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Andrea Gibson

Andrea Gibson is an award-winning poet and activist who lives in Boulder, Colorado. Their latest book THE LORD OF THE BUTTERFLIES will be published by Button in November 2018.

Their poetry focuses on gender norms, politics, social reform and the struggles LGBTQ people face in today's society. In addition to using poetry to express what they feel and provide social and political commentary on real issues, they are involved with many activist groups. They often perform at Take Back the Night events, LGBTQ events, pride events, trans events, anti-war rallies, peace rallies, organizations against the occupation of Palestine, and groups focused on examining the wrongs of capitalism, patriarchy and white supremacy. They also work with a group called Vox Feminista whose model is to "comfort the disturbed and disturb the comfortable" on all these issues. Throughout the year, they tour Universities and other venues across the country.


“You can stand on the cliff of my heart and shout nothing but ‘ugly’ through me. I promise all I will echo back is ‘Beauty, beauty, you have always been beauty”
Andrea Gibson
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“I’m never gonna waitthat extra twenty minutesto text you back,and I’m never gonna playhard to getwhen I know your lifehas been hard enough already.When we all know everyone’s lifehas been hard enough alreadyit’s hard to watchthe game we make of love,like everyone’s playing checkerswith their scars,saying checkmatewhenever they get outwithout a broken heart.Just to be clearI don’t want to get outwithout a broken heart.I intend to leave this lifeso shatteredthere’s gonna have to bea thousand separate heavensfor all of my flying parts.”
Andrea Gibson
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“Safety isn't always safe. You can find one on every gun.”
Andrea Gibson
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“Loveisn't always magic.But if I offered my body to the magician,if I told him to cut me in halfso after that I could come to you wholeand ask for you backwould you listenfor this dark alley love song?For the winter we heated our home from the steam off our own bodies?”
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“Rocking ChairSad is. Scared is. That is all. The rocking chair I live in rocks like a paper boat. Sometimes I am all words, and no boot. No muster. No yes. All lag and tired pray, all miss my hometown. Miss the woods and the quiet porch and the talking slow. I caught the snow on my tongue. Snow angel, I. My heart a blue lamp. My mother calling me home. We cannot be called home enough times in our lives. Dear lonely, what is your name? I will open my front door and ring it through the streets.”
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“Forests may be gorgeous but there is nothing more alive than a tree that learns how to grow in a cemetery.”
Andrea Gibson
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“...And for every day you paint the war, take a week and paint the beauty, the color, the shape of the landscape you’re marching towards. Everyone knows what you’re against; show them what you’re for.”
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“I thought, "The flowers, save the flowers..."I never thought for a secondwe wouldn't save the people”
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“Lately I've been thinking about who I want to love, and how I want to love, and why I want to love the way I want to love, and what I need to learn to love that way, and how I need to become to become the kind of love I want to be. And when I break it all down, when I whittle it into a single breath, it essentially comes out like this: before I die, I want to be somebody's favorite hiding place, the place they can put everything they need to survive, every secret, every solitude, every nervous prayer, and be absolutely certain I will keep it safe. I will keep it safe.”
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“Before I die, I want to be somebody’s favorite hiding place, the place they can put everything they know they need to survive, every secret, every solitude, every nervous prayer, and be absolutely certain I will keep it safe. I will keep it safe.”
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“Hey, are you a boy or a — never mind, can I have a push on the swing?” And some day, y’all, when we grow up, it’s all gonna be that simple.”
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“I want you to tell me about every person you’ve ever been in love with.Tell me why you loved them,then tell me why they loved you.Tell me about a day in your life you didn’t think you’d live through.Tell me what the word home means to youand tell me in a way that I’ll know your mother’s namejust by the way you describe your bedroomwhen you were eight.See, I want to know the first time you felt the weight of hate,and if that day still trembles beneath your bones.Do you prefer to play in puddles of rainor bounce in the bellies of snow?And if you were to build a snowman,would you rip two branches from a tree to build your snowman armsor would leave your snowman armlessfor the sake of being harmless to the tree?And if you would,would you notice how that tree weeps for youbecause your snowman has no arms to hug youevery time you kiss him on the cheek?Do you kiss your friends on the cheek?Do you sleep beside them when they’re sadeven if it makes your lover mad?Do you think that anger is a sincere emotionor just the timid motion of a fragile heart trying to beat away its pain?See, I wanna know what you think of your first name,and if you often lie awake at night and imagine your mother’s joywhen she spoke it for the very first time.I want you to tell me all the ways you’ve been unkind.Tell me all the ways you’ve been cruel.Tell me, knowing I often picture Gandhi at ten years oldbeating up little boys at school.If you were walking by a chemical plantwhere smokestacks were filling the sky with dark black cloudswould you holler “Poison! Poison! Poison!” really loudor would you whisper“That cloud looks like a fish,and that cloud looks like a fairy!”Do you believe that Mary was really a virgin?Do you believe that Moses really parted the sea?And if you don’t believe in miracles, tell me —how would you explain the miracle of my life to me?See, I wanna know if you believe in any godor if you believe in many godsor better yetwhat gods believe in you.And for all the times that you’ve knelt before the temple of yourself,have the prayers you asked come true?And if they didn’t, did you feel denied?And if you felt denied,denied by who?I wanna know what you see when you look in the mirroron a day you’re feeling good.I wanna know what you see when you look in the mirroron a day you’re feeling bad.I wanna know the first person who taught you your beautycould ever be reflected on a lousy piece of glass.If you ever reach enlightenmentwill you remember how to laugh?Have you ever been a song?Would you think less of meif I told you I’ve lived my entire life a little off-key?And I’m not nearly as smart as my poetryI just plagiarize the thoughts of the people around mewho have learned the wisdom of silence.Do you believe that concrete perpetuates violence?And if you do —I want you to tell me of a meadowwhere my skateboard will soar.See, I wanna know more than what you do for a living.I wanna know how much of your life you spend just giving,and if you love yourself enough to also receive sometimes.I wanna know if you bleed sometimesfrom other people’s wounds,and if you dream sometimesthat this life is just a balloon —that if you wanted to, you could pop,but you never would‘cause you’d never want it to stop.If a tree fell in the forestand you were the only one there to hear —if its fall to the ground didn’t make a sound,would you panic in fear that you didn’t exist,or would you bask in the bliss of your nothingness?And lastly, let me ask you this:If you and I went for a walkand the entire walk, we didn’t talk —do you think eventually, we’d… kiss?No, wait.That’s asking too much —after all,this is only our first date.”
