Chitra Banerjee Divakaruni photo

Chitra Banerjee Divakaruni

Chitra Banerjee Divakaruni is an award-winning author and poet. Her themes include the Indian experience, contemporary America, women, immigration, history, myth, and the joys and challenges of living in a multicultural world. Her work is widely known, as she has been published in over 50 magazines, including the Atlantic Monthly and The New Yorker, and her writing has been included in over 50 anthologies. Her works have been translated into 29 languages, including Dutch, Hebrew, Hindi and Japanese. Divakaruni also writes for children and young adults.Her novels One Amazing Thing, Oleander Girl, Sister of My Heart and Palace of Illusions are currently in the process of being made into movies. http://www.chitradivakaruni.com/books.... Her newest novel is Before We Visit the Goddess (about 3 generations of women-- grandmother, mother and daughter-- who each examine the question "what does it mean to be a successful woman.") Simon & Schuster.

She was born in India and lived there until 1976, at which point she left Calcutta and came to the United States. She continued her education in the field of English by receiving a Master’s degree from Wright State University in Dayton, Ohio, and a Ph.D. from the University of California, Berkeley.

To earn money for her education, she held many odd jobs, including babysitting, selling merchandise in an Indian boutique, slicing bread in a bakery, and washing instruments in a science lab. At Berkeley, she lived in the International House and worked in the dining hall. She briefly lived in Illinois and Ohio, but has spent much of her life in Northern California, which she often writes about. She now lives in Texas, which has found its way into her upcoming book, Before We Visit the Goddess.

Chitra currently teaches in the nationally ranked Creative Writing program at the Univ. of Houston. She serves on the Advisory board of Maitri in the San Francisco Bay Area and Daya in Houston. Both these are organizations that help South Asian or South Asian American women who find themselves in abusive or domestic violence situations. She is also closely involved with Pratham, an organization that helps educate children (especially those living in urban slums) in India.

She has judged several prestigious awards, such as the National Book Award and the PEN Faulkner Award.

Two of her books, The Mistress of Spices and Sister of My Heart, have been made into movies by filmmakers Gurinder Chadha and Paul Berges (an English film) and Suhasini Mani Ratnam (a Tamil TV serial) respectively. Her novels One Amazing Thing and Palace of Illusions have currently been optioned for movies. Her book Arranged Marriage has been made into a play and performed in the U.S. and (upcoming, May) in Canada. River of Light, an opera about an Indian woman in a bi-cultural marriage, for which she wrote the libretto, has been performed in Texas and California.

She lives in Houston with her husband Murthy. She has two sons, Anand and Abhay (whose names she has used in her children’s novels).

Chitra loves to connect with readers on her Facebook author page, www.facebook.com/chitradivakaruni, and on Twitter, @cdivakaruni.

For more information about her books, please visit http://www.chitradivakaruni.com/, where you can also sign up for her newsletter.


