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Barbara Kingsolver

Barbara Kingsolver is an American novelist, essayist, and poet. She was raised in rural Kentucky and lived briefly in Africa in her early childhood. Kingsolver earned degrees in Biology at DePauw University and the University of Arizona and worked as a freelance writer before she began writing novels. Her most famous works include The Poisonwood Bible, the tale of a missionary family in the Congo, and Animal, Vegetable, Miracle, a non-fiction account of her family's attempts to eat locally.

Her work often focuses on topics such as social justice, biodiversity, and the interaction between humans and their communities and environments. Each of her books published since 1993 have been on The New York Times Best Seller list. Kingsolver has received numerous awards, including the UK's Orange Prize for Fiction 2010, for The Lacuna and the National Humanities Medal. She has been nominated for the PEN/Faulkner Award and the Pulitzer Prize.

In 2000, Kingsolver established the Bellwether Prize to support "literature of social change."

Kingsolver was born in Annapolis, Maryland in 1955 and grew up in Carlisle in rural Kentucky. When Kingsolver was seven years old, her father, a physician, took the family to the former Republic of Congo in what is now the Democratic Republic of the Congo. Her parents worked in a public health capacity, and the family lived without electricity or running water.

After graduating from high school, Kingsolver attended DePauw University in Greencastle, Indiana on a music scholarship, studying classical piano. Eventually, however, she changed her major to biology when she realized that "classical pianists compete for six job openings a year, and the rest of [them:] get to play 'Blue Moon' in a hotel lobby." She was involved in activism on her campus, and took part in protests against the Vietnam war. She graduated with a Bachelor of Science in 1977, and moved to France for a year before settling in Tucson, Arizona, where she would live for much of the next two decades. In 1980 she enrolled in graduate school at the University of Arizona, where she earned a Master's degree in ecology and evolutionary biology.

Kingsolver began her full-time writing career in the mid 1980s as a science writer for the university, which eventually lead to some freelance feature writing. She began her career in fiction writing after winning a short story contest in a local Phoenix newspaper. In 1985 she married Joseph Hoffmann; their daughter Camille was born in 1987. She moved with her daughter to Tenerife in the Canary Islands for a year during the first Gulf war, mostly due to frustration over America's military involvement. After returning to the US in 1992, she separated from her husband.

In 1994, Kingsolver was awarded an Honorary Doctorate of Letters from her alma mater, DePauw University. She was also married to Steven Hopp, that year, and their daughter, Lily, was born in 1996. In 2004, Kingsolver moved with her family to a farm in Washington County, Virginia, where they currently reside. In 2008, she received an Honorary Doctorate of Humane Letters from Duke University, where she delivered a commencement address entitled "How to be Hopeful".

In a 2010 interview with The Guardian, Kingsolver says, "I never wanted to be famous, and still don't, [...:] the universe rewarded me with what I dreaded most." She says created her own website just to compete with a plethora of fake ones, "as a defence to protect my family from misinformation. Wikipedia abhors a vacuum. If you don't define yourself, it will get done for you in colourful ways."


