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Carol Rifka Brunt

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“Opening a present from a live person was scary enough. There was always the chance that the gift might be so wrong, so completely not the kind of thing you liked, that you'd realize they didn't really know you at all.”
Carol Rifka Brunt
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“The day my mother gave us the keys, she also made me and Greta sign a form so that the bank knew our signatures. To get in we had to show our key and sign something so they would know it was really us. I was worried that my signature wouldn't look the same. I wasn't sure when that thing would happen that made it so you always signed your name exactly the same, but it hadn't happened to me yet. So far I'd only had to sign something three times. Once for a code of conduct for the eighth grade field trip to Philadelphia, once for a pact I made with Beans and Frances Wykoski in fifth grade that we'd never have boyfriends until high school. (Of the three of us, I'm the only one who kept that pact.)”
Carol Rifka Brunt
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“I came to a sketch where the space between my arm and Greta’s arm, the shape of the place between us, had been darkened in. The negative space. That’s what Finn called it. He was always trying to get me to understand negative space. And I did. I could understand what he was saying, but it didn’t come naturally to me. I had to be reminded to look for it. To see the stuff that’s there but not there. In this sketch, Finn had colored in the negative space, and I saw that it made a shape that looked like a dog’s head. Or, no—of course, it was a wolf’s head, tilted up, mouth open and howling. It wasn’t obvious or anything. Negative space was kind of like constellations. The kind of thing that had to be brought to your attention. But the way Finn did it was so skillful. It was all in the way Greta’s sleeve draped and the way my shoulder angled in. So perfect. It was almost painful to look at that negative space, because it was so smart. So exactly the kind of thing Finn would think of. I touched my finger to the rough pencil lines, and I wished I could let Finn know that I saw what he’d done. That I knew he’d put that secret animal right between Greta and me.”
Carol Rifka Brunt
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“If you close your eyes when you sing in Latin, and if you stand right at the back so you can keep one hand against the cold stone wall of the church, you can pretend you're in the Middle Ages. That's why I did it. That's what I was in it for.”
Carol Rifka Brunt
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“I thought of trying to catch her eye, so she’d know I understood what she’d done, but I decided not to. Everyone needs to think they have secrets.”
Carol Rifka Brunt
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“There are dark black buttons tattooed on my heart. I’ll carry them for the rest of my days.”
Carol Rifka Brunt
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“I needed to know that my mother understood that her hand was in this too. That all the jealousy and envy and shame we carried was our own kind of sickness. As much a disease as Toby and Finn’s AIDS.”
Carol Rifka Brunt
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“Toby was right. Finn was my first love. But Toby, he was my second. And the sadness in that stretched like a thin cold river down the length of my whole life.”
Carol Rifka Brunt
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“Don’t you see? It’s like we’ve known each other all these years. Without even seeing each other. It’s like there’s been this . . . this ghost relationship between us. You laying out my plectrums on the floor, me buying black-and-white cookies every time I knew you would be coming over. You didn’t know that was me, but it was.”
Carol Rifka Brunt
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“Why, June, you sound surprised.” He’d put on an offended-housewife voice, but it was in a hoarse whisper, so it sounded like an offended housewife who smoked five packs of cigarettes a day. I laughed.”
Carol Rifka Brunt
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“As the elevator door started to close, she stood and put up one hand to wave goodbye. That’s one of those frozen memories for me, because there was something in Greta’s solemn wave that made me understand it was about something bigger. That as the elevator door eclipsed the look between us, we were really saying goodbye to the girls we used to be. Girls who knew how to play invisible mermaids, who could run through dark aisles, pretending to save the world.”
Carol Rifka Brunt
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“But maybe I am. Maybe that’s exactly what I am. Maybe all I wanted was for Toby to hear the wolves that lived in the dark forest of my heart. And maybe that’s what it meant. Tell the Wolves I’m Home. Maybe Finn understood everything, as usual. You may as well tell them where you live, because they’ll find you anyway. They always do.”
Carol Rifka Brunt
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“I didn’t want to care, but somehow, like always, I did. She was wired into my heart. Twisted and kinked and threaded right through.”