“Sometimes -- she knows this from her own life -- to get to the other side, you must travel through grief. No detours are possible.”
Chitra Banerjee Divakaruni
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“Wisdom that isn't distilled in our own crucible can't help us.”
Chitra Banerjee Divakaruni
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“She who sows vengeance must reap its bloody fruit.”
Chitra Banerjee Divakaruni
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“She had always been this way: interested-quite unnecessarily, some would say-in the secrets of strangers. When flying, she always chose a window seat so that when the plane took off or landed, she could look down on the tiny houses and imagine the lives of the people who inhabited them.”
Chitra Banerjee Divakaruni
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“Love comes like lightning, and disappears the same way. If you are lucky, it strikes you right. If not, you'll spend your life yearning for a man you can't have.”
Chitra Banerjee Divakaruni
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“I have to believe in possibility. How else can we bear the enormous weight of life?”
Chitra Banerjee Divakaruni
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“The heart itself is beyond control. That is its power, and its weakness.”
Chitra Banerjee Divakaruni
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“Your childhood hunger is the one that never leaves you.”
Chitra Banerjee Divakaruni
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“I saw something I hadn't realized before: words wasted energy. I would use my strength instead to nurture my belief that my life would unfurl uniquely.”
Chitra Banerjee Divakaruni
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“A problem becomes a problem only if you believe it to be so. And often others see you as you see yourself.”
Chitra Banerjee Divakaruni
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“Everyone has a story. I don't believer anyone can go through life without encountering at least one amazing thing.”
Chitra Banerjee Divakaruni
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“...don't create snakes out of ropes. You have enough to worry about.”
Chitra Banerjee Divakaruni
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“How can I forgive if you are not ready to give up that which caused you to stumble?”
Chitra Banerjee Divakaruni
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“Everyone breathes in air, but it's a wise person who knows when to use that air to speak and when to exhale in silence.”
Chitra Banerjee Divakaruni
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“In life, it's best not to take anything for free - unless it's from someone who wishes you well.”
Chitra Banerjee Divakaruni
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“A dream is a telegram from the hidden world...Only a fool or an illiterate person ignores it.”
Chitra Banerjee Divakaruni
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“Because it is the lot of mothers to remember what no one else cares to, Mrs. Dutta thinks. To tell them over and over until they are lodged, perforce, in family lore. We are the keepers of the heart's dusty corners.”
Chitra Banerjee Divakaruni
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“niente vale quanto essere il padrone di te stesso.”
Chitra Banerjee Divakaruni
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“Or perhaps it is just that desire lies at the heart of human existence. When we turn away from one desire, we must find another to cleave to with all our strength --or else we die.”
Chitra Banerjee Divakaruni
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“Everytime i have turned the page he re-enters my life as awkward as postscript”
Chitra Banerjee Divakaruni
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“You could also call it waking,' Krishna continues. 'Or intermission, as one scene in a play ends and the next hasn't yet begun.”
Chitra Banerjee Divakaruni
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“I tried to hold on to this compassion, sensing its preciousness, but even as I reached to grasp it, it dissipated into wisps. No revelation can endure unless it is bolstered by a calm pure mind- and I'm afraid I didn't possess that.”
Chitra Banerjee Divakaruni
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“Tomorrow is another day. I've got plenty of things to worry about right now.”
Chitra Banerjee Divakaruni
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“...the bird began to carry them to a new life in a new land. We'll be happy ever after, the queen wanted to whisper to her daughter as they flew, but she knew that was not true. Life never is that way. And so instead she held her daughter in silence, heart to heart, and as they traveled each heart drew on the other's strength, so that when they reached their destination they would be ready.”
Chitra Banerjee Divakaruni
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“Expectations are like hidden rocks in your path , All they do is trip you up”
Chitra Banerjee Divakaruni
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“For men, the softer emotions are always intertwined with power and pride. That was why Karna waited for me to plead with him though he could have stopped my suffering with a single world. That was why he turned on me when I refused to ask for his pity. That was why he incited Dussasan to an action that was against the code of honor by which he lived his life. He knew he would regret it—in his fierce smile there had already been a glint of pain.But was a woman's heart any purer, in the end?That was the final truth I learned. All this time I'd thought myself better than my father, better than all those men who inflicted harm on a thousand innocents in order to punish the one man who had wronged them. I'd thought myself above the cravings that drove him. But I, too, was tainted with them, vengeance encoded into my blood. When the moment came I couldn't resist it, no more than a dog can resist chewing a bone that, splintering, makes his mouth bleed.Already I was storing these lessons inside me. I would use them over the long years of exile to gain what I wanted, no matter what its price.But Krishna, the slippery one, the one who had offered me a different solace, Krishna with his disappointed eyes—what was the lesson he'd tried to teach?”
