Beth Gutcheon
Beth Gutcheon grew up in western Pennsylvania. She was educated at Harvard where she took an honors BA in English literature. She has spent most of her adult life in New York City, except for sojourns in San Francisco and on the coast of Maine. In 1978, she wrote the narration for a feature-length documentary on the Kirov ballet school, The Children of Theatre Street, which was nominated for an Academy Award, and she has made her living fulltime as a storyteller (novelist and sometime screenwriter) since then. Her novels have been translated into fourteen languages, if you count the pirate Chinese edition of Still Missing, plus large print and audio format. Still Missing was made into a feature film called Without a Trace, and also published in a Reader’s Digest Condensed version which particularly pleased her mother. Several of her novels have been national bestsellers, including the most recent, Leeway Cottage. All of the novels are available in new uniform paperback editions from HarperPerennial.
“You're never too old to keep failing your children, are you? Why weren't we told this was a life sentence?”
“I don't suppose you have to believe in ghosts to know that we are all haunted, all of us, by things we can see and feel and guess at, and many more things that we can't.”
“I wanted this day, the perfect buttery sun like peach ice cream, the speed, the satin leather of the car seat, the fair. Forbidden fruit, a day like no other. ”
“Raymond, through some curious alchemy of his own, had come really to think a divorce was something you could win, as opposed to a situation in which the wounded attempt to contain loss. She once said to her friend Annie, “It’s like fighting over who gets the litterbox after the cat is dead. Raymond has forgotten we ever had a cat; he actually wants the litterbox. Full.” She said Annie had laughed and then Martha cried”