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Anne Fadiman

Anne Fadiman, the daughter of Annalee Whitmore Jacoby Fadiman, a screenwriter and foreign correspondent, and Clifton Fadiman, an essayist and critic, was born in New York City in 1953. She graduated in 1975 from Harvard College, where she began her writing career as the undergraduate columnist at Harvard Magazine. For many years, she was a writer and columnist for Life, and later an Editor-at-Large at Civilization. She has won National Magazine Awards for both Reporting (1987) and Essays (2003), as well as a National Book Critics Circle Award for The Spirit Catches You and You Fall Down. Ex Libris: Confessions of a Common Reader, a collection of first-person essays on books and reading, was published by Farrar, Straus and Giroux in 1998. Fadiman was the editor of the intellectual and cultural quarterly The American Scholar from 1997 to 2004. She now holds the Francis chair in nonfiction writing at Yale. Fadiman lives in western Massachusetts with her husband, the writer George Howe Colt, and their two children.

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“My life seems too fast now, so obstructions bother me less than they once did. I am no longer in a hurry to see what is around the next bend. I find myself wanting to backferry, to hover midstream, suspended. If I could do that, I might avoid many things: harsh words, foolish decisions, moments of inattention, regrets that wash over me, like water. (196)”
Anne Fadiman
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“[The shells] do not have the meaning they once did, but, as Swann said in Remembrance of Things Past, "even when one is no longer attached to things, it's still something to have been attached to them." (22)”
Anne Fadiman
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“When I visit a new bookstore, I demand cleanliness, computer monitors, and rigorous alphabetization. When I visit a secondhand bookstore, I prefer indifferent housekeeping, sleeping cats, and sufficient organizational chaos...”
Anne Fadiman
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“The Hmong have a phrase, hais cuaj txub kaum txub, which means “to speak of all kinds of things.” It is often used at the beginning of an oral narrative as a way of reminding the listeners that the world is full of things that may not seem to be connected but actually are; that no event occurs in isolation; that you can miss a lot by sticking to the point; and that the storyteller is likely to be rather long-winded.”
Anne Fadiman
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“I, on the other hand, believe that books, maps, scissors, and Scotch tape dispensers are all unreliable vagrants, likely to take off for parts unknown unless strictly confined to quarters.”
Anne Fadiman
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“When I think of the causes for which people more commonly give up their lives-nationalism, religion, ethnicity-it seems to me that a thirty-five pound bag of rocks and the lost world it represents, is not such a bad thing to die for.”
Anne Fadiman
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“When the Irish novelist John McGahern was a child, his sisters unlaced and removed one of his shoes while he was reading. He did not stir. They placed a straw hat on his head. No response. Only when they took away the wooden chair on which he was sitting did he, as he puts it, 'wake out of the book'.”
Anne Fadiman
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“You can miss a lot by sticking to the point.”
Anne Fadiman
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“I have always felt that the action most worth watching is not at the center of things but where edges meet. I like shorelines, weather fronts, international borders. There are interesting frictions and incongruities in these places, and often, if you stand at the point of tangency, you can see both sides better than if you were in the middle of either one.”
Anne Fadiman
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“To use an electronics analogy, closing a book on a bookmark is like pressing the Stop button, whereas when you leave the book facedown, you've only pressed Pause.”
Anne Fadiman
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“The Procrustean bed. . .suggests itself with dispiriting aptness as a metaphor for the Culture Wars, right down to the blandishments with which Procrustes must have lured his guests over the threshold. (I picture him as a handsome fellow with a large vocabulary and an oleaginous tongue, not unlike the chairmen of many English departments.) There's just one crucial difference. Sometimes Procrustes lopped off his victims, and sometimes he stretched them, but the Culture Wars always lop. I have never seen cultural politics enlarge a work of literature, only diminish it.”
