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Craig Silvey

Craig Silvey is an author and screenwriter from Fremantle, Western Australia.

His critically acclaimed debut novel, Rhubarb, was published in 2004. His bestselling second novel, Jasper Jones, was released in 2009 and is considered a modern Australian classic. Published in over a dozen territories, Jasper Jones has won plaudits in three continents, including an International Dublin Literary Award shortlisting, a Michael J. Printz Award Honor, and a Miles Franklin Literary Award shortlisting. Jasper Jones was the Australian Book Industry Awards Book of the Year for 2010.

His third novel, Honeybee, published in 2020, is an award-winning bestseller. Honeybee was the 2020 Dymocks Book Of The Year, won the Indie Book Award for Best Fiction, and was shortlisted for both the Literary Fiction Book of the Year at the 2021 ABIA Awards and the Adult Fiction Book of the Year at the ABA Booksellers’ Choice Awards. In 2022, Honeybee was voted Number 1 in the Better Reading Top 100.

Runt is his first novel for Younger Readers.


“See, most people you meet, they'll talk to you through fifty layers of gauze and tinting. Sometimes you know they're lying even before they've started speaking. And it seems the older they get, the more brazen and desperate folks become, and they lie about things that don't even matter... I don't know. Maybe they just get so used to it they don't even notice. Maybe it's like a creeping curse and the more you do it, the easier it gets. What's amazing is that they think they're fooling anybody.”
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“And I realize I've been betrayed by the two vices that fiction promised me I'd adore. Sal Paradise held up bottles of booze like a housewife in a detergent commercial. Holden Caulfield reached for his cigarettes like an act of faith. Even Huckleberry Finn tapped on his pipe with relief and satisfaction. If sex turns out to be this bad, I'm never reading again.”
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“Holding something doesn't make it yours. You realize at some point you're just keeping it back for yourself, because it's pulling away with equal force. You've got to cut the string from your finger and leave that wispy thread, like a baby spider on the breeze.”
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“I think most of the time when I'm yelling at my husband, I'm just yelling at myself.”
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“...I thought that having someone to love, having someone love me back, made me a stronger person. But it was the opposite. It made me weaker because it led me to believe that I couldn't survive without those things. And I spent so long afraid of being alone that I never did anything for myself. I never did anything with myself, which made it all the easier to believe I wasn't capable.”
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“So how come people fall out of love, do you think?I don't know. It's true that people change. Or people don't change when you hoped they might. Or they find somebody else they like better. Or people just grow apart, they lose interest in each other's lives. Maybe they realise they made a mistake. There are lots of reasons.”
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“See, Batman is different. He's mortal. He's got a real life to risk. Superman just has to avoid Kryptonite. Big deal. Superman fears nothing because outside a few very specific circumstances where he might encounter some stupid rock, nothing can possibly do him in. Batman has the same vulnerabilities as the rest of us, so he has the same fears as us. That's why he's the most courageous: because he can put those aside and fight on regardless. My point is this: the more you have to lose, the braver you re for standing up. That's why Batman is superior to Superman, and that's why I am infinitely smarter then you.'I am a genius. I have won.'Pffft! Whatever. I'll bet Batman won't be too loud about his superiority when Superman is belting seven shades of shit out of him.”
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“My point is this: the more you have to lose, the braver you are for standing up.”
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“Life might be easier if you give in a little, but it's better if you hold onto something so hard you can't give it up.”
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“...if it were anyone else, I would choose to step back and turn away right now. I would never bow my head and push through that wattle, and its golden orbs would never shake loose and nestle in my hair like confetti. I would never grab at its rough trunk to save me from tripping. I would never part its locks of foliage. And I would never lift my head to see this neat clearing of land. I would never look past Jasper Jones to reveal his secret. But I don't turn back. I stay. I follow Jasper Jones. And I see it.”
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“There’s no such thing as God, Charlie, at least not how they say. Just like there’s no such thing as Zeus or Apollo or bloody unicorns. You’re on your own. And that can make you feel either lonely or powerful. When you’re born, you wither luck out or you don’t. It’s a lottery. Tough shit or good on yer. But from there, it’s all up to you… soon as you can walk and talk, you start makin your own luck. And I don’t need some spirit in the sky to help me do that. I can do it on me own. But see, that’s what I reckon God really is, Charlie. It’s that part inside me that’s stronger and harder than anything else. And I reckon prayer is just trusting in it, having faith in it, just asking meself to be tough. And that’s all you can do. I don’t need a bunch of bullshit stories about towers and boats and floods or rules about sin. It’s all just a complicated way to get to that place in you, and it’s not honest either. I don’t need to trick meself into thinking anyone else is listenin’, or even cares. Because it doesn’t matter. I matter. And I know I’ll be alright. Because I got a good heart, and fuck this town for making me try and believe otherwise. It’s what you come with and what you leave with. And that’s all I got.”
