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Bernard Cornwell

Cornwell was born in London in 1944. His father was a Canadian airman, and his mother, who was English, a member of the Women's Auxiliary Air Force. He was adopted and brought up in Essex by the Wiggins family, who were members of the Peculiar People, a strict Protestant sect who banned frivolity of all kinds and even medicine. After he left them, he changed his name to his birth mother's maiden name, Cornwell.

Cornwell was sent away to Monkton Combe School, attended the University of London, and after graduating, worked as a teacher. He attempted to enlist in the British armed services at least three times but was rejected on the grounds of myopia.

He then joined BBC's Nationwide and was promoted to become head of current affairs at BBC Northern Ireland. He then joined Thames Television as editor of Thames News. He relocated to the United States in 1980 after marrying an American. Unable to get a green card, he started writing novels, as this did not require a work permit.

As a child, Cornwell loved the novels of C.S. Forester, chronicling the adventures of fictional British naval officer Horatio Hornblower during the Napoleonic Wars, and was surprised to find there were no such novels following Lord Wellington's campaign on land. Motivated by the need to support himself in the U.S. through writing, Cornwell decided to write such a series. He named his chief protagonist Richard Sharpe, a rifleman involved in most major battles of the Peninsular War.

Cornwell wanted to start the series with the Siege of Badajoz but decided instead to start with a couple of "warm-up" novels. These were Sharpe's Eagle and Sharpe's Gold, both published in 1981. Sharpe's Eagle was picked up by a publisher, and Cornwell got a three-book deal. He went on to tell the story of Badajoz in his third Sharpe novel, Sharpe's Company, published in 1982.

Cornwell and wife Judy co-wrote a series of novels, published under the pseudonym "Susannah Kells". These were A Crowning Mercy, published in 1983, Fallen Angels in 1984, and Coat of Arms (aka The Aristocrats) in 1986. (Cornwell's strict Protestant upbringing informed the background of A Crowning Mercy, which took place during the English Civil War.) In 1987, he also published Redcoat, an American Revolutionary War novel set in Philadelphia during its 1777 occupation by the British.

After publishing eight books in his ongoing Sharpe series, Cornwell was approached by a production company interested in adapting them for television. The producers asked him to write a prequel to give them a starting point to the series. They also requested that the story feature a large role for Spanish characters to secure co-funding from Spain. The result was Sharpe’s Rifles, published in 1987, and a series of Sharpe television films staring Sean Bean.

A series of contemporary thrillers with sailing as a background and common themes followed: Wildtrack published in 1988, Sea Lord (aka Killer's Wake) in 1989, Crackdown in 1990, Stormchild in 1991, and Scoundrel, a political thriller, in 1992.

In June 2006, Cornwell was made an Officer of the Order of the British Empire in the Queen's 80th Birthday Honours List.

Cornwell's latest work, Azincourt, was released in the UK in October 2008. The protagonist is an archer who participates in the Battle of Agincourt, another devastating defeat suffered by the French in the Hundred Years War. However, Cornwell has stated that it will not be about Thomas of Hookton from The Grail Quest or any of his relatives.