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“Something amazing happens when the rest of the world is sleeping. I am glued to my chair. I forget that I ever wanted to do anything but write. The crowded city, the crowded apartment, and the crowded calendar suddenly seem spacious. Three or four hours pass in a moment; I have no idea what time it is, because I never check the clock. If I chose to listen, I could hear the swish of taxis bound for downtown bars or the soft saxophone riffs that drift from a neighbor's window, but nothing gets through. I am suspended in a sensory deprivation tank, and the very lack of sensation is delicious.”
Anne Fadiman
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“We spread our sleeping bags on the snow and crawled inside. The vantage point was dizzying. It was impossible to tell whether the comet was above us or we were above the comet; we were all falling through space, missing the stars by inches.”
Anne Fadiman
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“As he leans over to kiss me good night, I do not regret having graduated from the amorous sprints of our youths. Marriage is a long-distance course, and reading aloud is a kind of romantic Gatorade formulated to invigorate the occasionally exhausted racers.”
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“Some friends of theirs had rented their house for several months to an interior decorator. When they returned, they discovered that their entire library had been reorganized by color and size. Shortly thereafter, the decorator met with a fatal automobile accident. I confess that when this story was told, everyone around the dinner table concurred that justice had been served.”
Anne Fadiman
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“The action most worth watching is not at the center of things, but where edges meet.”
Anne Fadiman
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“I'd rather have a book, but in a pinch I'll settle for a set of Water Pik instructions.”
Anne Fadiman
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“Some day, as soon as a book is printed it will be simultaneously put into digital form. That will be a wonderful research tool, but it will never substitute for holding the book. I feel certain that at least within my lifetime, everyone will still be going to the bookstore and buying printed books. Thank God I'll die before I have to worry about whether the printed book itself will disappear. That's something I don't want to live to see.”
Anne Fadiman
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“It's not that I think that computers don't have their place, but surely their place is not in bed, which is my favorite place to read, and surely their place is not snuggled up with a cat in your lap in an old armchair. You can't have your laptop computer and your cat in your lap simultaneously, while trying to manage a cup of tea, which you might spill on your computer. On the other hand, if you spilled your cup of tea on your book -- well, Charles Lamb would probably just like it better. He once said that he particularly liked books that had old muffin crumbs in them. Muffin crumbs in your computer would not be a good idea.”
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“On her ideal dinner party: 'Virginia Woolf, Coleridge and Charles Lamb would have to be there. I would be scurrying around in the kitchen with Mary Lamb - she and I would do the cooking. Of course my brother would be there. I think that's about enough. That number would sustain a single conversation. Virginia and I would be the centre of attention.”
Anne Fadiman
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“Americans admire success. Englishmen admire heroic failure”
Anne Fadiman
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“I come from the sort of family in which, at the age of ten, I was told I must always say hoi polloi, never "the hoi polloi," because hoi meant "the," and two "the's" were redundant -- indeed something only hoi polloi would say.”
Anne Fadiman
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“You go from the north of Laos and then you go across the Mekong, and when the Pathet Lao soldiers fire, you do not think about your family, just yourself only. When you are on the other side, you will not be like what you were before ou get through the Mekong. On the other side you cannot say to your wife, I love you more than my life. She saw! You cannot say that anymore! And when you try to restick this thing together is is like putting glue on a broken glass.”
Anne Fadiman
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“Timothy Dunnigan: The kinds of metaphorical language that we use to describe the Hmong say far more about us, and our attachment to our own frame of reference, than they do about the Hmong.”
Anne Fadiman
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“Wenn wir die Sprache ändern, um Gleichheit zwischen Männern und Frauen zu stiften, hat das seinen Preis. Damit will ich nicht sagen, dass es nicht geschehen sollte. Viele Dinge, die es letztlich wert sind, dass man sie unternimmt, haben einen hohen Preis. Aber trauern sollten wir um die unbeschwerte Armut unserer Sprache, die uns damit verloren geht, und ihrem Verlust sollten wir so formvollendet und höflich begegnen, wie es jedem Schriftsteller und jeder Schriftstellerin obliegt, die etwas taugen.”