Carol Rifka Brunt
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“You can build a whole world around the tiniest of touches.”
Carol Rifka Brunt
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“I thought how that was wrong and terrible and beautiful all at the same time.”
Carol Rifka Brunt
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“But it’s my face. Mine and Greta’s. We don’t belong to everybody.”
Carol Rifka Brunt
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“I’m not a violent person. I didn’t think I was a violent person, but right then something dangerous seemed to be waking up. Some hard dark sleeping thing from deep in my belly had opened one eye.”
Carol Rifka Brunt
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“I stared at Greta’s back. At her matted hair, decorated with brown torn leaves and dirt. What was happening to my sister? What if I’d never come? How long would she have stayed hidden in those cool, damp leaves? How long before she woke up alone and scared, with nothing but the howling of wolves to keep her company?”
Carol Rifka Brunt
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“In having a purpose. I could feel it hardening up my bones and thickening my blood. I felt older and smarter than anyone else I knew. I could do anything, anything at all.”
Carol Rifka Brunt
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“But if they loved each other so much, couldn’t they talk it out?” Toby gave an exasperated laugh. “You get into habits. Ways of being with certain people.”
Carol Rifka Brunt
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“If my life was a film, I’d have walked out by now.”
Carol Rifka Brunt
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“I thought it was good to test yourself sometimes. It was good to see how much you could take.”
Carol Rifka Brunt
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“You will. I promise. There’s a lockup. Each apartment has one. Like a big storage cage. Come with me.” An image of me being locked in a cage in some kind of creepy cellar came into my head. I didn’t even know Toby. Not really. And he said himself he was jealous of me. Maybe he would lock me in this basement and nobody in the world would ever guess where I was. Toby’s shoulders drooped, and he cocked his head to one side and said, “Please,” in the most pathetic voice ever. Then he perked back up. “Look, truly, June. You won’t be sorry.” I thought about it for a few seconds and came to the conclusion that a real psycho wouldn’t have mentioned the cage. A real psycho would have lured me down there by telling me there was a puppy or something.”
Carol Rifka Brunt
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“The walls of the tunnels were covered with so much dirt, it was almost like fur. I thought those tunnels were the kind of places wolves might live. I thought they were like the vessels of the human heart.”
Carol Rifka Brunt
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“Once you know a thing you can’t ever unknow it.”
Carol Rifka Brunt
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“The real question for me is why Lieutenant Cable and Nellie didn’t just get together. Because they would have been a perfect match. I guess the idea is that opposites attract, but I don’t think that’s what it’s like in real life. I think in real life you’d want someone who was as close to you as possible. Someone who could understand exactly the way you thought.”
Carol Rifka Brunt
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“That’s different,” I said. And it was. A portrait is a picture where somebody gets to choose what you look like. How they want to see you. A camera catches whichever you happens to be there when it clicks.”
Carol Rifka Brunt
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“Then we left, just me running with my sister, the wolves at our backs.”
Carol Rifka Brunt
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“For a long time, all the way through to the end of elementary school, Beans was my only friend. Because that’s how I’ve always been. I only need one good friend to see me through. Most people aren’t like that. Most people are always looking out for more people to know. In the end, Beans was like most people. After a while she had dozens of friends, and by fifth grade it was pretty obvious that even though she was my best friend, I wasn’t hers.”
Carol Rifka Brunt
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“It was a nice thing for her to say. In her way. With Greta you have to look out for the nice things buried in the rest of her mean stuff. Greta’s talk is like a geode. Ugly as anything on the outside and for the most part the same on the inside, but every once in a while there’s something that shines through.”
Carol Rifka Brunt
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“Maybe when you’re dead you can crawl inside other people and make them nicer than they were before.”
Carol Rifka Brunt
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“I . . . Why do you want me to?” There was a flicker of something in Greta’s look. I couldn’t tell whether it was a flicker of love or regret or meanness, and then she said, “Why wouldn’t I want you to?” Because you hate me, I thought, but I didn’t say it.”
