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bell hooks


“Relationships are treated like Dixie cups. They are the same. They are disposable. If it does not work, drop it, throw it away, get another.Committed bonds (including marriage) cannot last when this is the prevailing logic. Most of us are unclear about what to do to protect and strengthen caring bonds when our self-centered needs are not being met.”
bell hooks
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“Most gay men are as sexist in their thinking as are heterosexuals. Their patriarchal thinking leads them to construct paradigms of desirable sexual behaviour that is similar to that of patriarchal straight men.”
bell hooks
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“To love well is the task in all meaningful relationships, not just romantic bonds.”
bell hooks
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“When we face pain in relationships our first response is often to sever bonds rather than to maintain commitment.”
bell hooks
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“Couples who rarely or never have sex can know lifelong love.”
bell hooks
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“Honesty and openness is always the foundation of insightful dialogue.”
bell hooks
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“Our hearts connect with lots of folks in a lifetime but most of us will go to our graves with no experience of true love.”
bell hooks
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“Often their rage erupts because they believe that all ways of looking that highlight difference subvert the liberal belief in a universal subjectivity (we are all just people) that they think will make racism disappear. They have a deep emotional investment in the myth of sameness even as their actions reflect the primacy of whiteness as a sign informing who they are and how they think. ”
bell hooks
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“Love is an action, never simply a feeling.”
bell hooks
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“It’s in the act of having to do things that you don’t want to that you learn something about moving past the self. Past the ego.”
bell hooks
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“If any female feels she need anything beyond herself to legitimate and validate her existence, she is already giving away her power to be self-defining, her agency.”
bell hooks
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“I mostly want to remind her of the recipes of healing, and give her my own made-on-the spot remedy for the easing of her pain. I tell her, “Get a pen. Stop crying so you can write this down and start working on it tonight.” My remedy is long. But the last item on the list says: “When you wake up and find yourself living someplace where there is nobody you love and trust, no community, it is time to leave town – to pack up and go (you can even go tonight). And where you need to go is any place where there are arms that can hold you, that will not let you go.”
bell hooks
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“The function of art is to do more than tell it like it is-it’s to imagine what is possible.”
bell hooks
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“Writing is my passion. It is a way to experience the ecstatic. The root understanding of the word ecstasy—“to stand outside”—comes to me in those moments when I am immersed so deeply in the act of thinking and writing that everything else, even flesh, falls away.”
bell hooks
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“When we black people commit ourselves to living simply as a political action, as a way of breaking the stress caused by unrelenting hedonistic desire for material objects that are not needed for survival, or essential to well-being, we will not be talking about ebonics. We will be out in the streets demanding that the public schools have enough teachers so that all kids, cross color, can read and write in standard English and in Spanish too.”
bell hooks
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“It is important for this country to make its people so obsessed with their own liberal individualism that they do not have time to think about a world larger than self.”
bell hooks
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“We often cause ourselves suffering by wanting only to live in a world of valleys, a world without struggle and difficulty, a world that is flat, plain, consistent.”
bell hooks
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“With reciprocity all things do not need to be equal in order for acceptance and mutuality to thrive. If equality is evoked as the only standard by which it is deemed acceptable for people to meet across boundaries and create community, then there is little hope. Fortunately, mutuality is a more constructive and positive foundation for the building of ties that allow for differences in status, position, power, and privilege whether determined by race, class, sexuality, religion, or nationality.”
bell hooks
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“Dominator culture has tried to keep us all afraid, to make us choose safety instead of risk, sameness instead of diversity. Moving through that fear, finding out what connects us, revelling in our differences; this is the process that brings us closer, that gives us a world of shared values, of meaningful community.”
bell hooks
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“Whether or not any of us become racists is a choice we make. And we are called to choose again and again where we stand on the issue of racism at different moments in our life.”
bell hooks
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“All too often we think of community in terms of being with folks like ourselves: the same class, same race, same ethnicity, same social standing and the like..I think we need to be wary: we need to work against the danger of evoking something that we don’t challenge ourselves to actually practice.”
