Annie Dillard

“What is important is the moment of opening a life and feeling it touch--with an electric hiss and cry--this speckled mineral sphere, our present world.”

“Knowing you are alive is watching on every side your generation's short time falling away as fast as rivers drop through air, and feeling it hit.”

“He judged the instant and let go; he flung himself loose into the stars.”

“Tonight I walked around the pond scaring frogs; a couple of them jumped off, going, in effect, eek, and most grunted, and the pond was still. But one big frog, bright green like a poster-paint frog, didn't jump, so I waved my arm and stamped to scare it, and it jumped suddenly, and I jumped, and then everything in the pond jumped, and I laughed and laughed.”

“One of the things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is the signal to spend it now. Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.”

“These are our few live seasons. Let us live them as purely as we can, in the present.”

“The world is wider in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain and Lazarus.”

“At its best, the sensation of writing is that of any unmerited grace. It is handed to you, but only if you look for it. You search, you break your heart, your back, your brain, and then--and only then--it is handed to you.”

“Our life is a faint tracing on the surface of mystery, like the idle curved tunnels of leaf miners on the face of a leaf. We must somehow take a wider view, look at the whole landscape, really see it, and describe what's going on here. Then we can at least wail the right question into the swaddling band of darkness, or, if it comes to that, choir the proper praise.”

“The written word is weak. Many people prefer life to it. Life gets your blood going, & it smells good. Writing is mere writing, literature is mere. It appeals only to the subtlest senses—the imagination’s vision, & the imagination’s hearing—& the moral sense, & the intellect. This writing that you do, that so thrills you, that so rocks & exhilarates you, as if you were dancing next to the band, is barely audible to anyone else.”

“There is neither a proportional relationship, nor an inverse one, between a writer’s estimation of a work in progress & its actual quality. The feeling that the work is magnificent, & the feeling that it is abominable, are both mosquitoes to be repelled, ignored, or killed, but not indulged.”

“We still & always want waking.”

“We wake, if we ever wake at all, to mystery, rumors of death, beauty, violence...”

“Make connections; let rip; and dance where you can.”

“I like to be aware of a book as a piece of writing, and aware of its structure as a product of mind, and yet I want to be able to see the represented world through it. I admire artists who succeed in dividing my attention more or less evenly between the world of their books and the art of their books . . . so that a reader may study the work with pleasure as well as the world that it describes.”

“It's about waking up. A child wakes up over and over again, and notices that she's living. She dreams along, loving the exuberant lifeof the senses, in love with beauty and power, oblivious to herself -- and then suddenly, bingo, she wakes up and feels herself alive. She notices her own awareness. And she notices that she is set down here, mysteriously, in a going world.”

“I cannot cause light; the most I can do is try to put myself in the path of its beam. It is possible, in deep space, to sail on solar wind. Light, be it particle or wave, has force: you can rig a giant sail and go. The secret of seeing is to sail on solar wind. Hone and spread your spirit till you yourself are a sail, whetted, translucent, broadside to the merest puff”

“After the one extravagant gesture of creation in the first place, the universe has continued to deal exclusively in extravagances, flinging intricacies and colossi down aeons of emptiness, heaping profusions on profligacies with ever-fresh vigor. The whole show has been on fire from the word go. I come down to the water to cool my eyes. But everywhere I look I see fire; that which isn't flint is tinder, and the whole world sparks and flames.”

“This light-shouldered boy could jitterbug, old style, and would; he was more precious than gold, yea, than much fine gold. We jitterbugged...Only the strenth in our fingertips kept us alive. If they weakened or slipped, his fingertips or mine, we'd fall spinning backward across the length of the room and out through the glass French doors to the snowy terrace, and if we were any good we'd make sure we fell on the downbeat, snow or no snow. ”

“a few of the principles by which I live: A good gag is worth any amount of time, money and effort; never draw to fill an inside straight; always keep score in games, never in love; never say 'Muskrat Ramble'; always keep them guessing; never listen to the same conversation twice; and (this is the hard part) listen to no one.”

“Nature is, above all, profligate. Don't believe them when they tell you how economical and thrifty nature is, whose leaves return to the soil. Wouldn't it be cheaper to leave them on the tree in the first place? This deciduous business alone is a radical scheme, the brainchild of a deranged manic-depressive with limitless capital. Extravagance! Nature will try anything once.”

“Caring passionately about something isn't against nature, and it isn't against human nature. It's what we're here to do.”

“I come down to the water to cool my eyes. But everywhere I look I see fire; that which isn't flint is tinder, and the whole world sparks and flames.”

“Why do we people in churches seem like cheerful, brainless tourists on a packaged tour of the Absolute?”