“As long as I kept moving, my grief streamed out behind me like a swimmer's long hair in water. I knew the weight was there but it didn't touch me. Only when I stopped did the slick, dark stuff of it come floating around my face, catching my arms and throat till I began to drown. So I just didn't stop.”
Barbara Kingsolver
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“She kept swimming out into life because she hadn't yet found a rock to stand on.”
Barbara Kingsolver
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“My life is a pitiful, mechanical thing without a past, like a little wind-up car, ready to run in any direction someone points me.”
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“Your own family resemblances are a frustrating code, most easily read by those who know you least.”
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“...the blossom of our family, like one of those miraculous fruit trees that taps into an invisible vein of nurture and bears radiant bushels of plums while the trees around it merely go on living.”
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“She would just be catching up when I'd go again, swimming farther out into life because I still hadn't found a rock to stand on.”
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“Oh, mercy. If it catches you in the wrong frame of mind, the King James Bible can make you want to drink poison in no uncertain terms.”
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“Last time I talked to her she didn't sound like herself. She's depressed. It's awful what happens when people run out of money. They start thinking they're no good.”
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“The obstinate practicality of old women pierces and fortifies these families like the steel rods buried in walls of powdery concrete.”
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“Do you think its possible to live without wanting to put your name on your paintings? To belong to a group so securely you don't need to rise above it?”
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“The clock gulps softly, eating second whole while she waits...”
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“He was getting that look he gets, oh boy, like Here comes Moses tromping down off of Mount Syanide with ten fresh ways to wreck your life.”
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“For if there is any single thing that everyone hopes for most dearly, it must be this: that the youngest outlive the oldest.”
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“Even feigning surprise, pretending it was unexpected and saying a ritual thanks, is surely wiser than just expecting everything so carelessly.”
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“The most important thing about a person is always the thing you don't know.”
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“Lusa turned to Crys, her eyes shining. "That was a luna."Crys shrugged. "So?""So? So what? You want it should sing, too?”
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“Illusions mistaken for truth are the pavement under our feet. They are what we call civilization.”
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“Beene-beene. The truest truth.”
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“One of the very first things I figured out about life...is that it's better to be a hopeful person than a cynical, grumpy one, because you have to live in the same world either way, and if you're hopeful, you have more fun.”
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“Our holiday food splurge was a small crate of tangerines, which we found ridiculously thrilling after an eight-month abstinence from citrus.... Lily hugged each one to her chest before undressing it as gently as a doll. Watching her do that as she sat cross-legged on the floor one morning in pink pajamas, with bliss lighting her cheeks, I thought: Lucky is the world, to receive this grateful child. Value is not made of money, but a tender balance of expectation and longing.”
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“...we sang in church "Tata Nzolo"! Which means Father in Heaven or Father of Fish Bait depending on just how you sing it, and that pretty well summed up my quandry.”
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“In a world as wrong as this one, all we can do is make things as right as we can.”
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“I’ve seen how you can’t learn anything when you’re trying to look like the smartest person in the room.”
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“It is harrowing for me to try to teach 20-year-old students, who earnestly want to improve their writing. The best I can think to tell them is: Quit smoking, and observe posted speed limits. This will improve your odds of getting old enough to be wise”
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“The sting of a fly, the Congolese say, can launch the end of the world. How simply things begin.”
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“No matter what kind of night you're having, morning always wins.”
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“To live is to change, to acquire the words of a story, and that is the only celebration we mortals really know.”
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“I keep hoping some guy with 'Ron' or 'Andy' stitched on his pocket and a gas pump in his hand will step up and tell me where I'm headed.”
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“I've about decided that's the main thing that separates happy people from the other people: the feeling that you're a practical item, with a use, like a sweater or a socket wrench.”
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“Pain reaches the heart with electrical speed, but truth moves to the heart as slowly as a glacier.”
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“Morality is not a large, constructed *thing* you have or have not, but simply a capacity. Something you carry with you in your brain and in your hands.”
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“You think you're no good, so you can't do good things. Jesus, Codi, how long are you going to keep limping around on that crutch? It's the other way around, it's what you *do* that makes you who you are.”
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“At some point in my life I'd honestly hoped love would rescue me from the cold, drafty castle I lived in. But at another point, much earlier I think, I'd quietly begun to hope for nothing at all in the way of love, so as not to be disappointed. It works. It gets to be a habit.”
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“I had just dropped out of medicine in my first year of residency, a few months shy of becoming a licensed M.D. I'd discovered there was something serious, mainly a matter of nerve and perhaps empathy, that stood in my way.”
