Anna Quindlen

“It's odd when I think of the arc of my life, from child to young woman to aging adult. First I was who I was. Then I didn't know who I was. Then I invented someone and became her. Then I began to like what I invented. And finally I was what I was again..."Anna Quindlen”

“It's so much easier to write a resume than to craft a spirit.”

“As I looked at [my future husband] I realized that, while I would never be my mother nor have her life, the lesson she had left was that it was possible to love and care for a man and still have at your core a strength so great that you never even needed to put it on display.”

“It's funny, isn't it, what will make you break? Your lover moves to London and falls in love with a news reader for the BBC and you feel fine and then one day you raise your umbrella slightly to cross Fifty-seventh Street and stare into the Burberry shop and begin to sob. Or your baby dies at birth and five years later, in an antique store, a small battered silver rattle with teeth marks in one end engraved with the name Emily lies on a square of velvet, and the sobs escape from the genie's bottle somewhere deep in your gut where they've lain low until then. Or the garbage bag breaks.”

“After my mother died, I had a feeling that was not unlike the homesickness that always filled me for the first few days when I went to stay at my grandparents'' house, and even, I was stunned to discover, during the first few months of my freshman year at college. It was not really the home my mother had made that I yearned for. But I was sick in my soul for that greater meaning of home that we understand most purely when we are children, when it is a metaphor for all possible feelings of security, of safety, of what is predictable, gentle, and good in life.”

“You make concessions when you're married a long time that you don't believe you'll ever make when you're beginning. You say to yourself when you're young, oh, I wouldn't tolerate this or that or the other thing, you say love is the most important thing in the world and there's only one kind of love and it makes you feel different than you feel the rest of the time, like you're all lit up. But time goes by and you've slept together a thousand nights and smelled like spit-up when babies are sick and seen your body droop and get soft. And some nights you say to yourself, it's not enough, I won't put up with another minute. And then the next morning you wake up and the kitchen smells like coffee and the children have their hair all brushed and the birds are eating out of the feeder and you look at your husband and he's not the person you used to think he was but he's your life. The house and the children and so much more of what you do is built around him and your life, too, your history. If you take him out it's like cutting his face out of all the pictures, there's a big hole and it's ugly. It would ruin everything. It's more than love, it's more important than love...It's hard. And it's hard to understand unless you're in it. And it's hard for you to understand now because of where you are and what you're feeling. But I wanted to say it...because I won't be able to say it when I need to, when it's one of those nights and you're locking the front door because of foolishness about romance, about how things are supposed to be. You can be hard, and you can be judgmental, and with those two things alone you can make a mess of your life the likes of which you won't believe. It's so much easier...the being happy. It's so much easier, to learn to love what you have instead of yearning always for what you're missing, or what you imagine you're missing. It's so much more peaceful.”

“That was the old Ellen Gulden, the girl who would walk over her mother in golf shoes, who scared students away from writing seminars, who started work on Monday after graduating from Harvard with honors on a Thursday, who loved the moments in the office when she would look out at the impenetrable black of the East River, starred with the reflected lights of Queens, with only the cleaning crew for company, and think of her various superiors out at dinner parties and restaurants and her various similars out at downtown clubs or cheap but authentic places in Chinatown and say to herself, 'I'm getting ahead.' That Ellen Gulden, the one her boss suspected of using the dying-mother ploy to get more money or a better job title, would have covered every inch of [this datebook] with the frantic scribble of unexamined ambition.”

“Falling apart is curling up into a fetal position and staying in bed for a week. What you were doing is having the emotional response an individual has to the loss of someone they love. We cry to give voice to our pain.”

“I know from experience that those least capable of truly assessing any marriage are the children who come out of it. We style them as we need them, to excuse our faults, to insulate ourselves from our own expendability or indispensability.”

“Whenever one of you guys says people deal with bad stuff in their own way, it means you don't deal with it at all. You just wait for it to go away. You don't help. You don't listen. You don't call. You don't write. WE deal with it in our own way. WE deal with it. We girls. We make the meals and clean up the messes and take the crap and listen to you talk about how you're dealing with it in your own way. What way? No way!”

“One of the useful things about age is realizing conventional wisdom is often simply inertia with a candy coating of conformity.”

“I'm fine," she said. But her smile was bleak, without light or warmth. And for the first time I thought of what it must be like to know that you were going to die, that the trees would bud, flower, leaf, dry, die, and you would not be there to see any of it.”

“My mother spoke, alive again inside my brain...She spoke and I listened to her, because I was afraid if I didn't her voice would gradually fade away, an evanescent wraith of a thing that would narrow to a pinpoint of light and then go out, lost forever, like the Tinker Bell if no one clapped for her.”

“Set aside the old traditional notion of female as nurturer and male as leader; set aside, too, the new traditional notion of female as superwoman and male as oppressor. Begin with that most frightening of all things, a clean slate. And then look, every day, at the choices you are making, and when you ask yourself why you are making them, find this answer: Because they are what I want, or wish for. Because they reflect who and what I am.This is the hard work of life in the world, to acknowledge within yourself the introvert, the clown, the artist, the homebody, the goofball, the thinker. Look inside. That way lies dancing to the melodies spun out by your own heart.”

