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Charles de Lint

Charles de Lint is the much beloved author of more than seventy adult, young adult, and children's books. Renowned as one of the trailblazers of the modern fantasy genre, he is the recipient of the World Fantasy, Aurora, Sunburst, and White Pine awards, among others. Modern Library's Top 100 Books of the 20th Century poll, conducted by Random House and voted on by readers, put eight of de Lint's books among the top 100.

De Lint is a poet, folklorist, artist, songwriter and performer. He has written critical essays, music reviews, opinion columns and entries to encyclopedias, and he's been the main book reviewer for The Magazine of Fantasy & Science Fiction since 1987. De Lint served as Writer-in-residence for two public libraries in Ottawa and has taught creative writing workshops for adults and children in Canada and the United States. He's been a judge for several prominent awards, including the Nebula, World Fantasy, Theodore Sturgeon and Bram Stoker.

Born in the Netherlands in 1951, de Lint immigrated to Canada with his family as an infant. The family moved often during de Lint's childhood because of his father's job with an international surveying company, but by the time Charles was twelve—having lived in Western Canada, Turkey and Lebanon—they had settled in Lucerne, Quebec, not far from where he now resides in Ottawa, Ontario.

In 1980, de Lint married the love of his life, MaryAnn Harris, who works closely with him as his first editor, business manager and creative partner. They share their love and home with a cheery little dog named Johnny Cash.

Charles de Lint is best described as a romantic: a believer in compassion, hope and human potential. His skilled portrayal of character and settings has earned him a loyal readership and glowing praise from peers, reviewers and readers.

Charles de Lint writes like a magician. He draws out the strange inside our own world, weaving stories that feel more real than we are when we read them. He is, simply put, the best.

—Holly Black (bestselling author)

Charles de Lint is the modern master of urban fantasy. Folktale, myth, fairy tale, dreams, urban legend—all of it adds up to pure magic in de Lint's vivid, original world. No one does it better.

—Alice Hoffman (bestselling author)

To read de Lint is to fall under the spell of a master storyteller, to be reminded of the greatness of life, of the beauty and majesty lurking in shadows and empty doorways.

—Quill & Quire

His Newford books, which make up most of de Lint's body of work between 1993 and 2009, confirmed his reputation for bringing a vivid setting and repertory cast of characters to life on the page. Though not a consecutive series, the twenty-five standalone books set in (or connected to) Newford give readers a feeling of visiting a favourite city and seeing old friends.

More recently, his young adult Wildlings trilogy—Under My Skin, Over My Head, and Out of This World—came out from Penguin Canada and Triskell Press in 2012, 2013 and 2014. Under My Skin won 2013 Aurora Award. A novel for middle-grade readers, The Cats of Tanglewood Forest, published by Little Brown in 2013, won the Sunburst Award, earned starred reviews in both Publishers Weekly and Quill & Quire, and was chosen by the New York Times Editors as one of the top six children's books for 2013. His most recent adult novel, The Mystery of Grace (2009), is a fascinating ghost story about love, passion and faith. It was a finalist for both the Sunburst and Evergreen awards.

De Lint is presently writing a new adult novel. His storytelling skills also shine in his original songs. He and MaryAnn (also a musician) recently released companion CDs of their original songs, samples of which can be heard on de Lin


