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Chaim Potok

Herman Harold Potok, or Chaim Tzvi, was born in Buffalo, New York, to Polish immigrants. He received an Orthodox Jewish education. After reading Evelyn Waugh's novel Brideshead Revisited as a teenager, he decided to become a writer. He started writing fiction at the age of 16. At age 17 he made his first submission to the magazine The Atlantic Monthly. Although it wasn't published, he received a note from the editor complimenting his work.

In 1949, at the age of 20, his stories were published in the literary magazine of Yeshiva University, which he also helped edit. In 1950, Potok graduated summa cum laude with a BA in English Literature.

After four years of study at the Jewish Theological Seminary of America he was ordained as a Conservative rabbi. He was appointed director of Leaders Training Fellowship, a youth organization affiliated with Conservative Judaism.

After receiving a master's degree in English literature, Potok enlisted with the U.S. Army as a chaplain. He served in South Korea from 1955 to 1957. He described his time in S. Korea as a transformative experience. Brought up to believe that the Jewish people were central to history and God's plans, he experienced a region where there were almost no Jews and no anti-Semitism, yet whose religious believers prayed with the same fervor that he saw in Orthodox synagogues at home.

Upon his return, he joined the faculty of the University of Judaism in Los Angeles and became the director of a Conservative Jewish summer camp affiliated with the Conservative movement, Camp Ramah. A year later he began his graduate studies at the University of Pennsylvania and was appointed scholar-in-residence at Temple Har Zion in Philadelphia.

In 1963, he spent a year in Israel, where he wrote his doctoral dissertation on Solomon Maimon and began to write a novel.

In 1964 Potok moved to Brooklyn. He became the managing editor of the magazine Conservative Judaism and joined the faculty of the Teachers’ Institute of the Jewish Theological Seminary. The following year, he was appointed editor-in-chief of the Jewish Publication Society in Philadelphia and later, chairman of the publication committee. Potok received a doctorate in philosophy from the University of Pennsylvania.

In 1970, Potok relocated to Jerusalem with his family. He returned to Philadelphia in 1977. After the publication of Old Men at Midnight, he was diagnosed with brain cancer. He died at his home in Merion, Pennsylvania on July 23, 2002, aged 73.


