Aminatta Forna
Aminatta’s books have been translated into eighteen languages. Her essays have appeared in Freeman’s, Granta, The Guardian, LitHub, The Nation, The New York Review of Books, The Observer and Vogue. She has written stories for BBC radio and written and presented television documentaries including “The Lost Libraries of Timbuktu” (BBC Television, 2009) and “Girl Rising” (CNN, 2013).
Aminatta is a Fellow of the Royal Society of Literature and a member of the Folio Academy. She has acted as judge for the Samuel Johnson Prize, the Bailey Prize for Women’s Fiction, the Sunday Times EFG Short Story Award, the Caine Prize and the International Man Booker Prize.
In 2003 Aminatta established the Rogbonko Project to build a school in a village in Sierra Leone. The charity has also run a number of projects in the spheres of adult education, sanitation and maternal health.
Aminatta is the recipient of a Windham Campbell Award from Yale University, has won the Commonwealth Writers’ Prize Best Book Award 2011, a Hurston Wright Legacy Award the Liberaturpreis in Germany and the Aidoo-Snyder Book Prize. She has been a finalist for the Neustadt Prize for Literature, the Orange Prize for Fiction, the IMPAC Award and the Warwick Prize. Aminatta Forna was made OBE in the Queen’s New Year’s Honours 2017.
She is currently Lannan Visiting Chair of Poetics at Georgetown University and Professor of Creative Writing at Bath Spa University.
“A life, a history, whole patterns of existence altered, simply by doing nothing. The silent lie. The act of omission.”
“He knows nothing about how this will all end, except that it will surely end. He tries to imagine himself into a future, somewhere past this point, but he cannot. There is nothing to do but to keep on existing, in this exact time and place. This is what hell must be like. Waiting without knowing. Not hell, but purgatory. Worse than hell.”
“All liars ... lie to protect themselves, to shield their egos from the raw pain of truth.”
“War had the effect of encouraging people to try to stay alive. Poverty, too. Survival was simply too hard-won to be given up lightly.”
“How differently we behave in other peoples countries ... no sooner than we think we can get away with it, we do as we please. It doesn't require the breakdown of a social order. It takes a six-hour plane flight.”
“Adrian's tone suggested that the desire for something was all it took. They all live with endless possibilities, leave their homes for the sake of something new. But the dream is woven from the fabric of freedom. For desire to exist it requires the element of possibility, and that for Kai has never existed, until now...”
“And afterwards, if you had asked any of the survivors how they had managed it, they would not have been able to tell you. It was as if those days in the forest, the escape to the city, had passed in a trance. The mind creates an alternative state.”
“How easily they spoke of love. And yet, when she'd needed the certainty of his feeling for her, he'd let her slip away, never able to bring himself to tell her about the ways in which he'd been changed. He'd been incapable he'd let Nenebah believe the problem lay with her.”
“At the time he had closed in upon himself, denying her a place of entry. She was tenacious, aggressive as a lover, had tried to prise the pieces of him apart. Only when she failed had she finally let go, by then months had passed. She loved like she was going to war, but she was also not the kind of woman to wait for a man. Valiant in battle, noble in defeat. She walked away and never looked back”
“The hollowness in his chest, the tense yearning, the loneliness he braces against, every morning until he can immerse himself in work and forget. Not love. Something else, something with a power that endures. Not love, but a memory of love.”
“When you do nothing, what do your children inherit? They inherit, nothing.”
“If you want to know a country, read its writers.”