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Cormac McCarthy

Cormac McCarthy was an American novelist and playwright. He wrote twelve novels in the Southern Gothic, western, and post-apocalyptic genres and also wrote plays and screenplays. He received the Pulitzer Prize in 2007 for The Road, and his 2005 novel No Country for Old Men was adapted as a 2007 film of the same name, which won four Academy Awards, including Best Picture. His earlier Blood Meridian (1985) was among Time Magazine's poll of 100 best English-language books published between 1925 and 2005, and he placed joint runner-up for a similar title in a poll taken in 2006 by The New York Times of the best American fiction published in the last 25 years. Literary critic Harold Bloom named him one of the four major American novelists of his time, along with Thomas Pynchon, Don DeLillo, and Philip Roth. He is frequently compared by modern reviewers to William Faulkner. In 2009, Cormac McCarthy won the PEN/Saul Bellow Award, a lifetime achievement award given by the PEN American Center.


“The nights were blinding cold and casket black and the long reach of the morning had a terrible silence to it.”
Cormac McCarthy
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“My perfect day is sitting in a room with some blank paper. That's heaven. That's gold and anything else is just a waste of time.”
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“There is a moon shaped rictus in the streetlamp's globe where a stone has gone and from this aperture there drifts down through the constant helix of aspiring insects a faint and steady rain of the same forms burnt and lifeless.”
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“There is for a man two things in life that are very important, head and shoulders above everything else. Find work you like, and find someone to live with you like. Very few people get both.”
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“Somewhere out there is a true and living prophet of destruction and I dont want to confront him. I know he's real. I have seen his work. I walked in front of those eyes once. I wont do it again. I wont push my chips forward and stand up and go out to meet him. It aint just bein older. I wish that it was. I cant say that it's even what you are willin to do. Because I always knew that you had to be willin to die to even do this job. That was always true. Not to sound glorious about it or nothin but you do. If you aint they'll know it. They'll see it in a heartbeat. I think it is more like what you are willin to become. And I think a man would have to put his soul at hazard. And I wont do that.”
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“He may be dead; or he may be teaching English.”
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“If people saw the world for what it truly is. Saw their lives for what they truly are. Without dreams or illusions. I don't believe they could offer the first reason why they should not elect to die as soon as possible.”
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“Do you have any notion of how goddamned crazy you are?”
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“I got here the same way the coin did.”
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“He said I was bein hard on myself. Said it was a sign of old age. Tryin to set things right. I guess there's some truth to that. But it aint the whole truth. I agreed with him that there wasnt a whole lot good you could say about old age and he said he knew one thing and I said what is that. And he said it dont last long. I waited for him to smile but he didn't. I said well, that's pretty cold. And he said it was no colder than what the facts called for. So that was all there was about that.”
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“I always thought when I got older that God would sort of come into my life in some way. He didn't.”
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“All the time you spend tryin to get back what's been took from you there's more goin out the door. After a while you just try and get a tourniquet on it.”
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“And in the dream I knew that he was goin on ahead and that he was fixin to make a fire somewhere out there in all that dark and all that cold and I knew that whenever I got there he would be there. And then I woke up.”
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“I dont know what I ever done, she said. I truly dont.Chigurh nodded. Probably you do, he said. There's a reason for everything.She shook her head. How many times I've said them very words. I wont again.”
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“Peering down into the water where the morning sun fashioned wheels of light, coronets fanwise in which lay trapped each twig, each grain of sediment, long flakes and blades of light in the dusty water sliding away like optic strobes where motes sifted and spun.”
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“The road has its own reasons and no two travelers will have the same understanding of those reasons. If indeed they come to an understanding of them at all.”
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“He saw very clearly how all his life led only to this moment and all after led to nowhere at all. He felt something cold and soulless enter him like another being and he imagined that it smiled malignly and he had no reason to believe that it would ever leave.”
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“When your dreams are of some world that never was or of some world that never will be and you are happy again then you will have given up.”
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“You keep runnin that mouth and I'm goin to take you back there and screw you.”
