Charles John "Chuck" Klosterman is an American author and essayist whose work focuses on American popular culture. He has been a columnist for Esquire and ESPN.com and wrote "The Ethicist" column for The New York Times Magazine.
“What is going to happen in the course of my day that will be an improvement over lying on something very soft, underneath something very warm, wearing only underwear, doing absolutely nothing, all by myself?”
“It was the kind of love you can only feel toward someone you don't actually know.”
“Nine Inch Nails were the best and most popular industrial band of all time; as a consequence, industrial purists usually assert that Nine Inch Nails aren't an industrial band at all (this is a counterintuitive phenomenon that tends to occur with purists from all subcultures, musical or otherwise).”
“Art and love are the same thing: It’s the process of seeing yourself in things that are not you.”
“Jewel moved 432,000 hardcover copies of A Night Without Armor, thereby making her the best-selling American poet of the past fifty years.”
“Sometimes I think children are the worst people alive. And even if they're not—even if some smiling toddler is as pure as Evian—it's only a matter of time.”
“In New York, people are unhappy on purpose, because unhappiness makes them seem more complex; in Washington DC it just sort of works out that way.”
“On the third play he dropped back to pass, and it was unadulterated chaos: The pocket was immediately collapsing, people were yelling, everything was happening at the same time, and it felt like he was trying to defuse a pipe bomb while learning to speak Cantonese.""He believed it was his destiny to kill faceless foreigners for complex reasons that were beyond his control, and to deeply question the meaning of those murders, and to kill despite those questions, and to eventually understand the meaning of his own life through the battlefield executions of total strangers.""Teaching history to eighth graders is like being a tour guide for people who hate their vacation.""There is no feeling that can match the emotive intensity of an attraction devoid of explanation.”
“People who talk about their dreams are actually trying to tell you things about themselves they’d never admit in normal conversation.”
“If you've spent any time trolling the blogosphere, you've probably noticed a peculiar literary trend: the pervasive habit of writers inexplicably placing exclamation points at the end of otherwise unremarkable sentences. Sort of like this! This is done to suggest an ironic detachment from the writing of an expository sentence! It's supposed to signify that the writer is self-aware! And this is idiotic. It's the saddest kind of failure. F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader isn't really sure, either. They just want to know when they're supposed to pretend to be amused. All those extraneous exclamation points are like little splatters of canned laughter: They represent the "form of funny," which is more easily understood (and more easily constructed) than authentic funniness. ”
“The single-biggest proof that the Dixie Chicks are Van Halen is their audience; they are singing to the same teenage boys, except those boys are now teenage girls. ”
“But it goes without saying that Michael Jordan could never date Pamela Anderson. That would cause the apocalypse.”
“The only people who can ever put ideas into context are people who don't care; the unbiased and apathetic are usually the wisest dudes in the room. If you want to totally misunderstand why something is supposedly important, find the biggest fan of that particular thing and ask him for an explanation. He will tell you everything that doesn't matter to anyone who isn't him. He will describe paradoxical details and share deeply personal anecdotes, and it will all be autobiography; he will simply be explaining who he is by discussing something completely unrelated to his life.”
“It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.”
“When Arthur Schlesinger Sr. pioneered the 'presidential greatness poll' in 1948, the top five were Lincoln, Washington, Franklin D. Roosevelt, Woodrow Wilson, and Jefferson. Only Wilson appears to be seriously fading, probably because his support for the World War I-era Sedition Act now seems outrageous; in this analogy, Woodrow is like the Doors and the Sedition Act is Oliver Stone.”
“Everyone who loves pro basketball assumes it's a little fixed. We all think the annual draft lottery is probably rigged, we all accept that the league aggressively wants big market teams to advance deep into the playoffs, and we all concede that certain marquee players are going to get preferential treatment for no valid reason. The outcomes of games aren't predeteremined or scripted but there are definitely dark forces who play with our reality. There are faceless puppet masters who pull strings and manipulate the purity of justice. It's not necessarily a full-on conspiracy, but it's certainly not fair. And that's why the NBA remains the only game that matters: Pro basketball is exactly like life.”
“When exactly did every housewife in America become a whore?”
“Do you know people who insist they like 'all kinds of music'? That actually means they like no kinds of music.”
“Outcasts may grow up to be novelists and filmmakers and computer tycoons, but they will never be the athletic ruling class.”
“Being interesting has been replaced by being identifiable.”
“The Sims is an escapist vehicle for people who want to escape to where they already are, which is why I thought this game was made precisely for me.”
“Pundits are always blaming TV for making people stupid, movies for desensitizing the world to violence, and rock music for making kids take drugs and kill themselves. These things should be the least of our worries. The main problem with mass media is that it makes it impossible to fall in love with any acumen of normalcy. There is no 'normal,' because everybody is being twisted by the same sources simultaneously. ”
“I once loved a girl who almost loved me, but not as much as she loved John Cusack.”
