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Charles Dickens

Charles John Huffam Dickens (1812-1870) was a writer and social critic who created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.

Dickens left school to work in a factory when his father was incarcerated in a debtors' prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms.

Dickens was regarded as the literary colossus of his age. His 1843 novella, A Christmas Carol, remains popular and continues to inspire adaptations in every artistic genre. Oliver Twist and Great Expectations are also frequently adapted, and, like many of his novels, evoke images of early Victorian London. His 1859 novel, A Tale of Two Cities, set in London and Paris, is his best-known work of historical fiction. Dickens's creative genius has been praised by fellow writers—from Leo Tolstoy to George Orwell and G. K. Chesterton—for its realism, comedy, prose style, unique characterisations, and social criticism. On the other hand, Oscar Wilde, Henry James, and Virginia Woolf complained of a lack of psychological depth, loose writing, and a vein of saccharine sentimentalism. The term Dickensian is used to describe something that is reminiscent of Dickens and his writings, such as poor social conditions or comically repulsive characters.

On 8 June 1870, Dickens suffered another stroke at his home after a full day's work on Edwin Drood. He never regained consciousness, and the next day he died at Gad's Hill Place. Contrary to his wish to be buried at Rochester Cathedral "in an inexpensive, unostentatious, and strictly private manner," he was laid to rest in the Poets' Corner of Westminster Abbey. A printed epitaph circulated at the time of the funeral reads: "To the Memory of Charles Dickens (England's most popular author) who died at his residence, Higham, near Rochester, Kent, 9 June 1870, aged 58 years. He was a sympathiser with the poor, the suffering, and the oppressed; and by his death, one of England's greatest writers is lost to the world." His last words were: "On the ground", in response to his sister-in-law Georgina's request that he lie down.

(from Wikipedia)