“Art is a person's private vision expressed in aesthetic forms.”
Chaim Potok
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“When the alternative is possible disaster, a man must gamble.”
Chaim Potok
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“It is when you are angry that you must watch how you talk.”
Chaim Potok
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“It is strange how ideas can float about and be ignored until they are put into a book. A book can be a weapon...”
Chaim Potok
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“We become like dead branches and last year's leaves and what the hell good are we for ourselves and the world in a mental ghetto.”
Chaim Potok
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“Williamsburg was stifling, narcotized by the heat.”
Chaim Potok
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“In Russia I went to a great yeshiva, and in America I work in a carnival.”
Chaim Potok
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“Do you know what I don't understand about that ball game? I don't understand why I wanted to kill you.”
Chaim Potok
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“My name is Asher Lev... I am a traitor, an apostate, a self-hater, an inflicter of shame upon my family, my friends, my people; also, I am a mocker of ideas sacred to Christians, a blasphemous manipulator of modes and forms revered by Gentiles for two thousand years.”
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“Reuven, as you grow older you will discover that the most important thing that will happen to you will often come as a result of silly things, as you call them- "ordinary things" is a better expression. That is the way the world is.”
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“For all the pain you suffered, my mama. For all the torment of your past and future years, my mama. For all the anguish this picture of pain will cause you. For the unspeakable mystery that brings good fathers and sons into the world and lets a mother watch them tear at each other’s throats. For the Master of the Universe, whose suffering world I do not comprehend. For dreams of horror, for nights of waiting, for memories of death, for the love I have for you, for all the things I remember, and for all the things I should remember but have forgotten, for all these I created this painting—an observant Jew working on a crucifixion because there was no aesthetic mold in his own religious tradition into which he could pour a painting of ultimate anguish and torment.”
Chaim Potok
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“It's not a pretty world, Papa.''I've noticed,' my father said softly.”
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“Have thine own way, Lord! Have thine own way!Thou art the Potter and I am the clay.”
Chaim Potok
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“Jestliže se chceš dotknout srdce nějakého člověka, musíš vidět jeho tvář. Do duše se nedostaneš telefonem.”
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“I went away and cried to the Master of the Universe, "What have you done to me? A mind like this I need for a son? A heart I need for a son, a soul I need for a son, compassion I want from my son, righteousness, mercy, strength to suffer and carry pain, that I want from my son, not a mind without a soul!”
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“... an artist is a person first. He is an individual. If there is no person, there is no artist.”
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“I do not have many things that are meaningful to me. Except my doubts and my fears. And my art.”
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“In our time... a man whose enemies are faceless bureaucrats almost never wins. It is our equivalent to the anger of the gods in ancient times. But those gods you must understand were far more imaginative than our tiny bureaucrats. They spoke from mountaintops not from tiny airless offices. They rode clouds. They were possessed of passion. They had voices and names. Six thousand years of civilization have brought us to this.”
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“You can listen to silence, Reuven. I've begun to realize that you can listen to silence and learn from it. It has a quality and a dimension all its own. It talks to me sometimes. I feel myself alive in it. It talks. And I can hear it....You have to want to listen to it, and then you can hear it. It has a strange, beautiful texture. It doesn't always talk. Sometimes - sometimes it cries, and you can hear the pain of the world in it. It hurts to listen to it then. But you have to.”
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“The blink of an eye in itself is nothing. But the eye that blinks, that is something. A span of life is nothing. But the man who lives that span, he is something. He can fill that tiny span with meaning, so its quality is immeasurable though its quantity may be insignificant.”
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“Every man who has shown the world the way to beauty, to true culture, has been a rebel, a 'universal' without patriotism, without home who has found his people everywhere.”
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“I've begun to realize that you can listen to silence and learn from it. It has a quality and a dimension all its own.”
Chaim Potok
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“Seeds must be sown everywhere. Only some will bear fruit. But there would not be the fruit from the few had the many not been sown.”
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“… the world will indulge you just so long Asher Lev. Then it will stop. You will simply have to grow accustomed to that truth.”
Chaim Potok
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“I won't talk to you about my family and you won't talk to me about yours. Family talk is either boring or self-pitying. Or it's Gothic, like a Faulkner novel. Who needs to talk about it? It's enough to live it.”
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“I learned a long time ago, Reuven, that a blink of an eye in itself is nothing. But the eye that blinks, that is something. A span of life is nothing. But the man who lives that span, he is something. He can fill that tiny span with meaning, so its quality is immeasurable though its quantity may be insignificant. Do you understand what I am saying? A man must fill his life with meaning, meaning is not automatically given to life.”
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“How should a Jew feel? There we went through the seven gates of hell for matzos. Here I stand in matzos over my head. So how should a Jew feel? You are an angel of God, and the Rebbe, he should live and be well, the Rebbe made miracles and wonders for me. At night, I tell myself it is a dream and I am afraid to wake up. If it is a dream, better I should not wake up, better I should die in my sleep.”
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“Reuven listen to me. The Talmud says that a person should do two things for himself. One is to acquire a teacher. Do you remember the other.""Choose a friend," I said."Yes. You know what a friend is, Reuven? A Greek philosopher said that two people who are true friends are like two bodies with one soul."I nodded."Reuven, if you can, make Danny Saunders your friend.""I like him a lot, abba.""No. Listen to me. I am not talking about only liking him. I am telling you to make him your friend and to let him make you his friend.”