Carol Rifka Brunt
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“Greta knows that for me there are no good parties. I’m okay with one or two people, but more than that and I turn into a naked mole rat. That’s what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I’m trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it’s over and there’s one more person in the world who thinks I’m a complete and total waste of space.”
Carol Rifka Brunt
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“I didn’t say anything. Greta always knew how to make me lose my words.”
Carol Rifka Brunt
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“I thought of all the different kinds of love in the world. I could think of ten without even trying. The way parents love their kids, the way you love a puppy or chocolate ice cream or home or your favorite book or your sister. Or your uncle. There's those kinds of love and then there's the other kind. The falling kind.”
Carol Rifka Brunt
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“I really wondered why people were always doing what they didn't like doing. It seemed like life was a sort of narrowing tunnel. Right when you were born, the tunnel was huge. You could be anything. Then, like, the absolute second after you were born, the tunnel narrowed down to about half that size. You were a boy, and already it was certain you wouldn't be a mother and it was likely you wouldn't become a manicurist or a kindergarten teacher. Then you started to grow up and everything you did closed the tunnel in some more. You broke your arm climbing a tree and you ruled out being a baseball pitcher. You failed every math test you ever took and you canceled any hope of being a scientist. Like that. On and on through the years until you were stuck. You'd become a baker or a librarian or a bartender. Or an accountant. And there you were. I figured that on the day you died, the tunnel would be so narrow, you'd have squeezed yourself in with so many choices, that you just got squashed.”
Carol Rifka Brunt
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“I don’t like to overhear things, because, in my experience, things your parents are keeping quiet about are things you don’t want to know.”
Carol Rifka Brunt
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“Watching people is a good hobby, but you have to be careful about it. You can’t let people catch you staring at them. If people catch you, they treat you like a first-class criminal. And maybe they’re right to do that. Maybe it should be a crime to try to see things about people they don’t want you to see.”
Carol Rifka Brunt
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“Because maybe I don't want to leave the planet invisible. Maybe I need at least one person to remember something about me.”
Carol Rifka Brunt
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“You could try to believe what you wanted, but it never worked. Your brain and your heart decided what you were going to believe and that was that. Whether you liked it or not.”
Carol Rifka Brunt
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“I was in a place where nobody knew my heart even a little bit.”
Carol Rifka Brunt
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“That's what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I'm trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it's over and there's one more person in the world who thinks I'm a complete and total waste of space. The worst thing is the stupid hopefulness. Every new party, every new bunch of people, and I start thinking that maybe this is my chance. That I'm going to be normal this time. A new leaf. A fresh start. But then I find myself at the party, thinking, Oh, yeah. This again. So I stand on the edge of things, crossing my fingers, praying nobody will try to look me in the eye. And the good thing is, they usually don't.”
Carol Rifka Brunt
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“The bed was warm and ordinary and perfect, and it had been such a long, long day. Probably the longest day of my life. I felt like I had proof that not all days are the same length, not all time has the same weight. Proof that there are worlds and worlds and worlds on top of worlds, if you want them to be there.”
Carol Rifka Brunt
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“I had no idea how greedy my heart really was.”
Carol Rifka Brunt
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“I need to figure out the secret. I need to work out how to keep things flying back to me instead of always flying away.”
Carol Rifka Brunt
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“I knew the way lost hopes could be dangerous, how they could turn a person into someone they never thought they'd be.”
Carol Rifka Brunt
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“We walked downtown in the rain, both of us sucking on those hot, spicy mints we hadn't meant to buy. When the spiciness started to kick in, I almost spat mine out, but then I didn't. I thought it was good to test yourself sometimes. It was good to see how much you could take.”
Carol Rifka Brunt
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“The sun kept on with its slipping away, and I thought how many small good things in the world might be resting on the shoulders of something terrible.”
Carol Rifka Brunt
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“I felt like I had proof that not all days are the same length, not all time has the same weight. Proof that there are worlds and worlds and worlds on top of worlds, if you want them to be there.”
Carol Rifka Brunt
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“My mother gave me a disappointed look. Then I gave her one back. Mine was for everything, not just the sandwich.”
Carol Rifka Brunt
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