. By talking about them to her children, she was also acknowledging that they were real and that they had an effect on us too, that things like this shaped a family, not just the person they happened to.”
Alice Sebold
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“You're not supposed to look back, you're supposed to keep going.”
Alice Sebold
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“How could it be that you could love someone so much and keep it secret from yourself as you woke daily so far from home?”
Alice Sebold
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“Kuinka tehdään täydellinen murha" oli taivaassa vanha leikki. Minä valitsin aina aseeksi jääpuikon: se sulaa olemattomiin.”
Alice Sebold
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“When Lindsey and I played Barbies Barbie and Ken got married at sixteen. To us there was only one true love in everyone's life we have no concept of compromise or retries.”
Alice Sebold
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“She was in the downstairs bathroom sneaking bites from the macaroons my father's firm always sent us for Christmas. She ate them greedily they were like suns bursting open in her mouth.”
Alice Sebold
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“How can I be expected to be trapped for the rest of my life by a man frozen in time?”
Alice Sebold
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“Look what happens when we dream.”
Alice Sebold
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“You're dead and you have to accept it.”
Alice Sebold
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“People grow up by living.”
Alice Sebold
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“Heaven wasn't perfect.”
Alice Sebold
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“The helplessness of being alive, the dark bright pity of being human-- feeling as you went--groping in corners and opening your arms to light-- all of it part of navigating the unknown.”
Alice Sebold
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“No one can pull anyone back from anywhere. You save yourself or you remain unsaved.”
Alice Sebold
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“To take the tops off all the houses and mingle our miseries was too simple a solution, I knew. Houses had windows with shades. Yards had gates and fences. There were carefully planned out sidewalks and roads, and these were the paths that, if you chose to go into someone else's reality, you had to be willing to walk. There were no shortcuts.”
Alice Sebold
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“My father worked behind closed doors inside the house, had a huge ancient Latin dictionary on a wrought-iron stand, spoke Spanish on the phone, and drank sherry and ate raw meat, in the form of chorizo, at five o'clock. Until the day in the yard with my playmate I thought this was what fathers did. Then I began to catalog and notice. They mowed lawns. They drank beer. They played in the yard with their kids, walked around the block with their wives, piled into campers, and, when they went out, wore joke ties or polo shirts, not Phi Beta Kappa keys and tailored vests.”
Alice Sebold
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“Like snowflakes,' Franny said,'none of them the same and yet each one, from where we stand, exactly like the one before”
Alice Sebold
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“If you stop asking why you were killed instead of someone else, stop investigating the vacuum left by your loss, stop wondering what everyone left on Earth is feeling, you can be free. Simply put, you have to give up on Earth.”
Alice Sebold
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“If I walked too far and wondered loud enough the fields would change. I could look down and see horse corn and I could hear it then- singing- a kind of low humming and moaning warning me back from the edge. My head would throb and the sky would darken and it would be that night again, that perpetual yesterday lived again. My soul solidifying, growing heavy. I came up to the lip of my grave this way many times but had yet to stare in. I did begin to wonder what the word heaven meant. I thought, if this were heaven, truly heaven, it would be where my grandparents lived. Where my father's father, my favorite of them all, would lift me up and dance with me. I would feel only joy and have no memory, no cornfield and no grave. You can have that,' Franny said to me. 'Plenty of people do.' How do you make the switch?' I asked. It's not as easy as you might think,' she said. 'You have to stop desiring certain answers.' I don't get it.' If you stop asking why you were killed instead of someone else, stop investigating the vaccum left by your loss, stop wondering what everyone left on Earth is feeling,' she said, 'you can be free. Simply put, you have to give up on Earth.' This seemed impossible to me. ...She used the bathroom, running the tap noisily and disturbing the towels. She knew immediately that her mother had bought these towels- cream, a ridiculous color for towels- and monogrammed- also ridiculous, my mother thought. But then, just as quickly, she laughed at herself. She was beginning to wonder how useful her scorched-earth policy had been to her all these years. Her mother was loving if she was drunk, solid if she was vain. When was it all right to let go not only of the dead but of the living- to learn to accept?I was not in the bathroom, in the tub, or in the spigot; I did not hold court in the mirror above her head or stand in miniature at the tip of every bristle on Lindsey's or Buckley's toothbrush. In some way I could not account for- had they reached a state of bliss? were my parents back together forever? had Buckley begun to tell someone his troubles? would my father's heart truly heal?- I was done yearning for them, needing them to yearn for me. Though I still would. Though they still would. Always.”
