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Catherine Ryan Hyde

Catherine Ryan Hyde is the author of 44 published and forthcoming books.

Her newer releases are Dreaming of Flight, Boy Underground, Seven Perfect Things, My Name is Anton, Brave Girl, Quiet Girl, Stay, Have You Seen Luis Velez?, Just After Midnight, Heaven Adjacent, The Wake Up, Allie and Bea, Say Goodbye for Now, Leaving Blythe River, Ask Him Why, Worthy, The Language of Hoofbeats, Take Me With You, Walk Me Home, and When I Found You.

Forthcoming are So Long, Chester Wheeler, and Just a Regular Boy..

Other novels include When You Were Older, Where We Belong, Don’t Let Me Go, Second Hand Heart, Jumpstart the World, Becoming Chloe, Love in the Present Tense, The Year of My Miraculous Reappearance, Chasing Windmills, The Day I Killed James, and Diary of a Witness.

She is co-author, with publishing industry blogger Anne R. Allen, of How to be a Writer in the E-Age: a Self-Help Guide.

Her bestselling 1999 novel Pay It Forward was made into a major Warner Brothers motion picture. It was chosen by the American Library Association for its Best Books for Young Adults list, and translated into more than two dozen languages for distribution in over 30 countries. Simon & Schuster released a special 15th anniversary edition in December of ’14.

Pay It Forward: Young Readers Edition, an age-appropriate edited edition of the original novel, was released by Simon & Schuster in August of ‘14. It is suitable for children as young as eight.

You can learn much more about Catherine at www.catherineryanhyde.com


“So, I guess people figure it's not as hard to lose your mother when you never got along anyway. But they're wrong. They're dead wrong. It's always hard to lose your mother. Always. If you loved her, if you hated her. If she smothered you, if she ignored you. It doesn't matter. She's your mother. Your mother. That's just a very tough bond to break.”
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“We should all be much more careful with each other`s hearts.”
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“I know this is going to come as a shock to me, but I am leaving me. Perhaps I`ll say I could not have seen this coming, but truthfully things have been wrong between me for some time. Time heals and I`m sure in time I`ll build a new life without me”
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“[Rayleen talking to Billy.] "Grace is thriving here, and I dare anybody to challenge that. Anybody who has a problem with that can come take it up with me.""Thank God," Billy said, "because I really hate it when people come take things up with ME.”
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“[Grace talking to Billy.] "It's like people who want to feel only happy but not sad," she said. "It never works. You either feel things or you don't. You don't get to pick and choose. At least, I don't think so.”
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“... even though it was beautiful and comfortable, and even though it was the world, it was also a little bit boring. No, wait. Maybe boring isn’t the right word. What’s the word I’m wanting here? Lonely. That’s it. It was a little bit lonely.”
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“Even if we had to go back, I decided it was worth it to ride that bus all the way out here. It was worth it just for Natalie to see the windmills. Even if she never saw anything like this again. Maybe at least she could hang on to the idea that there's something better out there, somewhere.”
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“It struck me that this was the second time in a couple of days that just yelling someone's name on the street could have spelled disaster. Then it struck me how wrong that was. To have to keep your life sectioned off like that. A signal that you'd fallen into a bad way to live.”
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“It's like if someone had a loaded gun in your face. I don't know how else to describe how it felt to try to talk to my father. Even on a good day. If someone always has a loaded gun in your face, you weigh every word before you say it. You only dare say it if it might save you. But you're never sure, so there's this tendency to freeze. Say nothing at all.”
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“Stella says when we were kids and things got bad she would go outside herself. She said she would be in a spot near the ceiling in the corner of the room. Watching. Like everything was happening to somebody else. Like you watch a movie on a screen. Not me. I tuck in. I go into an even deeper place in myself. And I pull the covers in over me. And then I dare you to find me. You have to find me to touch me or hurt me. At least, the part of me that really counts. I go inside and just hold very still. And part of me feels dead. Like it doesn't matter. Whatever it is. It just doesn't matter.”
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“I'd tell you to be careful, except for two things. One, it wouldn't do any good anyhow. And two, I think we tell each other that too much. Be careful. Don't get hurt. Don't take changes. Don't try anything. Don't feel. Might as well be telling each other not to be alive at all. Boils down to the same thing.”
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“I think you can scare somebody out of doing something, but not out of feeling like they want to.”
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“Funny how a thing like that can be so damned important, but you don't know it's important until an instant later in the big scheme of time. Then you go back and try to retrieve it. You tell yourself it's in there somewhere. But it's really in that no-man's-land of the moment before you woke up and started paying attention to your own life.”
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“I keep telling you the future isn't set in stone. It's not all decided yet. The future is just what's down the road we decided to walk on today. You can change roads anytime. And that changes where you end up.”
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“There is no wrong way to perform an act of kindness.”
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“I guess if you're really a friend, you overlook certain things. Its easy to be friends with someone who only says things you want to hear. I guess if you're really a friend, you have to cut a friend some slack.”
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“I guess it's hard for people who are so used to things the way they are - even if they're bad - to change. 'Cause they kind of give up. And when they do, everybody kind of loses.”
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“You are what you do. That's what I'm trying to tell you. What we do defines us. However we behave, conduct our lives...that's real. The rest is a story for publication.”
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“I think it's the things we don't talk about that make us old before out time.”
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“Things are so easy to do, so hard to undo.”
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“Because if you take something you're a thief.' She nursed the silence a moment. Downed the balance of her drink and silently signaled for another. 'Sounds simple, but you'd be amazed how many people don't get it. They steal but they call themselves honest. They cheat on their spouses and lovers but they think they're good people. They lie but they'd never call themselves liars. Well, let me tell you something, Todd. . . ." She pointed toward him with her right hand, with her lit cigarette. He leaned away slightly. She looked into the mirror of his eyes and saw herself going too far. 'You are what you do. That's what I'm trying to tell you. What we do defines us. However we behave, conduct our lives . . . that's real. The rest is just a story for publication.”
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“[There] was a time when a lot of people came to the door. The milkman. The iceman. The Fuller Brush man. Encyclopedia salesmen. There was a sense of interaction with the world that started right at your own front doorstep.”
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“I decided that not talking is like a litmus test for a real friend. You can just sit there and be. Not always be filling up the air with words”
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“Sometimes you have to jumpstart the world just to get it to be what even the world admits it should be”
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“A kiss, she thinks, has to be entirely balanced -- it has to have a little conflict, a little dialectic, a little revolution.”
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“If you want to see a man come to his senses, try something like, Do you happen to carry a rubber in your wallet? Did I mention I'm not on the pill?”
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“Nobody said it was a beautiful world with no scars.”
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“The closer you get to heaven, the less air there is, because when you get to heaven for real, you don't need to breathe anymore.”
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“I try to think of a way to get there without going past it. There are lots of ways, but they all have me walking a little farther. And that's stupid, I decide. What am I, a little kid? I can stand to see something it hurts to want. I can see it and then just keep walking. It happens to lots of people everyday. We all survive.”
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“Maybe she doesn't want to understand things she doesn't think she can change anyway. Maybe sometimes you just have a couple of rotten choices. Like you can fail to comprehend the world you've got, or you can see it as this ugly, evil, dangerous place and not be able to do a damn thing about it.”
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