“We're part of a mixed marriage: he's male, I'm female.”

“For the young the days go fast and the years go slow; for the old the days go slow and the years go fast.”

“Control is a nice concept, little more.”

“Behind every door in London there are stories, behind every one ghosts. The greatest writers in the history of the written word have given them substance, given them life.And so we readers walk, and dream, and imagine, in the city where imagination found its great home.”

“It is the glory of London that it is always ending and beginning anew, and that a visitor, with a good eye and indefatigable feet, will find in her travels all the Londons she has ever met in the pages of books, one atop the other, like the strata of the Earth.”

“You can tell a really wonderful quote by the fact that it's attributed to a whole raft of wits.”

“Raging crime, class warfare, invasive immigrants, light morals, public misbehavior. Always we convince ourselves that the parade of unwelcome and despised is a new phenomenon, which is why the phrase "the good old days" has passed from cliché to self-parody.”

“In England I am always madam; I arrived too late to ever be a miss. In New York I have only been madamed once, by the doorman at the Carlyle Hotel.”

“The essential London scenes is a row of low identical houses set around a square.”

“London opens to you like a novel itself. [...] It is divided into chapters, the chapters into scenes, the scenes into sentences; it opens to you like a series of rooms, door, passsage, door. Mayfair to Piccadilly to Soho to the Strand.”

“Perhaps it was that I wanted to see what I had learned, what I had read, what I had imagined, that I would never be able to see the city of London without seeing it through the overarching scrim of every description of it I had read before. When I turn the corner into a small, quiet, leafy square, am I really seeing it fresh, or am I both looking and remembering? [...]This is both the beauty and excitement of London, and its cross to bear, too. There is a tendency for visitors to turn the place into a theme park, the Disney World of social class, innate dignity, crooked streets, and grand houses, with a cavalcade of monarchs as varied and cartoony as Mickey Mouse, Snow White, and, at least in the opinion of various Briths broadhseets, Goofy.They come, not to see what London is, or even what it was, but to confirm a kind of picture-postcard view of both, all red telephone kiosks and fog-wreathed alleyways.”

“What I expect from my male friends is that they are polite and clean. What I expect from my female friends is unconditional love, the ability to finish my sentences for me when I am sobbing, a complete and total willingness to pour their hearts out to me, and the ability to tell me why the meat thermometer isn't supposed to touch the bone.”

“There is a little boy inside the man who is my brother... Oh, how I hated that little boy. And how I love him too.”

“There is only room in the lifeboat of your life for one, and you always choose yourself, and turn your parents into whatever it takes to keep you afloat.”

“One of the greatest glories of growing older is the willingness to ask why and, getting no good answer, deciding to follow my own inclinations and desires. Asking why is the way to wisdom. Why are we supposed to want possessions we don't need and work that seems beside the point and tight shoes and a fake tan? Why are we supposed to think new is better than old, youth and vigor better than long life and experience? Why are we supposed to turn our backs on those who have preceded us and to snipe at those who come after? When we were small children we asked 'Why?' constantly. Asking the question now is more a matter of testing the limits of what sometimes seems a narrow world. One of the useful things about age is realizing conventional wisdom is often simply inertia with a candy coating conformity.”

“My doctor says that, contrary to conventional wisdom, she doesn't believe our memories flag because of a drop in estrogen but because of how crowded it in the drawers of our minds.”

“There was a period when I believed stuff meant something. I thought that if you had matching side chairs and a sofa that harmonized and some beautiful lamps to light them you would have a home, that elegance signaled happiness.”

“I mark my years or parenting by the people who stepped in and forced me to abandon my inclination to meddle, micromanage, and coddle, beginning with my children's father, who sat me down and told me in year two that I was going to create a little monster if I continuted to act as though "no" and "I don't love you" were synonomous.”

“I had that feeling you have when you're watching a sad movie, sobbing at the heartbreak you are feeling at the same time that you know the heartbreak isn't exactly real, that it will be gone by the time you get home and make a cup of tea. I found a lot of life like that when I was younger, as though I was practicing for what came later.”

“The lightning bugs are back. They fly low to the ground as the lawn dissolves from green to black in the dusk. Seeing them, I can reconstruct a childhood: a hot night under tall trees; the Good Humor man, in his square white truck, the freezer smoky when he reaches inside for an ice cream.The lightning bugs trapped in empty jars with holes on top. "Let them out," our mother said, "or they will die in there." We were careless. We alwaysforgot to open the jars. The bugs would be there in the morning, their yellow tails dim in the white light of the summer sun, pathetic as they lay ontheir backs. We were always horrified by what we had done. As night fell we shook them out and caught more.I relive the magic of the yellow light without the bright white of hindsight. The little flares in the darkness, a distillation of the kind of life we think we had, we wish we had, we want again.”