“To dust is only to forestall burial ”

“It is ironic that the one thing that all religions recognize as separating us from our creator--our very self-consciousness--is also the one thing that divides us from our fellow creatures. It was a bitter birthday present from evolution.”

“Nothing moves a woman so deeply as the boyhood of the man she loves.”

“In Highland New Guinea, now Popua New Guinea, a British district officer named James Taylor contacted a mountain village, above three thousand feet, whose tribe had never seen any trace of the outside world. It was the 1930s. He described the courage of one villager. One day, on the airstrip hacked from the mountains near his village, this man cut vines and lashed himself to the fuselage of Taylor's airplane shortly before it took off. He explained calmly to his loved ones that, no matter what happened to him, he had to see where it came from.”

“She read books as one would breathe air, to fill up and live.”

“We live in all we seek.”

“if you stay still, earth buries you, ready or not.”

“You do not have to sit outside in the dark. If, however, you want to look at the stars, you will find that darkness is necessary. But the stars neither require nor demand it.”

“Cruelty is a mystery, and a waste of pain.”

“The mockingbird took a single step into the air and dropped. His wings were still folded against his sides as though he were singing from a limb and not falling, accelerating thirty-two feet per second per second, through empty air. Just a breath before he would have been dashed to the ground, he unfurled his wings with exact, deliberate care, revealing the broad bars of white, spread his elegant, white-banded tail, and so floated onto the grass. I had just rounded a corner when his incouciant step caught my eye; there was no one else in sight. The fact of his free fall was like the old philosophical conundrum about the tree that falls in the forest. The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.”

“And I suspect that for me the way is like the weasel's: open to time and death painlessly, noticing everyting, remembering nothing, choosing the given with a fierce and pointed will.”

“I'm getting used to this planet and to this curious human culture which is as cheerfully enthusiastic as it is cheerfully crue”

“I saw in a blue haze all the world poured flat and pale between the mountains”

“A schedule defends from chaos and whim. A net for catching days.”

“This is it, I think, this is it, right now, the present, this empty gas station, here, this western wind, this tang of coffee on the tongue, and I am petting the puppy, I am watching the mountain. And the second I verbalize this awareness in my brain, I cease to see the mountain or feel the puppy. I am opaque, so much black asphalt. But at the same second, the second I know I've lost it, I also realize that the puppy is still squirming on his back under my hand. Nothing has changed for him. He draws his legs down to stretch the skin taut so he feels every fingertip's stroke along his furred and arching side, his flank, his flung-back throat. I sip my coffee. I look at the mountain, which is still doing its tricks, as you look at a still-beautiful face belonging to a person who was once your lover in another country years ago: with fond nostalgia, and recognition, but no real feeling save a secret astonishment that you are now strangers. Thanks. For the memories. It is ironic that the one thing that all religions recognize as separating us from our creator--our very self-consciousness--is also the one thing that divides us from our fellow creatures. It was a bitter birthday present from evolution, cutting us off at both ends. I get in the car and drive home.”

“We are here to witness the creation and to abet it.”

“Admire the world for never ending on you -- as you would an opponent, without taking your eyes away from him, or walking away.”

“He is careful of what he reads, for that is what he will write. He is careful of what he learns, for that is what he will know.”

“A writer looking for subjects inquires not after what he loves best, but after what he alone loves at all.”

“Society places the writer so far beyond the pale that society does not regard the writer at all.”

“I do not so much write a book as sit up with it, as a dying friend. I hold its hand and hope it will get better.”

“Out of a human population on earth of four and a half billion, perhaps twenty people can write a book in a year. Some people lift cars, too. Some people enter week-long sled-dog races, go over Niagara Falls in a barrel, fly planes through the Arc de Triomphe. Some people feel no pain in childbirth. Some people eat cars. There is no call to take human extremes as norms.”

“There were no formerly heroic times, and there was no formerly pure generation. There is no one here but us chickens, and so it has always been.”

“So the Midwest nourishes us [...] and presents us with the spectacle of a land and a people completed and certain. And so we run to our bedrooms and read in a fever, and love the big hardwood trees outside the windows, and the terrible Midwest summers, and the terrible Midwest winters [...]. And so we leave it sorrowfully, having grown strong and restless by opposing with all our will and mind and muscle its simple, loving, single will for us: that we stay, that we stay and find a place among its familiar possibilities. Mother knew we would go; she encouraged us.”

“If even rock was interesting, if even this ugliness was worth whole shelves at the library, required sophisticated tools to study, and inspired grown men to crack mountains and saw crystals--then what wasn't?”

“I had been chipping at the world idly, and had by accident uncovered vast and labyrinthine further worlds within it.”