bell hooks
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“Like many white liberals, Ken sees the “whiteness” of his social life as more an accident of circumstance than a choice. He would welcome greater diversity in the neighbourhood. However, he does not consciously do enough work either in his social life or in the larger community to make that diversity possible.”
bell hooks
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“To build community requires vigilant awareness of the work we must continually do to undermine all the socialization that leads us to behave in ways that perpetuate domination.”
bell hooks
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“When we only name the problem, when we state complaint without a constructive focus or resolution, we take hope away. In this way critique can become merely an expression of profound cynicism, which then works to sustain dominator culture.”
bell hooks
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“No black woman writer in this culture can write "too much". Indeed, no woman writer can write "too much"...No woman has ever written enough.”
bell hooks
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“While the patriarchal boys in hip-hop crew may talk about keeping it real, there has been no musical culture with black men at the forefront of its creation that has been steeped in the politics of fantasy and denial as the more popular strands of hip-hop.”
bell hooks
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“Patriarchal hip-hop ushered in a world where black males could declare that they were “keeping it real” when what they were really doing was taking the dead patriarchal protest of the black power movement and rearticulating it in forms that, though entertaining, had for the most part no transformative power, no ability to intervene on the politics of domination, and turn the real lives of black men around.”
bell hooks
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“Once upon a time black male “cool” was defined by the ways in which black men confronted hardships of life without allowing their spirits to be ravaged. They took the pain of it and used it alchemically to turn the pain into gold. That burning process required high heat. Black male cool was defined by the ability to withstand the heat and remain centered. It was defined by black male willingness to confront reality, to face the truth, and bear it not by adopting a false pose of cool while feeding on fantasy; not by black male denial or by assuming a “poor me” victim identity. It was defined by individual black males daring to self-define rather than be defined by others.”
bell hooks
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“Within neo-colonial white supremacist capitalist patriarchy, the black male body continues to be perceived as an embodiment of bestial, violent, penis-as-weapon hypermasculine assertion. Psychohistories of white racism have always called attention to the tension between the construction of black male body as danger and the underlying eroticization that always then imagines that body as a location for transgressive pleasure. It has taken contemporary commodification of blackness to teach the world that this perceived threat, whether real or symbolic, can be diffused by a process of fetishization that renders the black masculine ‘menace’ feminine through a process of patriarchal objectification.”
bell hooks
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“By the end of the seventies the feared yet desired black male body had become as objectified as it was during slavery, only a seemingly positive twist had been added to the racist sexist objectification: the black male body had become the site for the personification of everyone’s desire.”
bell hooks
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“Black males who refuse categorization are rare, for the price of visibility in the contemporary world of white supremacy is that black identity be defined in relation to the stereotype whether by embodying it or seeking to be other than it…Negative stereotypes about the nature of black masculinity continue to overdetermine the identities black males are allowed to fashion for themselves.”
bell hooks
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“When angels speak of love they tell us it is only by loving that we enter an earthly paradise. They tell us paradise is our home and love our true destiny.”
bell hooks
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“Genuine love is rarely an emotional space where needs are instantly gratified. To know love we have to invest time and commitment...'dreaming that love will save us, solve all our problems or provide a steady state of bliss or security only keeps us stuck in wishful fantasy, undermining the real power of the love -- which is to transform us.' Many people want love to function like a drug, giving them an immediate and sustained high. They want to do nothing, just passively receive the good feeling.”
bell hooks
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“Power feminism is just another scam in which women get to play patriarchs and pretend that the power we seek and gain liberates us.”
bell hooks
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“as females in a patriarchal culture, we were not slaves of love; most of us were and are slaves of longing-- yearning for a master who will set us free and claim us because we cannot claim ourselves”
bell hooks
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“I grew up in the midst of poverty but every black kid that I knew could read and write. We have to talk about the fact that we cannot educate for critical consciousness if we have a group of people who cannot access Fanon, Cabral, or Audre Lorde because they can’t read or write. How did Malcolm X radicalize his consciousness? He did it through books. If you deprive working-class and poor black people of access to reading and writing, you are making them that much farther removed from being a class that can engage in revolutionary resistance.”