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“That night when you kissed me, I left a poem in your mouth, and you can hear some of the lines every time you breathe out.”
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“If a tree fell in the forest, and you were the only one there to hear it; if its fall to the ground didn’t make a sound, would you panic in fear that you didn’t exist, or would you bask in the bliss of your nothingness?”
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“I can guarantee a haircut will never tell you anything about someone's gender, who they love, or how they fuck.”
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“And if there’s one thing in this world I’ve ever known for sure, it’s that this girl is gonna crush me like a small bug, leave me so fucking broken there’ll be body bags beneath my eyes from nights I cried so hard the stars died. But I’m like, go ahead. I’m all yours. I would kiss you in the middle of the ocean during a lightning storm, cause I’d rather be left for dead than left to wonder what thunder sounds like.”
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“Do you think anger is a sincere emotion or the timid motion of a fragile heart trying to beat away its pain?”
Andrea Gibson
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“To think, a sweater, is made entirely of knots. My stomach could clothe a village.”
Andrea Gibson
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“We all have different reasons for forgetting to breathe.”
Andrea Gibson
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“Do you know they found land mines in woman's souls.”
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“Let me also say I wanna make you sandwhiches,And soup,And peanut butter cookies,Though, the truth is peanutbutter is actually really bad for you 'cause they grow peanuts in old cotton fields to clean the toxins out of the soil,But hey, you like peanutbutter and I like you!”
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“I would kiss you in the middle of the ocean during a lightning storm cuz I'd rather be left for dead than wondering what thunder sounds like.”
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“I know you think this world is too dark to even dream in color,but I’ve seen flowers bloom at midnight.I’ve seen kites fly in gray skiesand they were real close to looking like the sunrise,and sometime it takes the most wounded wingsthe most broken thingsto notice how strong the breeze is,how precious the flight.”
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“I’ve written this poem before but always through a window, never through an open door.”
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“I know this world is far from perfect.I am not the type to mistake a streetlight for the moon.I know our wounds are deep as the Atlantic.But every ocean has a shorelineand every shoreline has a tidethat is constantly returningto wake the songbirds in our hands,to wake the music in our bones,to place one fearless kiss on the mouth of that new born riverthat has to run through the center of our heartsto find its way home.”
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“Right now there’s a man on the street outside my doorwith outstretched hands full of heartbeats no one can hear.He has cheeks like torn sheet musicevery tear-broken crescendo falling on deaf ears.At his side there’s a boy with eyes like an anthemno one stands up for.”
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“We are all instruments pulling the bows across our own lungs. Windmills, still startling in every storm. Have you ever seen a newborn blinking at the light? I wanna do that every day. I wanna know what the kite called itself when it got away, when it escaped into the night...”