“I haven't lost my faith, but I've lost my religion. I still believe in something so deeply. ... I've never really gotten past that quote from Anne Frank in her diary, where she says that people are really good at heart. But I feel like the Catholic Church — no — the Catholic hierarchy has been disinviting people like me, and especially women like me, for so many years that I finally took the hint.”

“Consider the lilies of the field. Look at the fuzz on a baby's ear. Read in the backyard with the sun on your face. Learn to be happy. And think of life as a terminal illness because if you do you will live it with joy and passion, as it ought to be lived.”

“The biggest mistake I made [as a parent] is the one that most of us make. … I did not live in the moment enough. This is particularly clear now that the moment is gone, captured only in photographs. There is one picture of [my three children] sitting in the grass on a quilt in the shadow of the swing set on a summer day, ages six, four, and one. And I wish I could remember what we ate, and what we talked about, and how they sounded, and how they looked when they slept that night. I wish I had not been in such a hurry to get on to the next thing: dinner, bath, book, bed. I wish I had treasured the doing a little more and the getting it done a little less.”

“We've made hyper motherhood a measure of female success.”

“I've always thought that Freud's theory of penis envy was fairly ridiculous -- but I'm absolutely certain that if you put a piece of bread in your mouth and suck on it you'll go to heaven.”

“The ultimate act of bravery does not take place on a battlefield. It takes place in your heart, when you have the courage to honor your character, your intellect, your inclinations and yes, your soul by listening to its clean, clear voice of direction instead of following the muddied messages of a timid world.”

“Here is my favorite biblical direction: Be not afraid. It's truly the secret of life. Fear is what stunts our growth, narrows our ambitions, kills our dreams.So fear not....You are surely afraid: of leaving what you know, of seeking what you want, of taking the wrong path, of failing the right one. But you can't allow any of that to warp your life. You must have the strength to say no to the wrong things and to embrace the right ones, even if you are the only one who seems to know the difference, even if you find the difference hard to calculate. Acts of bravery don't always take place on battle fields. They can take place in your heart, when you have the courage to honor your character, your intellect, your inclinations, and yes, your soul by listening to its clean, clear voice of direction instead of following the muddied messages of a timid world. So carry your courage in an easily accessible place, the way you do your cellphone or your wallet. You may still falter or fail, but you will always know that you pushed hard and aimed high. Take a leap of faith. Fear not. Courage is the ultimate career move.”

“She was my one true thing.”

“Sometimes I remind myself that I almost skipped the party, that I almost went to a different college, that the whim of a minute could have changed everything and everyone. Our lives, so settled, so specific, are built on happenstance.”

“Jane Austen may not be the best writer, but she certainly writes about the best people. And by that I mean people just like me.”

“Maybe crazy is just the word we use for feelings that will not be contained.”

“Who says great literatue has to be written by men? Who says great literature has to be about scary, creepy stuff like adulterers being punished and black slaves breaking loose and giant whales eating people? Why can't literature just be stories about women? Refined, respectable women have just as much to say as ignorant black slaves or bloodthirsty Indians or mad white whaling captains. Why do we have to pretend those people's lives matter more than our own?”

“Here is one of the worst things about having someone you love die: It happens again every single morning.”

“New York City has finally hired women to pick up the garbage, which makes sense to me, since, as I've discovered, a good bit of being a woman consists of picking up garbage.”

“Everything in all the books I once pored over is finished for me now. Penelope Leach. T. Berry Brazelton. Dr. Spock. The ones on sibling rivalry and sleeping through the night and early-childhood education, all grown obsolete. Along with ‘Goodnight Moon’ and ‘Where the Wild Things Are,’ they are battered, spotted, well used. But I suspect that if you flipped the pages dust would rise like memories. . . . The biggest mistake I made is the one that most of us make. . . .I did not live in the moment enough. This is particularly clear now that the moment is gone, captured only in photographs. There is one picture of the three of [my children] sitting in the grass on a quilt in the shadow of the swing set on a summer day, ages 6, 4, and 1. And I wish I could remember what we ate, and what we talked about, and how they sounded, and how they looked when they slept that night. I wish I had not been in such a hurry to get on to the next thing: dinner, bath, book bed. I wish I had treasured the doing a little more and the getting it done a little less.”

“The thing about old friends is not that they love you, but that they know you. They remember that disastrous New Year's Eve when you mixed White Russians and champagne, and how you wore that red maternity dress until everyone was sick of seeing the blaze of it in the office, and the uncomfortable couch in your first apartment and the smoky stove in your beach rental. They look at you and don't really think you look older because they've grown old along with you, and, like the faded paint in a beloved room, they're used to the look. And then one of them is gone, and you've lost a chunk of yourself. The stories of the terrorist attacks of 2001, the tsunami, the Japanese earthquake always used numbers, the deaths of thousands a measure of how great the disaster. Catastrophe is numerical. Loss is singular, one beloved at a time.”