Anne Fadiman
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“...the reader who plucks a book from her shelf only once is as deprived as the listener who, after attending a single performance of a Beethoven symphony, never hears it again.”
Anne Fadiman
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“I hasten to mention that I have never actually solicited a catalogue. Although it is tempting to conclude that our mailbox hatches them by spontaneous generation, I know they are really the offspring of promiscuous mailing lists, which copulate in secret and for money.”
Anne Fadiman
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“A dark imagination is, perhaps, more appealing before you know anything about darkness.”
Anne Fadiman
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“If you truly love a book, you should sleep with it, write in it, read aloud from it, and fill its pages with muffin crumbs.”
Anne Fadiman
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“Anyone who doubts that caffeine is a drug should read some of the prose composed under its influence.”
Anne Fadiman
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“One reason we have children I think is to learn that parts of ourselves we had given up for dead are merely dormant and that the old joys can re emerge fresh and new and in a completely different form.”
Anne Fadiman
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“I have never been able to resist a book about books.”
Anne Fadiman
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“Reading aloud means no skipping, no skimming, no cutting to the chase.”
Anne Fadiman
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“My daughter is seven, and some of the other second-grade parents complain that their children don't read for pleasure. When I visit their homes, the children's rooms are crammed with expensive books, but the parent's rooms are empty. Those children do not see their parents reading, as I did every day of my childhood. By contrast, when I walk into an apartment with books on the shelves, books on the bedside tables, books on the floor, and books on the toilet tank, then I know what I would see if I opened the door that says 'PRIVATE--GROWNUPS KEEP OUT': a child sprawled on the bed, reading.”
Anne Fadiman
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“My brother and I were able to fantasize far more extravagantly about our parents' tastes and desires, their aspirations and their vices, by scanning their bookcases than by snooping in their closest. Their selves were on their shelves.”
Anne Fadiman
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“I can think of few better ways to introduce a child to books than to let her stack them, upend them, rearrange them, and get her fingerprints all over them.”
Anne Fadiman
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“Pen-bereavement is a serious matter.”
Anne Fadiman
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“I can imagine few worse fates than walking around for the rest of one's life wearing a typo.”
Anne Fadiman
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“A philosophy professor at my college, whose baby became enamored of the portrait of David Hume on a Penguin paperback, had the cover laminated in plastic so her daughter could cut her teeth on the great thinker.”
Anne Fadiman
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“A sonnet might look dinky, but it was somehow big enough to accommodate love, war, death, and O.J. Simpson. You could fit the whole world in there if you shoved hard enough.”
Anne Fadiman
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“It has long been my belief that everyone's library contains an Odd Shelf. On this shelf rests a small, mysterious corpus of volumes whose subject matter is completely unrelated to the rest of the library, yet which, upon closer inspection, reveals a good deal about its owner.”
Anne Fadiman
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“His books commingled democratically, united under the all-inclusive flag of Literature. Some were vertical, some horizontal, and some actually placed behind others. Mine were balkanized by nationality and subject matter.”
Anne Fadiman
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“Books wrote our life story, and as they accumulated on our shelves (and on our windowsills, and underneath our sofa, and on top of our refrigerator), they became chapters in it themselves.”
Anne Fadiman
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“In my view, nineteen pounds of old books are at least nineteen times as delicious as one pound of fresh caviar.”
Anne Fadiman
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“Muses are fickle, and many a writer, peering into the voice, has escaped paralysis by ascribing the creative responsibility to a talisman: a lucky charm, a brand of paper, but most often a writing instrument. Am I writing well? Thank my pen. Am I writing badly? Don't blame me blame my pen. By such displacements does the fearful imagination defend itself.”
Anne Fadiman
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“One of the convenient things about literature is that, despite copyrights [...] a book belongs to the reader as well as to the writer.”
Anne Fadiman
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“If the soul cannot find its jacket. it is condemned to an eternity of wandering--naked and alone”
Anne Fadiman
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