“Destiny is all, Ravn liked to tell me, destiny is everything. He would even say it in English, “Wyrd biõ ful ãræd.”
Bernard Cornwell
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“Our ancestors,” he went on after a while, “took this land. They took it and made it and held it. We do not give up what our ancestors gave us. They came across the sea and they fought here, and they built here and they’re buried here. This is our land, mixed with our blood, strengthened with our bone. Ours!” He was angry, but he was often angry. He glowered at me, as if wondering whether I was strong enough to hold this land of Northumbria that our ancestors had won with sword and spear and blood and slaughter.”
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“Who do you serve?” Lanferelle asked.“Sir John Cornerwailled,” Hook said proudly.Lanferelle was pleased. “Sir John! Ah, there's a man. His mother must have slept with a Frenchman.”
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“‎"He sang the song of the sword, keening as he fed his blade, and Rollo, standing thigh-deep in the creek, ax swinging in murderous blows, blocked the enemy's escape. The Frisians, transported from confidence to bowel-loosening fear, began to drop their weapons.”
Bernard Cornwell
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“The preachers tell us that pride is a great sin, but the preachers are wrong. Pride makes a man, it drives him, it is the shield wall around his reputation... Men die, they said, but reputation does not die.”
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“You'll call me a damned Jew, a Christ murderer, a secret worshipper of pigs and a kidnapper of christian children.” This was all said cheerfully. “How absurd! Who would want to kidnap children, Christian or otherwise? Vile things. The only mercy of children is that they grow up, as my son has but then, tragically, they beget more children. We do not learn life's lessons.”
Bernard Cornwell
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“Fate is inexorable.”
Bernard Cornwell
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“I do understand that you can look into someone’s eyes,” I heard myself saying, “and suddenly know that life will be impossible without them. Know that their voice can make your heart miss a beat and that their company is all your happiness can ever desire and that their absence will leave your soul alone, bereft and lost.”
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“She was as faithful as a morning mist, as hard as a sword-bayonet, and that, he thought, made her a suitable reward for a soldier.”
Bernard Cornwell
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“Fiat voluntas tua,”
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“Some had hurled spears first. Those spears thumped into our shields, making them unwieldy, but it hardly mattered. The leading Danes tripped on the hidden timbers and the men behind pushed the falling men forward. I kicked one in the face, feeling my iron-reinforced boot crush bone. Danes were sprawling at our feet while others tried to get past their fallen comrades to reach our line, and we were killing. Two men succeeded in reaching us, despite the smoking barricade, and one of those two feel to Wasp-Sting coming up from beneath his shield-rim. He had been swinging an ax that the man behind me caught on his shield and the Dane was still holding the war ax's shaft as I saw his eyes widen, saw the snarl of his mouth turn to agony as I saw his eyes widen, saw the snarl of his mouth turn to agony as I twisted the blade, ripping it upward, and as Cerdic, beside me, chopped his own ax down. The man with the crushed face was holding my ankle and I stabbed at him as the blood spray from Cerdic's ax blinded me. The whimpering man at my feet tried to crawl away, but Finan stabbed his sword into his thigh, then stabbed again. A Dane had hooked up his ax over the top rim of my shield and hauled it down to expose my body to a spear-thrust, but the ax rolled off the circular shield and the spear was deflected upward and I slammed Wasp-Sting forward again, felt her bite, twisted her, and Finan was keening his mad Irish song as he added his own blade to the slaughter. “Keep the shields touching!” I shouted at my men.”
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“Shun epic verse.”
Bernard Cornwell
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“He tolerated his fellow Englishmen, but the Welsh were cabbage-farting dwarves, the Scots were scabby arse-suckers, and the French were shriveled turds.”
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“— Mas o que é que você faria com o Graal?— Eu iria usá-lo.— Para quê?— Para livrar o mundo do pecado.— Seria um trabalho notável, mas nem Cristo conseguiu realizá-lo.— Você pára de eliminar ervas daninhas entre os vinhedos só porque elas sempre voltam a nascer?”
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“O mundo está apodrecendo. A Igreja é corrupta e os reis são fracos. Cabe a nós fazer um mundo novo, amado por Deus, mas para fazê-lo temos de destruir o velho. Temos de tomar o poder e depois dar o poder a Deus. É por isso que estamos lutando.”
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“Pelos ossos de Deus, Tom, o diabo fez um serviço ruim quando trepou com sua mãe.”
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“Acho que o Santo Graal é um sonho que os homens têm, um sonho de que é possível tornar o mundo perfeito. Se ele existisse, todos nós teríamos sabido que o sonho não pode se transformar em realidade.”
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“But fate, as Merlin always taught us, is inexorable. Life is a jest of the Gods, Merlin liked to claim, and there is no justice. You must learn to laugh, he once told me, or else you'll just weep yourself to death.”
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