Alice Sebold
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“As I watched my family sip champagne, I thought about how their lives trailed backward and forward from my death and then, I saw, as Samuel took the daring step of kissing Lindsey in a room full of family, became borne aloft away from it. These were the lovely bones that had grown around my absence: the connections- sometimes made at great cost, but often magnificent- that happened after I was gone. And I began to see things in a way that let me hold the world without me in it. The events that my death wrought were merely the bones of a body that would become whole at some unpredictable time in the future. The price of what I came to see as this miraculous body had been my life.My father looked at the daughter who was standing there in front of him. The shadow daughter was gone.”
Alice Sebold
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“My grandmother stepped back into the kitchen to get their drinks. I had come to love her more after death than I ever had on Earth. I wish I could say that in that moment in the kitchen she decided to quit drinking, but I now saw that drinking was a part of what made her who she was. If the worst of what she left on Earth was a legacy of inebriated support, it was a good legacy in my book.~Susie's grandmother, Lynn pgs 315-316”
Alice Sebold
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“Just that winter she had found herself saying to a young woman who worked with her at the tasting bar on Saturdays that between a man and a woman there was always one person who was stronger than the other one. 'That doesn't mean the weaker one doesn't love the stronger,' she'd pleaded. The girl looked at her blankly. But for my mother what mattered was that as she spoke, she had suddenly identified herself as the weaker one. This revelation sent her reeling. What had she thought all those years but the opposite?She pulled her chair as close to his head as she could and laid her face on the edge of his pillow to watch him breathing, to see the flutter of the eye beneath his eyelid when he dreamed. How could it be that you could love someone so far from home? She had put billboards and roads in between them, throwing roadblocks behind her and ripping off the rearview mirror, and thought that that would make him disappear? erase their life and children?It was so simple, as she watched him, as his regular breathing calmed her, that she did not even see it happening at first. She began to think of the rooms in our house and the hours that she had worked so hard to forget spent inside of them. Like fruit put up in jars and forgotten about, the sweetness seemed even more distilled as she returned. There on that shelf were all the dates and silliness of thier early love, the braid that began to form of their dreams, the solid root of a burgeoning family. The first solid evidence of it all. Me.”
Alice Sebold
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“I couldn't help but think, as I watched him, of the barrels of toxic fluids that had accrued behind Hal's bike shop where the scrub lining the railroad tracks had offered local companies enough cover to dump a stray contaner or two. Everything had been sealed up, but things were beginning to leak out. I had come to both pity and respect Len in the years since my mother left. He followed the physical to try to understand things that were impossible to comphrehend. In that, I could see, he was like me.”
Alice Sebold
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“At some point, to counter the list of the dead, I had begun keeping my own list of the living. It was something I noticed Len Fenerman did too. When he was off duty he would note the young girls and elderly women and every other female in the rainbow in between and count them among the things that sustained him. The young girl in the mall whose pale legs had grown too long for her now too-young dress and who had an aching vulnerability that went straight to both Len's and my own heart. Elderly women, wobbling with walkers, who insisted on dyeing their hair unnatural versions of the colors they had in youth. Middle-aged single mothers racing around in grocery stores while their children pulled bags of candy off the shelves. When I saw them, I took count. Living, breathing women. Sometimes I saw the wounded- those who had been beaten by husbands or raped by strangers, children raped by their fathers- and I would wish to intervene somehow. Len saw these wounded women all the time. They were regulars at the station, but even when he went somewhere outside his jurisdiction he could sense them when they came near. The wife in that bait-'n'-tackle shop had no bruises on her face but cowered like a dog and spoke in apologetic whispers. The girl he saw walk the road each time he went upstate to visit his sisters. As the years passed she'd grown leaner, the fat from her cheeks had drained, and sorrow had loaded her eyes in a way that made them hang heavy and hopeless inside her mallowed skin. When she was not there it worried him. When she was there it both depressed and revived him. ~Len Fenerman on stepping back/letting go/giving uppgs 271-272”
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“I would like to tell you that I am, and you will one day be, forever safe.”