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“I'm excited but afraid. I long to turn and wedge myself through the horse's arse from which I've just fallen, to sit safe in the hot womb of my room. But this is Jasper Jones, and he and come to me.”
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“My exit from the window is a little like a foal being born. It's a graceless and gangly drop, directly onto my mother's gerbera bed. I emerge quickly and pretend it didn't hurt.”
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“I never understood why you would ever feel the need to shoot the fish in the barrel. I mean, they're in a barrel, you've already caught them. The hard work's done, they can't escape. So if you want them dead, just drain the water out. Why bring guns into it?”
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“You need to understand that truth is stranger than fiction. Listen: people are willing to swallow any old tripe as long as you say it without flinching. They want to be told stuff. And they don't want to doubt you either. It's too hard.”
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“Batman doesn't have any superpowers. He's not superhuman. He's not super. So therefore he can't be a superhero.”
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“How strange and abandoned and unsettled I am. Like a snowdome paper weight that's been shaken. There's a blizzard in my bubble. Everything in my world that was steady and sure and sturdy has been shaken out of place, and it's now drifting and swirling back down in a confetti of debris. (p30)”
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“I force a smile and hold up my hand, which must end up looking like some sort of strange, leery wince, like I've just swallowed a glass of somebody's urine and I'm recommending it.”
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“I don't understand a thing about this world: about people, and why they do the things they do. The more I find out, the more I uncover, the more I know, the less I understand.”
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“Sorry.Sorry means you feel the pulse of other people's pain as well as your own, and saying it means you take a share of it. And so it binds us together, makes us trodden and sodden as one another. Sorry is a lot of things. It's a hole refilled. A debt repaid. Sorry is the wake of misdeed. It's the crippling ripple of consequence. Sorry is sadness, just as knowing is sadness. Sorry is sometimes self-pity. But Sorry, really, is not about you. It's theirs to take or leave.Sorry means you leave yourself open, to embrace or to ridicule or to revenge. Sorry is a question that begs forgiveness, because the metronome of a good heart won't settle until things are set right and true. Sorry doesn't take things back, but it pushes things forward. It bridges the gap. Sorry is a sacrament. It's an offering. A gift.”
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“I feel as though I should say something profound, or enact some rite, or trade something to make it official. I want to transfer some trinket which would allow me to say that she's my girl, some kind of currency that proves to people that she likes me back. Something that would permit me to think about her all the time without feeling guilty or helpless or hopelessly far away. I guess I'm just so excited, I want to cage this thing like a tiny red bird so if can't fly away, so it stays the same, so it's still there the next time. For keeps, like a coin in your pocket. Like a peach pit from Mad Jack Lionel's tree. Like scribbled words in a locked suitcase. A bright balloon to tie to your bedpost. And you want to hug it close, hold it, but not so tight it bursts.”
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“Every instance in my life, I've felt like the exact opposite of Superman. Except this time, this moment right now. I don't care. I don't feel like a weak, insipid sissy. Because right now I know I would save the girl. I know that I would rather risk the planet than let harm befall Eliza Wishart. I would save her in a second. Because I can imagine her and me huddled safe together while the earth falls under evil designs, but I can't imagine the world without her in it.”
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“What I'm feeling, I think, is joy. And it's been some time since I've felt that blinkered rush of happiness, This might be one of those rare events that lasts, one that'll be remembered and recalled as months and years wind and ravel. One of those sweet, significant moments that leaves a footprint in your mind. A photograph couldn't ever tell its story. It's like something you have to live to understand. One of those freak collisions of fizzing meteors and looming celestial bodies and floating debris and one single beautiful red ball that bursts into your life and through your body like an enormous firework. Where things shift into focus for a moment, and everything makes sense. And it becomes one of those things inside you, a pearl among sludge, one of those big exaggerated memories you can invoke at any moment to peel away a little layer of how you felt, like a lick of ice cream. The flavor of grace.”
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“Well, see, I think it's that most people don't like that lonely feeling. People don't like looking up and feeling small or lost. That's what I think prayer is all about. It doesn't matter which stories they believe in, they're all doing the same thing, kind of casting a line out to outer space, like there's something out there to connect to. It's like people make themselves part of something bigger that way, and maybe it makes them less afraid.”
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“And so I think I got married because I thought that a ring would lock that love in forever, because it's very scary when it is just your feelings holding you together”
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