Caitlín R. Kiernan photo

Caitlín R. Kiernan


“It's a myth that crazy people don't know they're crazy. Many of us are surely as capable of epiphany and introspection as anyone else, maybe more so. I suspect we spend far more time thinking about our thoughts than do sane people.”
Caitlín R. Kiernan
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“The horse is dead," she says and squeezes Soldier's hand. "From here we walk.""Anyone ever told you you're sort of a creepy kid?" Odd Willie asks."All the damn time," Emmie tells him. "I don't bother keeping count anymore.”
Caitlín R. Kiernan
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“So, here are my windows, stained all with me.”
Caitlín R. Kiernan
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“I am usually at my most brutally forthright when making shit up. That's the paradox of me.”
Caitlín R. Kiernan
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“...and for the first time in her life the tears that had always seemed to flow so easily, had always been there, eager to soothe any loss or ache, had refused to come, and somehow, that had been the most frightening thing of all.Used 'em all up on trifling shit, and now there's nothing left to cry. Like something her mother used to say or maybe a schoolteacher had said a long time ago. Stop bawling or someday you won't be able to cry, someone you love will die and you won't ever be able to stop hurting.”
Caitlín R. Kiernan
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“Maybe I just have everything backwards. Maybe it's a problem of perspective. In this Post-Modern Age perhaps it is the digital experiences we ought to cheer as "genuine " and not those troublesome and inconvenient analog ones. Looking at it all fucking backwards.”
Caitlín R. Kiernan
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“Language is a poor enough means of communication as it is. So we should use all the words we have.”
Caitlín R. Kiernan
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“Hauntings are memes, especially pernicious thought contagions, social contagions that need no viral or bacterial host and are transmitted in a thousand different ways. A book, a poem, a song, a bedtime story, a grandmother's suicide, the choreography of a dance, a few frames of film, a diagnosis of schizophrenia, a deadly tumble from a horse, a faded photograph, or a story you tell your daughter.”
Caitlín R. Kiernan
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“Ghosts are those memories that are too strong to be forgotten for good, echoing across the years and refusing to be obliterated by time.”
Caitlín R. Kiernan
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“No story has a beginning, and no story has an end. Beginnings and endings may be conceived to serve a purpose, to serve a momentary and transient intent, but they are, in their fundamental nature, arbitrary and exist solely as a convenient construct in the minds of man. Lives are messy, and when we set out to relate them, or parts of them, we cannot ever discern precise and objective moments when any given event began. All beginnings are arbitrary.”
Caitlín R. Kiernan
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“And it means snapshots, because that's what all stories I write come down to; each is a snapshot of who I was during however many days and weeks it was written. A fictional reflection of my mind fossilized, set in paper and ink, instead of stone. Memorialized, for better or worse. This is who I was, and this, and this, and this, and that, and most times I look back and wince. I'm rarely kind to who I was. But other times, looking back is bittersweet. Sometimes, I'm even grateful to the me of then who left a snapshot for the me of now. Maybe I should let go and join those who pretend the past is past, but it's a falsehood I've never learned to spin.”
Caitlín R. Kiernan
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“No one we knew ever believed that there was anything between us but the sex and some virulent allure, my dirty dishwater circling the drain of you. Not a pretty comparison but maybe it's the best we'll ever deserve, either of us.”
Caitlín R. Kiernan
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“You know, it's a sad and unfortunate state of affairs that you have to live in a world where eight-year-olds refuse to believe in anything that they cannot touch or measure, and anyone who happens to see a thing that is invisible to most people is immediately branded a lunatic.”
Caitlín R. Kiernan
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“Demons never die quietly, and a week ago the storm was a proper demon, sweeping through the Caribbean after her long ocean crossing from Africa, a category five when she finally came ashore at San Juan before moving on to Santo Domingo and then Cuba and Florida. But now she's grown very old, as her kind measures age, and these are her death throes. So she holds tightly to this night, hanging on with the desperate fury of any dying thing, any dying thing that might once have thought itself invincible.”
Caitlín R. Kiernan
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“I need a world filled with wonder, with awe, with awful things. I couldn't exist in a world devoid of marvels, even if the marvels are terrible marvels. Even if they frighten me to consider them.”
Caitlín R. Kiernan
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“It is not the task of a writer to 'tell all,' or even to decide what to leave in, but to decide what to leave out. Whatever remains, that meager sum of this profane division, that's the bastard chimera we call a 'story.' I am not building, but cutting away. And all stories, whether advertised as truth or admitted falsehoods, are fictions, cleft from the objective facts by the aforementioned action of cutting away. A pound of flesh. A pile of sawdust. Discarded chips of Carrara marble. And what's left over."Houses Under The Sea”
Caitlín R. Kiernan
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“Assassination is almost always unthinkable to moral, thinking men until after a holocaust has come and gone.”
Caitlín R. Kiernan
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“The divine is always abominable."Houses Under The Sea”
Caitlín R. Kiernan
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