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Brian Moore

Brian Moore (1921–1999) was born into a large, devoutly Catholic family in Belfast, Northern Ireland. His father was a surgeon and lecturer, and his mother had been a nurse. Moore left Ireland during World War II and in 1948 moved to Canada, where he worked for the Montreal Gazette, married his first wife, and began to write potboilers under various pen names, as he would continue to do throughout the 1950s.

The Lonely Passion of Judith Hearne (1955, now available as an NYRB Classic), said to have been rejected by a dozen publishers, was the first book Moore published under his own name, and it was followed by nineteen subsequent novels written in a broad range of modes and styles, from the realistic to the historical to the quasi-fantastical, including The Luck of Ginger Coffey, An Answer from Limbo, The Emperor of Ice Cream, I Am Mary Dunne, Catholics, Black Robe, and The Statement. Three novels—Lies of Silence, The Colour of Blood, and The Magician’s Wife—were short-listed for the Booker Prize, and The Great Victorian Collection won the James Tait Black Memorial Prize.

After adapting The Luck of Ginger Coffey for film in 1964, Moore moved to California to work on the script for Alfred Hitchcock’s Torn Curtain. He remained in Malibu for the rest of his life, remarrying there and teaching at UCLA for some fifteen years. Shortly before his death, Moore wrote, “There are those stateless wanderers who, finding the larger world into which they have stumbled vast, varied and exciting, become confused in their loyalties and lose their sense of home. I am one of those wanderers.”


“Love - why, I'll tell you what love is: it's you at 75 and her at 71, each of you listening for the other's step in the next room, each afraid that a sudden silence, a sudden cry, could mean a lifetime's talk is over.”
Brian Moore
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“Love isn’t an act, it’s a whole life. It’s staying with [them] now because [they] need you; it’s knowing you... will still care about each other when sex and daydreams, fights and futures—when all that’s on the shelf and done with.”
Brian Moore
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“Don't you know that love isn't just going to bed? Love isn't an act, it's a whole life. It's staying with her now because she needs you; it's knowing you and she will still care about each other when sex and daydreams, fights and futures -- when all that's on the shelf and done with. Love -- why, I'll tell you what love is: it's you at seventy-five and her at seventy-one, each of you listening for the other's step in the next room, each afraid that a sudden silence, a sudden cry, could mean a lifetime's talk is over.”
Brian Moore
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“When a thing is told to you and you can't remember it happening it doesn't count somehow. It is as though it had nothing to do with you. Remembering, that's what counts.”
Brian Moore
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