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“He looked like he was studying something small in the grass.”
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“They came upon themselves in a mirror and he almost raised the pistol. It's us, Papa, the boy whispered. It's us. ”
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“What do you believe?I believe that the last and the first suffer equally. Pari passu.Equally?It is not alone in the dark of death that all souls are one soul.Of what would you repent?Nothing.Nothing?One thing. I spoke with bitterness about my life and I said that I would take my own part against the slander of oblivion and against the monstrous facelessness of it and that I would stand a stone in the very void where all would read my name. Of that vanity I recant all.”
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“The judge is dancing, dancing. He says that he will never die.”
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“Probably I dont believe in a lot of things that I used to believe in but that doesnt mean I dont believe in anything.”
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“He turned and looked at the boy. Maybe he understood for the first time that to the boy he was himself an alien. A being from a planet that no longer existed. The tales of which were suspect. He could not construct for the child's pleasure the world he'd lost without constructing the loss as well and he thought perhaps the child had known this better than he. He tried to remember the dream but he could not. All that was left was the feeling of it. He thought perhaps they'd come to warn him. Of what? That he could not enkindle in the heart of the child what was ashes in his own. Even now some part of him wished they'd never found this refuge. Some part of him always wished it to be over.”
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“What he could bear in the waking world he could not by night and he sat awake for fear the dream would return.”
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“No lists of things to be done. The day providential to itself. The hour. There is no later. This is later. All things of grace and beauty such that one holds them to one's heart have a common provenance in pain. Their birth in grief and ashes.”
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“The one thing I can tell you is that you wont survive for yourself. I know because I would never have come this far. A person who had no one would be well advised to cobble together some passable ghost. Breathe it into being and coax it along with words of love. Offer it each phantom crumb and shield it from harm with your body. As for me my only hope is for eternal nothingness and I hope it with all my heart.”
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“There was a sharp crack from somewhere on the mountain. Then another. It's just a tree falling, he said. It's okay. The boy was looking at the dead roadside trees. It's okay, the man said. All the trees in the world are going to fall sooner or later. But not on us.”
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“In his dream she was sick and he cared for her. The dream bore the look of sacrifice but he thought differently. He did not take care of her and she died alone somewhere in the dark and there is no other dream nor other waking world and there is no other tale to tell.”
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“And the dreams so rich in color. How else would death call you? Waking in the cold dawn it all turned to ash instantly. Like certain ancient frescoes entombed for centuries suddenly exposed to the day.”
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“From daydreams on the road there was no waking. He plodded on. He could remember everything of her save her scent. Seated in a theatre with her beside him leaning forward listening to the music. Gold scrollwork and sconces and the tall columnar folds of the drapes at either side of the stage. She held his hand in her lap and he could feel the tops of her stockings through the thin stuff of her summer dress. Freeze this frame. Now call down your dark and your cold and be damned.”
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“He mistrusted all of that. He said the right dreams for a man in peril were dreams of peril and all else was the call of languor and of death. He slept little and he slept poorly. He dreamt of walking in a flowering wood where birds flew before them he and the child and the sky was aching blue but he was learning how to wake himself from just such siren worlds. Lying there in the dark with the uncanny taste of a peach from some phantom orchard fading in his mouth. He thought if he lived long enough the world at last would all be lost. Like the dying world the newly blind inhabit, all of it slowly fading from memory.”
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“He woke before dawn and watched the gray day break. Slow and half opaque. He rose while the boy slept and pulled on his shoes and wrapped in his blanket he walked out through the trees. He descended into a gryke in the stone and there he crouched coughing and he coughed for a long time. Then he just knelt in the ashes. He raised his face to the paling day. Are you there? he whispered. Will I see you at the last? Have you a neck by which to throttle you? Have you a heart? Damn you eternally have you a soul? Oh God, he whispered. Oh God.”
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“No one can tell you what your life is goin to be, can they?No. It's never like what you expected.Quijada nodded. If people knew the story of their lives how many would then elect to live them?”
