Alison Espach

“There is nothing better than this,” he said, and I worried he was right. I worried that once something had entered you, it would never leave—he would plant himself inside me and grow and grow until I was nothing but him.”

“When it was real it wasn’t funny. When you touched someone, they were always with you. When his mouth was on mine, we held the same breath in the same moment, and when he was naked, his body was covered in tiny black hairs that stuck to my clothes even after I washed them. He had sowly become a part of me and when he was cruel, or cold, or acted like we couldn’t go on like this anymore it felt like he was ripping my limbs off, one at a time.”

“Even through all of this, sometimes I wanted to lift up her chin and say, "Don't you see that is your dog?" Don't you see how we didn't want to have to love you, Laura? Don't you see how you have to love things forever anyway, no matter if it shakes, or drools, or barks in the middle of the night, or throws up food, or dies, because even in death, he is still your dog? You picked him out of a group and said, that is my dog, and the dog you picked shakes and drools and barks in the middle of the night, but you named him. And for that reason you should never want to give him up, you should always be grateful since your dog is one of the few things in life that you actually can choose as your own.”

“Being an adult, it seemed, was horrible. But being a child was awful too, and moving from one state to the other only meant you were moving closer to death, with so much and so little to talk about all at the same time, and how was that even possible?”

“The neighborhood had gotten really into pastel the last few years. It started when Alfred's wife painted their whole house a soft pink during menopause. Looks Like Linen it was called. People raved. A magazine came, made the family hold up a rotisserie chicken, and then photographed it. A few months later, Mrs. Trenton's house was Mint Leaf. Ours became Celery Powder. The Resnicks' house turned Yellow Feather.”

“Children's lives are always beginning and adults' lives are always ending. Or is it the opposite? Your childhood is always ending and your adult self is always beginning. You are always learning how to say good-bye to whoever you were at the dinner table the night before.”

“And then once in the music storage room. It was cold. The room was small with thin gray carpet and I cried after in my bed thinking of how sad the violins looked alone in the corner. It was embarrassing to have sex in front of the wrong things, especially a violin, which was so dignified at every angle”

“You know," my father said sprinkling nutmeg on his brandy Alexander, "if you sniff too much nutmeg, you could die.""You can die from anything, really," my mother said "You can die from eating too many apricots.""How many apricots?" I said, afraid that the World's Most Pathetic Death could happen to me.”