“Such a number of nights,' said the girl, with a touch of woman's tenderness, which communicated something like sweetness of tone, even to her voice; 'such a number of nights as I've been patient with you, nursing and caring for you, as if you had been a child: and this the first that I've seen you like yourself; you wouldn't have served me as you did just now, if you'd thought of that, would you? Come, come; say you wouldn't.”
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“Remember!--It is Christianity to do good always--even to those who do evil to us. It is Christianity to love our neighbours as ourself, and to do to all men as we would have them do to us. It is Christianity to be gentle, merciful and forgiving, and to keep those qualities quiet in our own hearts, and never make a boast of them or of our prayers or of our love of God, but always to show that we love Him by humbly trying to do right in everything. If we do this, and remember the life and lessons of Our Lord Jesus Christ, and try to act up to them, we may confidently hope that God will forgive us our sins and mistakes, and enable us to live and die in peace.”
Charles Dickens
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“Take nothing on its looks; take everything on evidence. There's no better rule.”
Charles Dickens
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“And I wondered when I peeped into one or two on the lower tiers, and saw the tied-up brown paper packets inside, whether the flower-seeds and bulbs ever wanted of a fine day to break out of those jails, and bloom.”
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“There are some promotions in life, which, independent of the more substantial rewards they offer, acquire peculiar value and dignity from the coats and waistcoats connected with them. A field-marshal has his uniform; a bishop his silk apron; a counsellor his silk gown; a beadle his cocked hat. Strip the bishop of his apron, or the beadle of his hat and lace; what are they? Men. Mere men. Dignity, and even holiness too, sometimes, are more questions of coat and waistcoat than some people imagine.”
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“There is a kind of sleep that steals upon us sometimes, which, while it holds the body prisoner, does not free the mind from a sense of things about it, and enable it to ramble at its pleasure. So far as an overpowering heaviness, a prostration of strength, and an utter inability to control our thoughts or power of motion, can be called sleep, this is it; and yet we have a consciousness of all that is going on about us; and if we dream at such a time, words which are really spoken, or sounds which really exist at the moment, accommodate themselves with surprising readiness to our visions, until reality and imagination become so strangely blended that it is afterwards almost a matter of impossibilty to separate the two. Nor is this, the most striking phenomenon, incidental to such a state. It is an undoubted fact, that although our senses of touch and sight be for the time dead, yet our sleeping thoughts, and the visionary scenes that pass before us, will be influenced, and materially influenced, by the mere silent presence of some external object: which may not have been near us when we closed our eyes: and of whose vicinity we have had no waking consciousness. ”
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“Such is the influence which the condition of our own thoughts, exercises, even over the appearance of external objects. Men who look on nature, and their fellow-men, and cry that all is dark and gloomy, are in the right; but the sombre colours are reflections from their own jaundiced eyes and hearts. The real hues are delicate, and need a clearer vision.”
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“It is because I think so much of warm and sensitive hearts, that I would spare them from being wounded.”
Charles Dickens
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“Subdue your appetites, my dears, and you've conquered human natur.”
Charles Dickens
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“Mystery and disappointment are not absolutely indispensable to the growth of love, but they are, very often, its powerful auxiliaries.”
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“Drunkenness - that fierce rage for the slow, sure poison, that oversteps every other consideration; that casts aside wife, children, friends, happiness, and station; and hurries its victims madly on to degradation and death.”
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“My heart is set, as firmly as ever heart of man was set on woman. I have no thought, no view, no hope, in life beyond her; and if you oppose me in this great stake, you take my peace and happiness in your hands, and cast them to the wind.”
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“If an enthusiastic, ardent, and ambitous man marry a wife on whose name there is a stain, which, though it originate in no fault of hers, may be visited by cold and sordid people upon her, and upon his children also: and, in exact proportion to his success in the world, be cast in his teeth, and made the subject of sneers against him: he may-no matter how generous and good his nature- one day repent of the connection he formed in early life; and she may have the pain and torture of knowing that he does so.”
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“I know that she deserves the best and purest love the heart of man can offer," said Mrs. Maylie; "I know that the devotion and affection of her nature require no ordinary return, but one that shall be deep and lasting.”
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“He had no cause for self-reproach on the score of neglect, or want of thought, for he had been devoted to her service; and yet a hundret little occasions rose up before him on which he fancied he might have been more zealous, and more earnest, and wished he had been. We need be careful how we deal with those about us; when every death carries to some small circle of survivors, thoughts of so much omitted, and so little done; of so many things forgotten, and so many more which might have been repaired. There is no remorse so deep, as that which is unavailing; if we would be spared its tortures, let us remember this, in time.”
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“The suspense: the fearful, acute suspense: of standing idly by while the life of one we dearly love, is trembling in the balance; the racking thoughts that crowd upon the mind, and make the heart beat violently, and the breath come thick, by the force of the images they conjure up before it; the desperate anxiety to be doing something to relieve the pain, or lessen the danger, which we have no power to alleviate; the sinking of soul and spirit, which the sad remembrance of our helplessness produces; what tortures can equal these; what reflections of endeavours can, in the full tide and fever of the time, allay them!”
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“Oliver has long since grown stout and healthy; but health or sickness made no difference in his warm feelings to those about him, though they do in the feelings of a great many people. He was still the same gentle, attached, affectionate creature that he had been when pain and suffering had wasted his strength; and when he was dependent for every slight attention and comfort on those who tended him.”
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“Spring flew swiftly by, and summer came; and if the village had been beautiful at first, it was now in the full glow and luxuriance of its richness. The great trees, which had looked shrunken and bare in the earlier months, had now burst into strong life and health; and stretching forth their green arms over the thirsty ground, converted open and naked spots into choice nooks, where was a deep and pleasant shade from which to look upon the wide prospect, steeped in sunshine, which lay stretched out beyond. The earth had donned her mantle of brightest green; and shed her richest perfumes abroad. It was the prime and vigour of the year; all things were glad and flourishing.”
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“Did it ever strike you on such a morning as this that drowning would be happiness and peace?”
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“But, in this separation I associate you only with the good and I will faithfully hold you to that always, for you have done far more good than harm, let me feel now what sharp distress I may.”
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“Bless the bright eyes of your sex! They never see, whether for good or bad, more than one side of any question; and that is always, the one which first presents itself to them.”