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“Literature presents you with alternate mappings of the human experience. You see that the experiences of other people and other cultures are as rich, coherent, and troubled as your own experiences. They are as beset with suffering as yours. Literature is a kind of legitimate voyeurism through the keyhole of language where you really come to know other people's lives--their anguish, their loves, their passions. Often you discover that once you dive into those lives and get below the surface, the veneer, there is a real closeness.”
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“I looked at my right hand, the hand with which I painted. There was power in that hand. Power to create and destroy. Power to bring pleasure and pain. Power to amuse and horrify. There was in that hand the demonic and the divine at one and the same time. The demonic and the divine were two aspects of the same force. Creation was demonic and divine. Creativity was demonic and divine. I was demonic and divine.”
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“But it would have made me a whore to leave it incomplete. It would have made it easier to leave future work incomplete. It would have made it more and more difficult to draw upon that additional aching surge of effort that is always the difference between integrity and deceit in a created work. I would not be the whore to my own existence. Can you understand that? I would not be the whore to my own existence.”
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“Art is whether or not there is a scream in him wanting to get out in a special way.”
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“Oh, it makes a difference, I thought. And if it doesn't make a difference you will make it make a difference.”
Chaim Potok
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“A man is born into this world with only a tiny spark of goodness in him. The spark is God, it is the soul; the rest is ugliness and evil, a shell. The spark must be guarded like a treasure, it must be nurtured, it must be fanned into flame. It must learn to seek out other sparks, it must dominate the shell. Anything can be a shell, Reuven. Anything. Indifference, laziness, brutality, and genius. Yes, even a great mind can be a shell and choke the spark.”
Chaim Potok
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“As you grow older you will discover that the most important things that will happen to you will often come as a result of silly things, as you call them --"ordinary things" is a better expression. That is the way the world is.”
Chaim Potok
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“He taught them that the purpose of a man is to make his life holy--every aspect of his life: eating, drinking praying, sleeping. God is everywhere, he told them, and if it seems at times that He is hidden from us, it is only because we have not yet learned to seek Him correctly.”
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“Truth has to be given in riddles. People can't take truth if it comes charging at them like a bull. The bull is always killed. You have to give people the truth in a riddle, hide it so they go looking for it and find it piece by piece; that way they learn to live with it.”
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“Art begins . . . when someone interprets, when someone sees the world through his own eyes. Art happens when what is seen becomes mixed with the inside of the person who is seeing it.”
Chaim Potok
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“It's always easier to learn something than to use what you've learned. . . . You're alone when you're learning. But you always use it on other people. It's different when there are other people involved.”
Chaim Potok
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“...a blink of an eye in itself is nothing. But the eye that blinks, that is something.”
Chaim Potok
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“No one knows he is fortunate until he becomes unfortunate, that's the way the world is.”
Chaim Potok
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“Two people who are true friends are like two bodies with one soul”
Chaim Potok
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“Now I stand on the knoll before the grave of Jacob Kahn, the cypress tall against the blue morning sky and the wind warm on my face. It is the only sense left me, I hear him say. There are colors in the wind, Asher Lev. Find your demons again and return to your work. Colors wait for you in the wind. Things were too comfortable for you. An artist needs a broken world in order to have pieces to shape into art. Isn't that right, Asher Lev? Comfort is death to art. Asher Lev, artist. Asher Lev, troubler. Asher Lev, my future. His voice weaves through the wind, and I add to it the words of the psalmist, " 'Protect me, O God, for I seek refuge in You. I say to the Lord, Your are my benefactor; there is no one above You....' " The wind is red and black in the trembling cypress.”
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“Something that is yours forever is never precious”
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“A life is measured by how it is lived for the sake of heaven.”
Chaim Potok
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“I will go wherever the truth leads me. It is secular scholarship, Rebbe; it is not the scholarship of tradition. In secular scholarship there are no boundaries and no permanently fixed views.”Lurie, if the Torah cannot go out into your world of scholarship and return stronger, then we are all fools and charlatans. I have faith in the Torah. I am not afraid of truth.”
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“We live less than the time it takes to blink an eye, if we measure our lives against eternity. So it may be asked what value is there to a human life. There is so much pain in the world. What does it mean to have to suffer so much if our lives are nothing more than the blink of an eye? . . .I learned a long time ago, Reuven, that a blink of an eye in itself is nothing. But the eye that blinks, that is something.”
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“If a person has a contribution to make, he must make it in public. If learning is not made public, it is a waste.”
Chaim Potok
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“…everything has a past. Everything – a person, an object, a word, everything. If you don’t know the past, you can’t understand the present and plan properly for the future.”
Chaim Potok
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“Human beings do not live forever, Reuven. We live less than the time it takes to blink an eye, if we measure our lives against eternity. So it may be asked what value is there to a human life. There is so much pain in the world. What does it mean to have to suffer so much if our lives are nothing more than the blink of an eye? I learned a long time ago, Reuven, that a blink of an eye in itself is nothing. But the eye that blinks, that is something. A span of life is nothing. But the man who lives that span, he is something. He can fill that tiny span with meaning, so its quality is immeasurable though its quantity may be insignificant. Do you understand what I am saying? A man must fill his life with meaning, meaning is not automatically given to life. It is hard work to fill one's life with meaning. That I do not think you understand yet. A life filled with meaning is worthy of rest. I want to be worthy of rest when I am no longer here.”
Chaim Potok
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