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“Hallie didn't believe she was invulnerable. She was never one of those daredevil types; she knew she could get hurt. What I think she meant was that she was lucky to be on her way to Nicaragua. It was the slowest thing to sink into my head, how happy she was. Happy to be leaving.We'd had one time of perfect togetherness in our adult lives, the year when we were both in college in Tucson-her first year, my last-and living together for the first time away from Doc Homer. That winter I'd wanted to fail a subject just so I could hang back, stay there with her, the two of us walking around the drafty house in sweatshirts and wool socks and understanding each other precisely. Bringing each other cups of tea without having to ask. So I stayed on in Tucson for medical school, instead of going to Boston as I'd planned, and met Carlo in Parasitology. Hallie, around the same time, befriended some people who ran a safehouse for Central American refugees. After that we'd have strangers in our kitchen every time of night, kids scared senseless, people with all kinds of damage. Our life was never again idyllic.I should have seen it coming. Once she and I had gone to see a documentary on the Abraham Lincoln Brigade, which was these Americans who volunteered without our government's blessing to fight against Franco and Hitler in the Spanish Civil War. At that point in U.S. history fascism was only maybe wrong, whereas communism was definitely. When we came home from the movie Hallie cried. Not because of the people who gave up life and limb only to lose Spain to Franco, and not for the ones who came back and were harassed for the rest of their lives for being Reds. The tragedy for Hallie was that there might never be a cause worth risking everything for in our lifetime. She was nineteen years old then, and as she lay blowing her nose and sobbing on my bed she told me this. That there were no real causes left.Now she had one-she was off to Nicaragua, a revolution of co-op farms and literacy crusades-and so I guess she was lucky. Few people know so clearly what they want. Most people can't even think what to hope for when they throw a penny in a fountain. Almost no one really gets the chance to alter the course of human events on purpose, in the exact way they wish for it to be altered.”
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“A flower is a plant's way of making love.”
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“I stir in bed and the memories rise out of me like a buzz of flies from a carcass. I crave to be rid of them...”
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“Where you'd be wearing out the knees of your trousers, sir, they just have to go ahead and wear out their knees!”
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“Some of us know how we came by our fortune, and some of us don't, but we wear it all the same. There's only one question worth asking now: How do we aim to live with it?”
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“What we end up calling history is a kind of knife, slicing down through time. A few people are hard enough to bend its edge. But most won't even stand close to the blade. I'm one of those. We don't bend anything.”
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“Yet I stake a claim, I am here, for I must be somewhere. But only as a child it seems, struggling to understand what every wife and gentleman passing on the street seems to know by rote. Whom to love, whom to castigate.”
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“A lifetime of people, unconfirmed by their living presences, or photographs or descriptions in a notebook, can only skulk in the corners like ghosts. They shift like chimeras. Careful words of warning reverse themselves like truth and newspaper stories, becoming their own opposites. An imperfectly remembered life is a useless treachery. Every day, more fragments of the past roll around heavily in the chambers of an empty brain, shedding bits of color, a sentence or a fragrance, something that changes and then disappears. It drops like a stone to the bottom of the cave.”
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“She married him two years ago for love, or so she thought, and he's a good enough man but a devotee of household silence. His idea of marriage is to spray WD-40 on anything that squeaks. ... The quiet only subsides when Harland sleeps and his tonsils make up for lost time. ”
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“In my own worst seasons I've come back from the colorless world of despair by forcing myself to look hard, for a long time, at a single glorious thing: a flame of red geranium outside my bedroom window. And then another: my daughter in a yellow dress. And another: the perfect outline of a full, dark sphere behind the crescent moon. Until I learned to be in love with my life again. Like a stroke victim retraining new parts of the brain to grasp lost skills, I have taught myself joy, over and over again(15).”
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“Watching Italians eat (especially men, I have to say) is a form of tourism the books don't tell you about. They close their eyes, raise their eyebrows into accent marks, and make sounds of acute appreciation. It's fairly sexy. Of course I don't know how these men behave at home, if they help with the cooking or are vain and boorish and mistreat their wives. I realized Mediterranean cultures have their issues. Fine, don't burst my bubble. I didn’t want to marry these guys, I just wanted to watch. (p. 247)”
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“What keeps you going isn't just some fine destination but the road you're on and the fact you know how to drive.”
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“The loudest sound on earth, she thought, is a man with nothing to do.”
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“When the rain pours down especially, we have long hours of captivity, in which my sisters determinedly grow bored. But are there books, books there are! Rattling words on the page calling my eyes to dance with them. Everyone else will finish with the singular plowing through, and Ada still has discoveries ahead and behind. ”
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“How is it right to slip free of an old skin and walk away from the scene of the crime? We came, we saw, we took away and we left behind, we must be allowed our anguish and our regrets.”
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“Shoes would interfere with her conversation, for she constantly addresses the ground under her feet. Asking forgiveness. Owning, disowning, recanting, recharting a hateful course of events to make sense of her complicity. We all are, I suppose. Trying to invent our version of the story. All human odes are essentially one, "My life; what I stole from history, and how I live with it.”
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