“Don't start brooding about that, too," she says. "Everybody's got a piece of stranger inside them. It's what lets us surprise ourselves and keeps things interesting." -Lupita”
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“I don't think the world is the way we like to think it is. I don't think it's one solid world, but many, thousands upon thousands of them--as many as there are people--because each person perceives the world in his or her own way; each lives in his or her own world. Sometimes they connect, for a moment, or more rarely, for a lifetime, but mostly we are alone, each living in our own world, suffering our small deaths.”
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“You've got to find yourself first. Everything else'll follow.”
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“I hate the thought of her being forced into a box that doesn't fit her. Of having her wings cut off, her sight blinded, her hearing muted, her voice stilled.”
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“Everybody's got the potential for great good and great wrong in them, but it's thechoices we make that define who we really are.”
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“Gina always believed there was magic in the world. "But it doesn't work in the way it does in fairy tales," she told me. "It doesn't save us. We have to save ourselves.”
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“It's all a matter of paying attention, being awake in the present moment, and not expecting a huge payoff. The magic in this world seems to work in whispers and small kindnesses.”
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“You walk around with a negative attitude and you're just naturally going to bring trouble and hard times down on yourself.”
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“It reminded me of that tongue-in-cheek quick history of art I'd overheard...Used to be people couldn't draw very well, then they could, and now they can't again.”
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“Our lives are stories, and the stories we have to give to each other are the most important. No one has a story too small and all are of equal stature. We each tell them in different ways, through different mediums—and if we care about each other, we'll take the time to listen.”
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“I'm not as trusting as people think I am. Sure, I see the best in people, but that doesn't mean it's really there.”
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“The moon likes secrets," Meran said. "And secret things. She lets mysteries bleed into her shadows and leaves us to ask whether they originated from otherworlds, or from our own imaginations.”
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“But what the evil people do, that's their responsibility. The burden they have to carry. Sure, when we see 'em starting on causing some hurt, we've got to try and stop 'em, but mostly what the rest of us should be concerning ourselves with is doing right by others. Every time you do a good turn, you shine the light a little further into the dark. And the thing is, even when we're gone, that light's going to keep shining on, pushing the shadows back.”
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“The best artists know what to leave out.”
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“There's more to life than just surviving . . . but . . . sometimes just surviving is all you get”
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“Tattoos...are the stories in your heart, written on your skin.”
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“Magic's never what you expect it to be, but it's often what you need.”
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“Look inside yourself for the answers - you're the only one who knows what's best for you. Everybody else is only guessing.”
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“Every time we fix something that broken, whether it's a car engine or a broken heart, that an act of magic. And what makes it magic is that we choose to create or help, just as we can choose to harm.”
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“... we chase after ghosts and spirits and are left holding only memories and dreams. It's not that we want what we can't have; it's that we've held all we could want and then had to watch it slip away.”
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“Let me give you some advice: Try to approach things without preconceived ideas, without supposing you already know everything there is to know about them. Get that trick down and you'll be surprised at what's really all around you.”
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“I envy the music lovers hear. I see them walking hand in hand, standing close to each other in a queue at a theater or subway station, heads touching while they sit on a park bench, and I ache to hear the song that plays between them: The stirring chords of romance's first bloom, the stately airs that whisper between a couple long in love. You can see it in the way they look at each other... you can almost hear it. Almost, but not quite, because the music belongs to them and all you can have of it is a vague echo that rises up from the bittersweet murmur and shuffle of your own memories.”
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“She hoped he was running to his red deer woman, and that when he tapped on the door of her heart, she'd open it wide and let him in.”
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“As the new work fills my notebooks, I've come to realize that the characters in my stories were so real because I really did want to get close to people, I really did want to know them. It was just easier to do it on paper, one step removed.”
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“A name can't begin to encompass the sum of all her parts. But that's the magic of names, isn't it? That the complex, contradictory individuals we are can be called up complete and whole in another mind through the simple sorcery of a name.”
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“We end up stumbling our way through the forest, never seeing all the unexpected and wonderful possibilities and potentials because we're looking for the idea of a tree, instead of appreciating the actual trees in front of us.”
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“Ghosts were just a way that some stupid people dealt with their dull lives.”
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“When you're touched by magic, nothing's ever quite the same again. What really makes me sad is all those people who never have the chance to know that touch. They're too busy, or they just don't hold with make-believe, so they shut the door without really knowing it was there to be opened in the first place.”
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“Not only do we all have magic, it's all around us as well. We just don't pay attention to it. Every time we make something out of nothing, that's an act of magic. It doesn't matter if it's a painting or a garden, or an abuelo telling his grandchildren some tall tale. Every time we fix something that's broken, whether it's a car engine or a broken heart, that's an act of magic.And what makes it magic is that we *choose* to create or help, just as we can choose to harm. But it's so easy to destroy and so much harder to make things better. That's why doing the right thing makes you stronger.If we can only remember what we are and what we can do, nobody can bind us or control us.”