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“For Jenn At 12 years old I started bleeding with the moonand beating up boys who dreamed of becoming astronauts.I fought with my knuckles white as stars,and left bruises the shape of Salem.There are things we know by heart,and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke.I'd watch the nicotine rising from her lips like halos,but I could never make dying beautiful.The sky didn't fill with colors the night I convinced myselfveins are kite strings you can only cut free.I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree,and there are songbirds perched on the tips of my fingers,and I wonder if Beethoven held his breaththe first time his fingers touched the keysthe same way a soldier holds his breaththe first time his finger clicks the trigger.We all have different reasons for forgetting to breathe. But my lungs rememberthe day my mother took my hand and placed it on her bellyand told me the symphony beneath was my baby sister's heartbeat.And I knew life would tremblelike the first tear on a prison guard's hardened cheek,like a prayer on a dying man's lips,like a vet holding a full bottle of whisky like an empty gun in a war zone…just take me just take me Sometimes the scales themselves weigh far too much,the heaviness of forever balancing blue sky with red blood.We were all born on days when too many people died in terrible ways,but you still have to call it a birthday.You still have to fall for the prettiest girl on the playground at recessand hope she knows you can hit a baseballfurther than any boy in the whole third grade and I've been running for homethrough the windpipe of a man who singswhile his hands playing washboard with a spoonon a street corner in New Orleanswhere every boarded up window is still painted with the wordsWe're Coming Backlike a promise to the oceanthat we will always keep moving towards the music,the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open.The pupils in our eyes were not born to hide beneath their desks.Tonight lay us down to rest in the Arizona desert,then wake us washing the feet of pregnant womenwho climbed across the border with their bellies aimed towards the sun.I know a thousand things louder than a soldier's gun.I know the heartbeat of his mother. Don't cover your ears, Love.Don't cover your ears, Life.There is a boy writing poems in Central Parkand as he writes he movesand his bones become the bars of Mandela's jail cell stretching apart,and there are men playing chess in the December coldwho can't tell if the breath rising from the boardis their opponents or their own,and there's a woman on the stairwell of the subwayswearing she can hear Niagara Falls from her rooftop in Brooklyn,and I'm remembering how Niagara Falls is a city overrunwith strip malls and traffic and vendorsand one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect.I am not the type to mistake a streetlight for the moon.I know our wounds are deep as the Atlantic.But every ocean has a shorelineand every shoreline has a tidethat is constantly returningto wake the songbirds in our hands, to wake the music in our bones,to place one fearless kiss on the mouth of that brave riverthat has to run through the center of our heartsto find its way home.”
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“I could never trust anyone who's well adjusted to a sick society.”
Andrea Gibson
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“and I wonder if Beethoven held his breaththe first time his fingers touched the keysthe same way a soldier holds his breaththe first time his finger clicks the trigger.We all have different reasons for forgetting to breathe.”
Andrea Gibson
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“A doctor once told me I feel too much. I said, so does god. that’s why you can see the grand canyon from the moon.”
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“Cause I don't wanna be a witness to this life,I want to be charged and convicted,ear lifted to her song like a bouquet of yesbecause my heart is a parachute that has never opened in timeand I wanna fuck up that pattern,leave a hole where the cold comes in and fill it every day with her sun,'cause anyone who has ever sat in lotus for more than a few secondsknows it takes a hell of a lot more muscle to stay than to go”
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“Your ignorance keeps dismembering every piece of patience I have left.”
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“The nutritionist said I should eat root vegetables.Said if I could get down thirteen turnips a dayI would be grounded, rooted.Said my head would not keep flying awayto where the darkness lives. The psychic told me my heart carries too much weight.Said for twenty dollars she’d tell me what to do.I handed her the twenty. She said, “Stop worrying, darling.You will find a good man soon.” The first psycho therapist told me to spendthree hours each day sitting in a dark closetwith my eyes closed and ears plugged.I tried it once but couldn’t stop thinkingabout how gay it was to be sitting in the closet. The yogi told me to stretch everything but the truth.Said to focus on the out breath. Said everyone finds happinesswhen they care more about what they givethan what they get. The pharmacist said, “Lexapro, Lamicatl, Lithium, Xanax.” The doctor said an anti-psychotic might help meforget what the trauma said. The trauma said, “Don’t write these poems.Nobody wants to hear you cryabout the grief inside your bones.” But my bones said, “Tyler Clementi jumpedfrom the George Washington Bridgeinto the Hudson River convincedhe was entirely alone.” My bones said, “Write the poems.”
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“I said to the sun, ‘Tell me about the big bang.’ The sun said, ‘it hurts to become.”
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“But whateverHoweverWhenever this ends I want you to knowThat right nowI love you forever”
Andrea Gibson
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“The trauma said, ‘Don’t write these poems.Nobody wants to hear you cry about the grief inside your bones.”
Andrea Gibson
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“My mouth is a fire escape.The words coming outdon’t care that they are naked.There is something burning in there.”
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“..when a war ends, what does that look like exactly?do the cells in the body stop detonating themselves?does the orphanage stop screaming for its mother?when the sand in the desert has been melted down to glassand our reflection is not something we can stand to look atdoes the white flag make for a perfect blindfold?yesterday i was told a storyabout this little girl in Iraq, six-years-old,who cannot fall asleepbecause when she doesshe dreams of nothingbut the day she watched her dog eat her neighbor's corpse.if you told her war is overdo you think she can sleep?”
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“Yesterday i carved your name into the surface of an ice cubethen held it against my chest til it melted into my aching porestoday i cried so hard the neighbors knocked on my doorand asked if I wanted to borrow some sugar.”
Andrea Gibson
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“Autumn is the hardest season. The leaves are all falling, and they're falling likethey're falling in love with the ground.”
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“How many wars will it take us to learn that only the dead return?”
Andrea Gibson
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“she's wondering how many women are walking around this worldfeeling the tingling of their amputated wingsremembering what it was to fly to sing”
Andrea Gibson
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