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“Oh! if, when we oppress and grind our fellow-creatures, we bestowed but one thought on the dark evidences of human error, which, like dense and heavy clouds, are rising, slowly it is true, but not less surely, to Heaven, to pour their after-vengeance on our heads; if we heard but one instant, in imagination, the deep testimony of the dead men's voices, which no power can stifle, and no pride shut out; where would be the injury and injustice: the suffering, misery, cruelty, and wrong: that each day's life brings with it!”
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“I only hope, for the sake of the rising male sex generally, that you may be found in as vulnerable and soft-hearted a mood by the first eligible young fellow who appeals to your compassion.”
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“As she stooped over him, her tears fell upon his forehead.The boy stirred, and smiled in his sleep, as though these marks of pity and compassion had awakened some pleasant dream of a love and affection he had never known; as a strain of gentle music, or the rippling of water in a silent place, or the odour of a flower, or even the mention of a familiar word, will sometimes call up sudden dim remembrances of scenes that never were, in this life; which vanish like a breath; and which some brief memory of a happier existence, long gone by, would seem to have awakened, for no voluntary exertion of the mind can ever recall them.”
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“Happiness is a gift and the trick is not to expect it, but to delight in it when it comes.”
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“The doctor seemed especially troubled by the fact of the robbery having been unexpected, and attempted in the night-time; as if it were the established custom of gentlemen in the housebreaking way to transact business at noon, and to make an appointment, by the twopenny post, a day or two previous.”
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“Morning drew on apace. The air became more sharp and piercing, as its first dull hue: the death of night, rather than the birth of day: glimmered faintly in the sky. The objects which had looked dim and terrible in the darkness, grew more and more defined, and gradually resolved into their familiar shapes. The rain came down, thick and fast; and pattered, noisily, among the leafless bushes.”
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“Women can always put things in fewest words. Except when it's blowing up; and then they lengthens it out.”
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“He was too well accustomed to suffering, and had suffered too much where he was, to bewail the prospect of change very severely.”
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“The boy was lying, fast asleep, on a rude bed upon the floor; so pale with anxiety, and sadness, and the closeness of his prison, that he looked like death; not death as it shews in shroud and coffin, but in the guise it wears when life has just departed; when a young and gentle spirit has, but an instant, fled to Heaven: and the gross air of the world has not had time to breathe upon the changing dust it hallowed.”
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“Always the way!" muttered the Jew to himself as he turned homewards. "The worst of these women is, that a very little thing serves to call up some long-forgotten feeling; and the best of them is, that it never lasts. Ha! ha!”
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“I distress you; I draw fast to an end.”
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“All through it, I have known myself to be quite undeserving. And yet I have had the weakness, and have still the weakness, to wish you to know with what a sudden mastery you kindled me, heap of ashes that I am, into fire- a fire, however, inseparable in its nature from myself, quickening nothing, lighting nothing, doing no service, idly burning away.”
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“Don't be afraid to hear me. Don't shrink from anything I say. I am like one who died young: all my life might have been.”
Charles Dickens
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“The cloud of caring for nothing, which overshadowed him with such a fatal darkness, was very rarely pierced by the light within him.”
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“LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.”
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“Mrs. Pocket was at home, and was in a little difficulty, on account of the baby's having been accommodated with a needle case to keep him quiet during the unaccountable absence (with a relative in the Foot Guards) of Millers. And more needles were missing than it could be regarded as quite wholesome for a patient of such tender years either to apply externally or to take as a tonic.”
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“It is the custom on the stage: in all good, murderous melodramas: to present the tragic and the comic scenes, in as regular alternation, as the layers of red and white in a side of streaky, well-cured bacon. The hero sinks upon his straw bed, weighed down by fetters and misfortunes; and, in the next scene, his faithful but unconscious squire regales the audience with a comic song. We behold, with throbbing bosoms, the heroine in the grasp of a proud and ruthless baron: her virtue and her life alike in danger; drawing forth a dagger to preserve the one at the cost of the other; and, just as our expectations are wrought up to the highest pitch, a whistle is heard: and we are straightway transported to the great hall of the castle: where a grey-headed seneschal sings a funny chorus with a funnier body of vassals, who are free of all sorts of places from church vaults to palaces, and roam about in company, carolling perpetually.Such changes appear absurd; but they are not so unnatural as they would seem at first sight. The transitions in real life from well-spread boards to death-beds, and from mourning weeds to holiday garments, are not a whit less startling; only, there, we are busy actors, instead of passive lookers-on; which makes a vast difference. The actors in the mimic life of the theatre, are blind to violent transitions and abrupt impulses of passion or feeling, which, presented before the eyes of mere spectators, are at once condemned as outrageous and preposterous.”
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“Nichts ist besser als ein guter Freund, außer ein Freund mit Schokolade.”
Charles Dickens
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“A man is lucky if he is the first love of a woman. A woman is lucky if she is the last love of a man.”
Charles Dickens
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“it was a delusive pie, the crust being like a disappointing head, phrenologically speaking: full of lumps and bumps, with nothing particular underneath.”
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“This was a vagrant of sixty-five, who was going to prison for not playing the flute; or, in other words, for begging in the streets, and doing noting for his livelihood. In the next cell, was another man, who was going to the same prison for hawking tin saucepans without a licence; thereby doing something for his living, in defiance of the Stamp-office.”
Charles Dickens
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“Please, sir, I want some more.”
Charles Dickens
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“Dignity, and even holiness too, sometimes, are more questions of coat and waistcoat than some people imagine.”
Charles Dickens
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“Liberty, equality, fraternity, or death; - the last, much the easiest to bestow, O Guillotine!”
Charles Dickens
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“When I speak of home, I speak of the place where in default of a better--those I love are gathered together; and if that place where a gypsy's tent, or a barn, I should call it by the same good name notwithstanding.”
Charles Dickens
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“There were two classes of charitable people: one, the people who did a little and made a great deal of noise; the other, the people who did a great deal and made no noise at all.”
Charles Dickens
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“She indulged in melancholy, that cheapest and most accessible of luxuries...”
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“ولكن المحاصيل فى الحقول كانت هزيلة مثلها فى ذلك مثل العمال الذين حاولوا زراعتها , حتى الأرض بدت وكأنها تشارك الناس بؤسهــــــم”
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“We changed again, and yet again, and it was now too late and too far to go back, and I went on. And the mists had all solemnly risen now, and the world lay spread before me.”
Charles Dickens
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