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“The best change you can make is to hold up a mirror so that people can look into it and change themselves. That's the only way a person can be changed."By looking into yourself," Zia said. "Even if you have to look into a mirror that's outside yourself to do it.""And you know," Maida added. "That mirror can be a story you hear, or just someone else's eyes. Anything that reflects back so you can see yourself in it.”
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“As far as I'm concerned, the only difference between fact and what most people call fiction is about fifteen pages in the dictionary. ”
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“All my life I've wanted to be the kid who gets to cross over into the magical kingdom. I devoured those books by C.S. Lewis and William Dunthorn, Ellen Wentworth, Susan Cooper, and Alan Garner. When I could get them from the library, I read them out of order as I found them, and then in order, and then reread them all again, many times over. Because even when I was a child I knew it wasn't simply escape that lay on the far side of the borders of fairyland. Instinctively I knew crossing over would mean more than fleeing the constant terror and shame that was mine at that time of my life. There was a knowledge – an understanding hidden in the marrow of my bones that only I can access ― telling me that by crossing over, I'd be coming home. That's the reason I’ve yearned so desperately to experience the wonder, the mystery, the beauty of that world beyond the World As It Is. It's because I know that somewhere across the border there's a place for me. A place of safety and strength and learning, where I can become who I'm supposed to be. I've tried forever to be that person here, but whatever I manage to accomplish in the World As It Is only seems to be an echo of what I could be in that other place that lies hidden somewhere beyond the borders.”
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“It was all cheese and applause.”
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“There was too much going on here -- too much that strayed from odd all the way over into seriously weird.”
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“That's the thing about magic; you've got to know it's still here, all around us, or it just stays invisible for you.”
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“The fey wonders of the world only exist while there are those with the sight to see them.”
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“I do believe in an everyday sort of magic -- the inexplicable connectedness we sometimes experience with places, people, works of art and the like; the eerie appropriateness of moments of synchronicity; the whispered voice, the hidden presence, when we think we're alone.”
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“I'm not...' Angharad began, but then she thought. Not what? Not a bad person? Perhaps. But had she never known anger? Never held unkind thoughts? The stranger's observation was valid. No one was innocent of darkness.”
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“Even, she thought, even without the gift of witchsight, there was more beauty to be found in the world than could ever be snared in language or music. And with the sight...”
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“There was nothing wrong with being a homebody. There was nothing wrong with not wanting - not needing - the constant jostle and noise of a party or bar or... whatever.”
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“It is important to know what a person was. But it's more important to know what they are now.”
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“I love this world," he added. "That is what rules my life. When I die, I want to have done all in my power to leave it in a better state than it was when I found it. At the same time I know that this can never be. The world has grown so complex that one voice can do little to alter it any longer. That doesn't stop me from doing what I can, but it makes the task hard. The successes are so small, the failures so large and many. It's like trying to stem a storm with one's bare hands.”
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“She knew this music--knew it down to the very core of her being--but she had never heard it before. Unfamiliar, it had still always been there inside her, waiting to be woken. It grew from the core of mystery that gives a secret its special delight, religion its awe. It demanded to be accepted by simple faith, not dissected or questioned, and at the same time, it begged to be doubted and probed.”
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“I want to be magic. I want to touch the heart of the world and make it smile. I want to be a friend of elves and live in a tree. Or under a hill. I want to marry a moonbeam and hear the stars sing. I don't want to pretend at magic anymore. I want to be magic.”
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“I finally figured out that I’m solitary by nature, but at the same time I know so many people; so many people think they own a piece of me. They shift and move under my skin, like a parade of memories that simply won’t go away. It doesn’t matter where I am, or how alone--I always have such a crowded head.”
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“Time had ceased to feel linear. She looked up through the crisscrossing branches, thick with buds, into the night sky. The stars tugged at her gaze, trying to pull her up among them, or she was pulling them down to her. She was on the verge of some great discovery, she realized, but she had no idea what it was, what it related to, whether it even had anything to do with her at all. Was she a participant, or an observer? Did the world center around her, or could it carry on quite easily without her input? Looking up at those stars, feeling the embrace of their light as it enfolded her, she felt both small and large, as though everything mattered and nothing did. When someone crouched down beside her it took years for her to turn her head to see who it was. All she could make out was a dark shape, a vague outline of head and shoulders silhouetted against the stars, the rest of the body lost in the shadows of the rose bushes.”
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“The stronger a woman gets, the more insecure the men in her life feel. It doesn’t work that way for a woman. We celebrate strength--in our partners as well as in ourselves.”
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“From the first time he’d met her, he’d sensed an air of contradiction about her. She was very much a woman, but still retained a waiflike quality. She could be brash, and at times deliberately suggestive, yet she was painfully shy. She was incredibly easy to get along with, yet she had few friends. She was a talented artist in her own right, but so self-conscious about her work that she rarely completed a piece and preferred to work with other people’s art and ideas...”
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“People want to know those details. They think it gives them greater insight into a piece of art, but when they approach a painting in such a manner, they are belittling both the artist’s work and their own ability to experience it. Each painting I do says everything I want to say on its subject and in terms of that painting, and not all the trivia in the world concerning my private life will give the viewer more insight into it than what hangs there before their eyes. Frankly, as far as I’m concerned, even titling a work is an unnecessary concession.”
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“[She] had felt straight away that she wasn’t meeting a new friend, but recognizing an old one.”
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