“But whenever I meet dynamic, nonretarded Americans, I notice that they all seem to share a single unifying characteristic: the inability to experience the kind of mind-blowing, transcendent romantic relationship they perceive to be a normal part of living. And someone needs to take the fall for this. So instead of blaming no one for this (which is kind of cowardly) or blaming everyone (which is kind of meaningless), I'm going to blame John Cusack.”
“If you play "I Don't Want To Know" by Fleetwood Mac loud enough -- you can hear Lindsey Buckingham's fingers sliding down the strings of his acoustic guitar. ...And we were convinced that this was the definitive illustration of what we both loved about music; we loved hearing the INSIDE of a song.”
“...because people who talk about their dreams are actually trying to tell you things about themselves they'd never admit in normal conversation. It's a way for people to be honest without telling the truth.”
“If rain is God crying, I think God is drunk and his girlfriend just slept with Zeus.”
“If I knew I was going to die at a specific moment in the future, it would be nice to be able to control what song I was listening to; this is why I always bring my iPod on airplanes.”
“I honestly believe that people of my generation despise authenticity, mostly because they're all so envious of it.”
“I love the way music inside a car makes you feel invisible; if you play the stereo at max volume, it's almost like the other people can't see into your vehicle. It tints your windows, somehow.”
“Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.”
“Everybody is wrong about everything, just about all the time.”
“You used to be able to tell the difference between hipsters and homeless people. Now, it's between hipsters and retards. I mean, either that guy in the corner in orange safety pants holding a protest sign and wearing a top hat is mentally disabled or he is the coolest fucking guy you will ever know.”
“Every one of Joel's important songs--including the happy ones--are ultimately about loneliness. And it's not 'clever lonely' (like Morrissey) or 'interesting lonely' (like Radiohead); it's 'lonely lonely,' like the way it feels when you're being hugged by someone and it somehow makes you sadder.”
“Saying you like "Piano Man" doesn't mean you like Billy Joel; it means you're willing to go to a piano bar if there's nothing else to do”
“The soul is a circle”
“If you define your personality as creative, it only means you understand what is perceived to be creative by the world at large, so you're really just following a rote creative template. That's the opposite of creativity. Everybody is wrong about everything, just about all the time.But ANYWAY...”
“It's possible this whole "Why do Latinos love Morrisey?" question will haunt us forever. Fortunately, Canadian academics are on the case.”
“I suppose we'll never know what really happened in that room, though he did tell police, "I did it because I'm a dirty dog." This is not a very convincing alibi. He may as well have said, "I got 99 problems, but a bitch ain't one.”
“Important things are inevitably cliche, but nobody wants to admit that.”
“Even though I wanted to experience all these things I was interested in, I couldn't get them. So I had to think critically and culturally about what was available. ”
“Anybody who says they are a good liar obviously is not, because any legitimately savvy liar would always insist they're honest about everything.”
“Styx and The Stones may break my bones but 'More than Words' will never hurt me”
“I'm shocked by anyone who doesn't consider Los Angeles to be anything less than a bozo-saturated hellhole. It is pretty much without question the worst city in America. The reason "Walking in L.A." by Missing Persons was the most accidentally prescient single of 1982 was because of its unfathomable (but wholly accurate) specificity: Los Angeles is the only city in the world where the process of walking on the sidewalk could somehow be a) political and b) humiliating. It is the only community I've ever visited where absolutely everything cliche proved to be completely accurate.I don't care if 85% of Los Angeles is stupid. I can deal with stupid. My problem is that every stupid person in Los Angeles is also a) unyieldingly narcissistic and b) unyieldingly nice. They have somehow managed to combine raging megalomania with genuine friendliness.”
“We all have the potential to fall in love a thousand times in our lifetime. It's easy. The first girl I ever loved was someone I knew in sixth grade. Her name was Missy; we talked about horses. The last girl I love will be someone I haven't even met yet, probably. They all count. But there are certain people you love who do something else; they define how you classify what love is supposed to feel like. These are the most important people in your life, and you’ll meet maybe four or five of these people over the span of 80 years. But there’s still one more tier to all this; there is always one person you love who becomes that definition. It usually happens retrospectively, but it happens eventually. This is the person who unknowingly sets the template for what you will always love about other people, even if some of these loveable qualities are self-destructive and unreasonable. The person who defines your understanding of love is not inherently different than anyone else, and they’re often just the person you happen to meet the first time you really, really, want to love someone. But that person still wins. They win, and you lose. Because for the rest of your life, they will control how you feel about everyone else.”
“But ANYWAY”
“There are two ways to look at life. The first view is that nothing stays the same and that nothing is inherently connected, and that the only driving force in anyone's life is entropy. The second is that everything pretty much stays the same (more or less) and that everything is completely connected, even if we don't realize it.”
“In and of itself, nothing really matters. What matters is that nothing is ever in and of itself.”
“It feels so exhausting to be so bad at something I loved so much.”
“Women intrinsically understand human dynamics, and that makes them unstoppable. Unfortunately, the average man is less adroit at fostering such rivalries, which is why most men remain average; males are better at hating things that can't hate them back (e.g., lawnmowers, cats, the Denver Broncos, et cetera). They don't see the big picture.”