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Charles Williams

Charles Williams was one of the preeminent authors of American crime fiction. Born in Texas, he dropped out of high school to enlist in the US Merchant Marine, serving for ten years (1929-1939) before leaving to work in the electronics industry. He was a radio inspector during the war years at the Puget Sound Navy Yard in Washington state. At the end of World War II, Williams began writing fiction while living in San Francisco. The success of his backwoods noir Hill Girl (1951) allowed him to quit his job and write fulltime.

Williams’s clean and somewhat casual narrative style distinguishes his novels—which range from hard-boiled, small-town noir to suspense thrillers set at sea and in the Deep South. Although originally published by pulp fiction houses, his work won great critical acclaim, with Hell Hath No Fury (1953) becoming the first paperback original to be reviewed by legendary New York Times critic Anthony Boucher. Many of his novels were adapted for the screen, such as Dead Calm (published in 1963) and Don’t Just Stand There! (published in 1966), for which Williams wrote the screenplay.

After the death of his wife Lasca (m. 1939) from cancer in 1972, Williams purchased property on the California-Oregon border where he lived alone for a time in a trailer. After relocating to Los Angeles, Williams committed suicide in his apartment in the Van Nuys neighborhood in early April 1975. Williams had been depressed since the death of his wife, and his emotional state worsened as sales of his books declined when stand alone thrillers began to lose popularity in the early 70s. He was survived by a daughter, Alison.


“And jewels and words are no less and no more necessary than cotton and silence.”
Charles Williams
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“She sat the sister of Arthur, the wife of Lotfour sons got by him, and one not.”
Charles Williams
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“Love was even more mathematical than poetry. It was the pure mathematics of the spirit.”
Charles Williams
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“Pardon,Periel, like Love, is only ours for fun: essentially we don't and can't.”
Charles Williams
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“The image of a wood has appeared often enough in English verse. It has indeed appeared so often that it has gathered a good deal of verse into itself; so that it has become a great forest where, with long leagues of changing green between them, strange episodes of poetry have taken place. Thus in one part there are lovers of a midsummer night, or by day a duke and his followers, and in another men behind branches so that the wood seems moving, and in another a girl separated from her two lordly young brothers, and in another a poet listening to a nightingale but rather dreaming richly of the grand art than there exploring it, and there are other inhabitants, belonging even more closely to the wood, dryads, fairies, an enchanter's rout. The forest itself has different names in different tongues- Westermain, Arden, Birnam, Broceliande; and in places there are separate trees named, such as that on the outskirts against which a young Northern poet saw a spectral wanderer leaning, or, in the unexplored centre of which only rumours reach even poetry, Igdrasil of one myth, or the Trees of Knowledge and Life of another. So that indeed the whole earth seems to become this one enormous forest, and our longest and most stable civilizations are only clearings in the midst of it.”
Charles Williams
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“It’s said that the shuffling of the cards is the earth, and the pattering of the cards is the rain, and the beating of the cards is the wind, and the pointing of the cards is the fire. That’s of the four suits. But the Greater Trumps, it’s said, are the meaning of all process and the measure of the everlasting dance.”
Charles Williams
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“I will not seek it," the other replied. "It has been opened once and it is enough. And you -- are you sure that man can conquer until he has been wholly defeated? Are you sure that he can find plenitude till he has known utter despair? You will not let him despair of himself, but it may be that only in such a complete despair he finds that which cannot despair and is something other than man.”
Charles Williams
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“I generally give the title-page a fair chance," Roger said. "Once can't always judge books merely by the cover.”
Charles Williams
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“Over the white curve he had looked into incredible space; abysses of intelligence lay beyond it.”
Charles Williams
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“We who are here to-night are here as the servants of the guests of a great University, a University of knowledge, scholarship, and intellect. You do well to be proud of it. But I have wondered whether there may not be colleges and faculties of other experiences than yours, and whether even now in the far corners of the continents powers not yours are being brought to fruition. I have myself been something of a traveller, and every time I return to England I wonder whether the games of those children do not hold more intense life than the talk of your learned men-- a more intense passion for discovery, a greater power of exploration, new raptures, unknown paths of glorious knowledge; whether you may not yet sit at the feet of the natives of the Amazon or the Zambesi: whether the fakirs and the herdsmen, the witch-doctors may not enter the kingdom of man before you”
Charles Williams
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“but it was a religion which enabled him to despise himself and everyone else without despising the universe, thus allowing him at once in argument or conversation to the advantages of the pessimist and the optimist.”
Charles Williams
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“Why was this bloody world created?""As a sewer for the stars," a voice in front of him said. "Alternatively to know God and to glorify Him forever."" [...] The two answers are not, of course, necessarily alternative.”
Charles Williams
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“There is no possible idea," Kenneth thought as he came onto the terrace, "to which the mind of man can't supply some damned alternative or other. Yet one must act.”
Charles Williams
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“An hour's conversation on literature between two ardent minds with a common devotion to a neglected poet is a miraculous road to intimacy.”
Charles Williams
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“[...] the war between good and evil existed no longer, for the thing beneath the Graal was not fighting but vomiting.”
Charles Williams
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“The famous saying 'God is love', it is generally assumed, means that God is like our immediate emotional indulgence, not that the meaning of love ought to have something of the 'otherness' and terror of God.”
Charles Williams
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“Our crucifixes exhibit the pain, but they veil, perhaps necessarily, the obscenity: but the death of the God-Man was both.”
Charles Williams
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“Let us have all the delights of which we are capable.”
Charles Williams
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“The girl was in fact so patient with the old lady that she had not yet noticed that she was never given an opportunity to be patient. She endured her own nature and supposed it to be the burden of another's.”
Charles Williams
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