Chris Beckett
Chris Beckett is a British social worker, university lecturer, and science fiction author.
Beckett was educated at the Dragon School in Oxford and Bryanston School in Dorset, England. He holds a BSc (Honours) in Psychology from the University of Bristol (1977), a CQSW from the University of Wales (1981), a Diploma in Advanced Social Work from Goldsmiths College, University of London (1977), and an MA in English Studies from Anglia Ruskin University, Cambridge (2005).
He has been a senior lecturer in social work at APU since 2000. He was a social worker for eight years and the manager of a children and families social work team for ten years. Beckett has authored or co-authored several textbooks and scholarly articles on social work.
Beckett began writing SF short stories in 2005. His first SF novel, The Holy Machine, was published in 2007. He published his second novel in 2009, Marcher, based on a short story of the same name.
Paul Di Filippo reviewed The Holy Machine for Asimov's, calling it "One of the most accomplished novel debuts to attract my attention in some time..." Michael Levy of Strange Horizons called it "a beautifully written and deeply thoughtful tale about a would-be scientific utopia that has been bent sadly out of shape by both external and internal pressures." Tony Ballantyne wrote in Interzone: "Let’s waste no time: this book is incredible."
His latest novel, Dark Eden, was hailed by Stuart Kelly of The Guardian as "a superior piece of the theologically nuanced science fiction".
Dark Eden was shortlisted for the 2012 BSFA Award for Best Novel.
On 27 March 2013 it was announced that Julian Pavia at Broadway Books, part of the Crown Publishing Group, had acquired the US rights to Dark Eden and Gela's Ring from Michael Carlisle at Inkwell Management and Vanessa Kerr, Rights Director at Grove Atlantic in London, for a high five-figure sum (in US dollars).
Beckett comments on his official website: "Although I always wanted to be a writer, I did not deliberately set out to be a science fiction writer in particular. My stories are usually about my own life, things I see happening around me and things I struggle to make sense of. But, for some reason, they always end up being science fiction. I like the freedom it gives me to invent things and play with ideas. (If you going to make up the characters, why not make up the world as well?) It’s what works for me."
“Why do we struggle so much? Why do we demand so much of life, when the happiest moments are when nothing is happening at all?”
“The Holy ... Machine?" I mumbled. "Yes." She gave a little laugh. "A great miracle. He is a kind of robot, but God has given him a soul - and not an ordinary human soul either, but the soul of a saint or an angel!" "But ... I thought robots were ... bad ..." "Yes, of course, and Mary Magdalene was a whore. To God, all things are possible.”
“Which is the more useful, the scientific world-view, with all its wonderful technical miracles, or the religious world-view, with its sense of purpose and belonging?”
“Terrible things are done in the name of religion, without a doubt, but it was not religion but science that brought the world itself to the brink of destruction.”
“Now you're being sentimental, Marija. You shouldn't waste your pity on machines! If you want to pity someone, pity the poor guestworker who's chucked out of the territory when they build a robot to do his job! Pity the janitors, the nightwatchmen, the dustcart drivers. My God, even the whores have been put out of business now! We live in a country where we even fuck machines!”
“Nothing looks more lovely than something that’s about to end, and that’s true even if you yourself are going to be the cause of its ending.”
“It was one of those moments when you wonder whether there is some kind of big misunderstanding and really this is all just a dream or a made-up story, and not the real world like you thought it was.”