Alice Sebold
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“On the flight to Phillidelphia, she sat alone in the middle of a row of three seats. She could not help but think of how, if she were a mother traveling, there would be two seats filled beside her. One for Lindsey. One for Buckley. But though she was, by definition a mother, she had at some point ceased to be one too. She couldn't claim that right and privilege after missing more than half a decade of their lives. She now knew that being a mother was a calling, something plenty of young girls dreamed of being. But my mother had never had that dream, and she had been punished in the most horrible and unimaginable way for never having wanted me.”
Alice Sebold
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“My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him.We stood- the dead child and the living- on either side of my father, both wanting the same thing. To have him to ourselves forver. To please us both was an impossibility....'Please don't let Daddy die, Susie,' he whispered. 'I need him.'When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced.I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles adn miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky to turn a dark, sweet blue as it had on the night of my death, I saw something walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so deperately?'Susie,' the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me. 'Remember?' he said.I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.'Granddaddy,' I said.And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.'Granddaddy,' I said.And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry.'Do you remember?' he asked.'Barber!''Adagio for Strings,' he said.But as we danced and spun- none of the herky-jerky awkwardness of Earth- what I remembered was how I'd found him crying to this music and asked him why.'Sometimes you cry,' Susie, even when someone you love has been gone a long time.' He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard. We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco.When the music stopped, it cold have been forever since we'd begun. My grandfateher took a step back, and the light grew yellow at his back.'I'm going,' he said.'Where?' I asked.'Don't worry, sweetheart. You're so close.'He turned and walked away, disappearing rapidly into spots and dust. Infinity.”
Alice Sebold
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“Those clothes are Susie's,' my father said calmly when he reached him.Buckley looked down at my blackwatch dress that he held in his hand.My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked.I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red.Why can't I use them?' he asked.It landed in my father's back like a fist.Why can't I use those clothes to stake my tomatoes?'My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?'You have to choose. It's not fair,' my brother said.Buck?' My father held my clothes against his chest.I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death.I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?'Is Keesha a girl at school?'Yes!'My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility.I'm sorry. When did this happen?'That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot.Buck, stop!' my father cried.My brother turned.You don't get it, Dad,' he said.I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.'...You act like she was yours only!'Tell me what you want to say. What's this about your friend Keesha's dad?'Put the clothes down.'My father laid them gently on the ground.It isn't about Keesha's dad.'Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.'She's dead.'It never ceased to hurt. 'I know that.'But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.'She will,' my father said.But what about us?'Who?'Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.'Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said.I didn't say anything.'Let go. Let go. Let go.I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go.My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him. Dad?'Son.' There was a quaver in his voice and a grasping outward toward my brother.I'll get Grandma.' And Buckley ran.My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.”
Alice Sebold
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“But she was waiting patiently. She no longer believed in talk. It never rescued anything. At seventy she had come to believe in time alone.”
Alice Sebold
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“Since then he had taken these photos out too many times to count, but each time he looked into the face of this woman he had felt something growing inside him. It took him a long time to realize what it was. Only recently had his wounded synapses allowed him to name it. He had been falling in love all over again. He didn't understand how two people who were married, who saw each other every day, could forget what each other looked like, but if he had had to name what had happened- this was it. And the last two photos in the roll provided the key. He had come home from work- I remember trying to keep my mother's attention as Holiday barked when he had heard the car pull into the garage. 'He'll come out,' I said. 'Stay still.' And she did. Part of what I loved about photography was the power it gave me over the people on the other side of the camera, even my own parents.Out of the corner of my eye I saw my father walk through the side door into the yard. He carried his slim briefcase, which, years before, Lindsey and I had heatedly investigated only to find very little of interest to us. As he set it down I snapped the last solitary photo of my mother. Already her eyes had begun to seem distracted and anxious, diving under and up into a mask somehow. In the next photo, the mast was almost, but not quite, in place and in the final photo, where my father was leaning slightly down to give her a kiss on the cheek- there it was.'Did I do that to you?' he asked her image as he stared at the pictures of my mother, lined up in a row. 'How did that happen?'~pgs 239-240; Mr. Salmon dealing with the three c's (for families of addicts)- Cause (you didn't cause it), Control (you can't control it), and Cure (you can't cure it)”
Alice Sebold
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