Chitra Banerjee Divakaruni
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“...this time I didn't launch into my usual tirade. Was it a memory of Krishna, the cool silence with which he countered disagreement, that stopped me? I saw something I hadn't realized before: words wasted energy.”
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“the darkness is a cresting wave. It sweeps me up out of my body until I float among the stars, those tine bright pores on the sky's skin. If only I could pass through them, I would end up on the other side, the right side, shadowless, perfectly illuminated, beyond the worries of this mundane world”
Chitra Banerjee Divakaruni
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“I guess there's a lot we hope for that never happens.”
Chitra Banerjee Divakaruni
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“That's how it is sometimes when we plunge into the depths of our lives. No one can accompany us, not even those who would give up their hearts for our happiness.”
Chitra Banerjee Divakaruni
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“they say in the old tales that when a man and woman exchange looks the way we did, their spirits mingle. their gaze is a rope of gold binding each other. even if they never meet again, they carry a little of the other with them always. they can never forget, and they can never be wholly happy again”
Chitra Banerjee Divakaruni
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“...each person is distinct, separate. That ultimately we are each alone”
Chitra Banerjee Divakaruni
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“She lifts a bowl of kheer and her thoughts, flittering like dusty sparrows in a brown back alley, turn a sudden kingfisher blue.”
Chitra Banerjee Divakaruni
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“The story hangs in the night air between them. It is very latem, and if father or daugther stepped to the window, tehyw ould see the Suktara, star of the impending dawn, hanging low in the sky. But they keep sitting at the table, each thinking of the story differently, as teller and listener always must. In the mind of each, different images swirl up and fall away, and each holds on to a different part of the story, thinking it the most important. And if each were to speak what it meant, they would say things so different you would not know it wa sthe same story they were speaking of.”
Chitra Banerjee Divakaruni
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“Can't you ever be serious?' I said, mortified.'It's difficult,' he said. 'There's so little in life that's worth it.”
Chitra Banerjee Divakaruni
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“After the fire, when I'd tried to express my gratitude for their kindness to our customers, they'd been awkward, uncomfortable. My father had had to explain to me that giving thanks is not a common practice in India.'Then how do you know if people appreciated what you did?' I'd asked.'Do you really need to know?' my father had asked back.”
Chitra Banerjee Divakaruni
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“Monday is the day of silence, day of the whole white mung bean, which is sacred to the moon.”
Chitra Banerjee Divakaruni
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“Fennel, which is the spice for Wednesdays, the day of averages, of middle-aged people. . . . Fennel . . . smelling of changes to come.”
Chitra Banerjee Divakaruni
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“Each day has a color, a smell.”
Chitra Banerjee Divakaruni
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“Fenugreek, Tuesday's spice, when the air is green like mosses after rain.”
Chitra Banerjee Divakaruni
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“Chili, spice of red Thursday, which is the day of reckoning. Day which invites us to pick up the sack of our existence and shake it inside out. Day of suicide, day of murder.”
Chitra Banerjee Divakaruni
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“Each spice has a special day to it. For turmeric it is Sunday, when light drips fat and butter-colored into the bins to be soaked up glowing, when you pray to the nine planets for love and luck.”
Chitra Banerjee Divakaruni
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“I liked his voice, rich and unself-conscious even when he forgot words and hummed to fill in the gap. What I didn't understand, I imagined, and thus it became a love song.”
Chitra Banerjee Divakaruni
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“I closed my eyes and willed my breath to slow, my conscious mind to fold itself inward. I could feel heat pulsing from my daughter's head, her frantic thoughts whirling like broken glass. I loosened my hold on my body and dropped into that whirlpool.”
Chitra Banerjee Divakaruni
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“Rakhi likes the comfortable clutter of her life, the things she loves gathered around her like a shawl against the winterliness of the world.”
Chitra Banerjee Divakaruni
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“Words are tricky. Sometimes you need them to bring out the hurt festering inside. If you don't, it turns gangrenous and kills you. . . . But sometimes words can break a feeling into pieces.”
Chitra Banerjee Divakaruni
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“Or is this how humans survive, shrugging off history, immersing themselves in the moment?”
Chitra Banerjee Divakaruni
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“Once I heard my mother say that each of us lives in a separate universe, one we have dreamed into being. We love pople when their dream coincides with ours, the way two cutout designs laid one on top of the other might match. But dream worlds are not static like cutouts; sooner or later they change shape, leading to misunderstanding, loneliness and loss of love.”
Chitra Banerjee Divakaruni
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“The dream is not a drug but a way. Listen to where it can take you.”
Chitra Banerjee Divakaruni
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“But maybe as I get older, I begin to see beauty where I least expected it before.”
Chitra Banerjee Divakaruni
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