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Carolyn Heilbrun

Carolyn Gold Heilbrun (January 13, 1926 – October 9, 2003) was an American academic and prolific feminist author of both important academic studies and popular mystery novels under the pen name of Amanda Cross.

Heilbrun attended graduate school in English literature at Columbia University, receiving her M.A. in 1951 and Ph.D in 1959. Among her most important mentors were Columbia professors Jacques Barzun and Lionel Trilling, while Clifton Fadiman was an important inspiration: She wrote about these three in her final non-fiction work, When Men Were the Only Models We Had: My Teachers Barzun, Fadiman, Trilling (2002).

Heilbrun taught English at Columbia for more than three decades, from 1960 to 1992. She was the first woman to receive tenure in the English Department. Her academic specialty was British modern literature, with a particular interest in the Bloomsbury Group. Her academic books include the feminist study Writing a Woman's Life (1988). In 1983, she co-founded and became co-editor of the Columbia University Press's Gender and Culture Series with literary scholar Nancy K. Miller. From 1985 until her retirement in 1992, she was Avalon Foundation Professor in the Humanities at Columbia.

(from Wikipedia)


“All good marriages are remarriages.”
Carolyn Heilbrun
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“What one remembers is, I think, a clue to what one wants to be.”
Carolyn Heilbrun
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“Power is the ability to take one's place in whatever discourse is essential to action and the right to have one's part matter.”
Carolyn Heilbrun
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“. . . the most potent reward for parenthood I have known has been delight in my fully grown progeny. They are friends with an extra dimension of affection. True, there is also an extra dimension of resentment on the children's part, but once offspring are in their thirties, their ability to love their parents, perhaps in contemplation of the deaths to come, expands, and, if one is fortunate, grudges recede. []p. 209]”
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“Today women live long into their children's adult lives . . . too little is made of the pleasure we women feel in conversing with our grown children, and in allowing ourselves, from time to time, to think of them as friends. I have been fortunate in having children with whom conversation is possible; the sheerest pleasure here, for me, has been in meeting with them each alone . . . [p. 185]”
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“But will anyone again look at that tree, read that poem, love a dog in quite my way? I am a particular and, despite the commonness of all people, a unique person in the way I perceive and think and appreciate, and I am sad that this particularity shall before too long be gone. This is not arrogance; it is the simple truth, known to anyone who has loved a person dead in the fullness of her life: what we miss is the particularity, that unique voice. [pp. 184-185]”
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“The antithetical or perhaps mirror image to sadness is the experience, similarly unique to one's late years, of a swift, mysterious wave of happiness, also causeless, but of much shorter duration. I cannot remember a time, before my sixties, when the consciousness of happiness would sweep over me and, like a shower of cold water when one is desperately overheated, offer me a passing sensation very close to glee.Both sadness and fleeting happiness relate, I think, to mortality, to the consciousness of being old and of nearing the end of life. . . these sensations . . . surge up from the unconscious, to be a gift of long life or fortunate old age. Both sadness and happiness, but sadness more, are related to the fact that nothing of all this will endure for long. [p. 179]”
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“Sadness such as mine is not depression; it can be blown away by an interesting conversation, a welcome telephone call, or a compelling idea for an essay or piece of fiction. It returns without evident cause, however obvious the cause of its banishment, and it belongs, I have come to suspect, to both youth and age, less frequently to the years between.[pp.177-178]”
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“If an animal is designed by nature to have claws it ought to keep them, and if men come with quirks that they are incapable of changing, well, a certain amount of quietude and even peace can be achieved by just realizing that it's all inherent in the beast. [p. 173]”
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“Men are not listeners . . . They hear what they expect to hear, or want to hear, or are certain they will hear, and women, being supple creatures trained to please, have often told them what we women knew would satisfy them. [p. 167]”
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“Women, I believe, search for fellow beings who have faced similar struggles, conveyed them in ways a reader can transform into her own life, confirmed desires the reader had hardly acknowledge--desires that now seem possible. Women catch courage from the women whose lives and writings they read, and women call the bearer of that courage friend. [p. 138]”
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“. . . the less androgynous the person, the likelier he or she was to be incapable of action if the appropriate action was not clearly delineated . . . How many women there were . . . who tore themselves or their families apart because they could not allow themselves any action or occupation that could appear manly, and might make their husbands appear less so. [pp. 132-133]”
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“. . . for those retired, with too much time and no world, a world must be found, and not necessarily one that is heavily populated. One can join a group or work alone; the essential . . . is that the work be difficult, concentrated, and that definite progress can be measured . . . the purpose . . . is. . . to maintain a carefully directed intensity. . . . Here the question is one of time, and to what all that remaining time should be devoted. [pp. 45-46]”
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“The rare, delicate flavor of a life after retiring in one's sixties, whatever one has "retired" from, the pleasure I experienced beyond my job at Columbia, is a gift of life in the last decades. but it is not easily learned. . . . But sometimes, the only way to live is to get out, or at least seriously to contemplate getting out, doing the impossible,flinging the conventional tea.”
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“Ours is a long marriage, and we have found solitude together. [p. 23]”
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“Power consists to a large extent in deciding what stories will be told.”
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