bell hooks
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“We need to theorize the meaning of beauty in our lives so that we can educate for critical consciousness, talking through the issues: how we acquire and spend money, how we feel about beauty, what the place of beauty is in our lives when we lack material privilege and even basic resources for living, the meaning and significance of luxury, and the politics of envy.”
bell hooks
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“..Acts of appropriation are part of the process by which we make ourselves. Appropriating - taking something for one’s own use - need not be synonymous with exploitation. This is especially true of cultural appropriation. The “use” one makes of what is appropriated is the crucial factor.”
bell hooks
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“Sadly, at a time when so much sophisticated cultural criticism by hip intellectuals from diverse locations extols a vision of cultural hybridity, border crossing, subjectivity constructed out of plurality, the vast majority of folks in this society still believe in a notion of identity that is rooted in a sense of essential traits and characteristics that are fixed and static.”
bell hooks
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“It is not surprising that young white males – most between thirty and forty – play major roles in the production of hip-pop. It’s easy to forget this because when most people critique rap and hip-pop harshly, they assume that young black men are the sole creators and producers of misogynist rap. In fact, nothing is unilaterally produced anymore. As we’ve discussed, once you have a corporate takeover of the street culture, it is no longer the property of the young, Black and Latino men and women who have created it. It is reinvented with the mass consumer audience in mind. The hard-core misogyny and the hard-core sexism isn’t a translation from street to big-time studio, it is a product of the big-time studio.”
bell hooks
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“Privilege is not in and of itself bad; what matters is what we do with privilege. I want to live in a world where all women have access to education, and all women can earn PhD’s, if they so desire. Privilege does not have to be negative, but we have to share our resources and take direction about how to use our privilege in ways that empower those who lack it.”
bell hooks
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“But artists aren’t the only marginalized folks controlling real estate. Think about the colonizing role that wealthy white gay men have played in communities of color; they’re often the first group to gentrify poor and working-class neighborhoods. Harlem is a good example. Gays have moved in and driven up rents, as have renegade young white students, who want to be cool and hip. This is colonization, post-colonial-style. After all, the people who are “sent back” to recover the territory are always those who don’t mind associating with the colored people! And it’s a double bind, because some of these people could be allies. Some gay white men are proactive about racism, even while being entrepreneurial. But in the end, they take spaces, redo them, sell them for a certain amount of money, while the people who have been there are displaced. And in some cases, the people of color who are there are perceived as enemies by white newcomers.”
bell hooks
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“We have to constantly critique imperialist white supremacist patriarchal culture because it is normalized by mass media and rendered unproblematic.”
bell hooks
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“Part of the racialized sexism wants everyone to think that a 15-year old Mexican is not a girl, she’s a woman. We know she’s a girl. We can never emphasize this enough, because this is the fate of colored girls globally right now: the denial of their girlhood, the denial of their childhood, and the constant state of risk and danger they are living in.”
bell hooks
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“We keep coming back to the question of representation because identity is always about representation. People forget that when they wanted white women to get into the workforce because of the world war, what did they start doing? They started having a lot of commercials, a lot of movies, a lot of things that were redoing the female image, saying, “Hey, you can work for the war, but you can still be feminine.” So what we see is that the mass media, film, TV, all of these things, are powerful vehicles for maintaining the kinds of systems of domination we live under, imperialism, racism, sexism etc. Often there’s a denial of this and art is presented as politically neutral, as though it is not shaped by a reality of domination.”
bell hooks
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“There is light in darkness, you just have to find it.”
bell hooks
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“I want there to be a place in the world where people can engage in one another’s differences in a way that is redemptive, full of hope and possibility. Not this “In order to love you, I must make you something else”. That’s what domination is all about, that in order to be close to you, I must possess you, remake and recast you.”
bell hooks
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“..think about the contradictions and complexities that beset people.”
bell hooks
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“Hope is essential to any political struggle for radical change when the overall social climate promotes disillusionment and despair.”
bell hooks
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“One of the greatest difficulties the left faces in reaching out to masses of people in America is its profound disrespect of spirituality and religious life…people on the left need to acknowledge – we need to grapple with – the question of religion.”
bell hooks
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