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“After a while he pulled his hat down over his eyes and stood and placed his hands outstretched on the roof of the cab and rode in that manner. As if he were some personage bearing news for the countryside. As if he were some newfound evangelical being conveyed down out of the mountains....”
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“That night he dreamt of horses in a field on a high plain where the spring rains had brought up the grass and the wildflowers out of the ground and the flowers ran all blue and yellow far as the eye could see and in the dream he was among the horses running and in the dream he himself could run with the horses and they coursed the young mares and fillies over the plain where their rich bay and their rich chestnut colors shone in the sun and the young colts ran with their dams and trampled down the flowers in a haze of pollen that hung in the sun like powdered gold and they ran he and the horses out along the high mesas where the ground resounded under their running hooves and they flowed and changed and ran and their manes and tails blew off of them like spume and there was nothing else at all in that high world and they moved all of them in a resonance that was like a music among them and they were none of them afraid neither horse nor colt nor mare and they ran in that resonance which is the world itself and which cannot be spoken but only praised.”
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“He said that men believe the blood of the slain to be of no consequence but that the wolf knows better. He said that the wolf is a being of great order and that it knows what men do not: that there is no order in this world save that which death has put there.”
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“What is true of one man, said the judge, is true of many. The people who once lived here are called the Anasazi. The old ones. They quit these parts, routed by drought or disease or by wandering bands of marauders, quit these parts ages since and of them there is no memory. They are rumors and ghost in this land and they are much revered. The tools, the art, the building--these things stand in judgement on the latter races. Yet there is nothing for them to grapple with. The old ones are gone like phantoms and the savages wander these vanyons to the sound of an ancient laughter. In their crude huts they crouch in darkness and listen to the fear seeping out of the rock. All progressions from a higher to a lower order are marked by ruins and mystery and a residue of nameless rage. So. Here are the dead fathers. Their spirit is entombed in the stone. It lies upon the land with the same weight and the same ubiquity. For whoever makes a shelter of reeds and hides has joined his spirit to the primal mud with scarcely a cry. But who builds in stone seeks to alter the structure of the universe and so it was with these masons however primitive their works may seem to us.”
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“Scars have the strange power to remind us that our past is real.”
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“There is no such joy in the tavern as upon the road thereto.”
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“Just remember that the things you put into your head are there forever, he said. You might want to think about that.You forget some things, dont you?Yes. You forget what you want to remember and you remember what you want to forget.”
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“The man smiled at him a sly smile. As if they knew a secret between them, these two. Something of age and youth and their claims and the justice of those claims. And of the claims upon them. The world past, the world to come. Their common transiencies. Above all a knowing deep in the bone that beauty and loss are one.”
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“Then he just knelt in the ashes. He raised his face to the paling day. Are you there? he whispered. Will I see you at the last? Have you a neck by which to throttle you? Have you a heart? Damn you eternally have you a soul? Oh God, he whispered, Oh God.”
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“When one has nothing left make ceremonies out of the air and breathe upon them.”
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“If God meant to interfere in the degeneracy of mankind would he not have done so by now? Wolves cull themselves, man. What other creatures could? And is the race of man not more predacious yet?”
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“In the morning they came up out of the ravine and took to the road again. He'd carved the boy a flute from a piece of roadside cane and he took it from his coat and gave it to him. The boy took it wordlessly. After a while he fell back and after a while the man could hear him playing. A formless music for the age to come. Or perhaps the last music on earth called up from out of the ashes of its ruin. The man turned and looked back at him. He was lost in concentration. The man thought he seemed some sad and solitary changeling child announcing the arrival of a traveling spectacle in shire and village who does not know that behind him the players have all been carried off by wolves.”
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“I don't know why I started writing. I don't know why anybody does it. Maybe they're bored, or failures at something else.”
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“Perhaps in the world's destruction it would be possible at last to see how it was made. Oceans, mountains. The ponderous counterspectacle of things ceasing to be. The sweeping waste, hydroptic and coldly secular. The silence.”
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“Then they set out along the blacktop in the gunmetal light, shuffling through the ash, each the other's world entire.”
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