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Curtis Sittenfeld

Curtis Sittenfeld is the New York Times bestselling author of six novels, including Rodham, Eligible, Prep, American Wife, and Sisterland, as well as the collection You Think It, I'll Say It. Her books have been translated into thirty languages. In addition, her short stories have appeared in The New Yorker, The Washington Post Magazine, Esquire, and The Best American Short Stories, for which she has also been the guest editor. Her nonfiction has appeared in The New York Times, The Atlantic, Time, and Vanity Fair, and on public radio's This American Life.


“My heart clutched - it was one of those moments when you feel time is a rug that's been yanked out from under you; everything around you has changed so gradually that it is only all at one you look up and realize how different your life has become.”
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“For months I heard whispers and though it had seemed that they were carried to me on the wind, they were really coming from inside my own head.”
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“Was this what marriage was, the slow process of getting to know another individual far better than was advisable? Sometimes [his] gestures and inflections were so mercilessly familiar that it was as if he were an extension of me, an element of my own personality over which I had little control.”
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“She was the reason I was a reader, and being a reader was what had made me most myself; it had given me the gifts of curiosity and sympathy, an awareness of the world as an odd and vibrant contradictory place, and it had me unafraid of its oddness and vibrancy and contradictions.”
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“What greater happiness is there than the privilege of being bored together?”
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“It would in retrospect appear to be a stop on a narrative path that was inevitable, but this is only because most events, most paths, feel inevitable in retrospect.”
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“I have been granted the terrible privilege of deciding what would have happened with no one left to contradict me. And maybe I am absolutely wrong.”
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“This possibility was not flattering to me; it was terrifying. There were other things a guy could think I was, and he wouldn't be entirely wrong - nice, or loyal, or maybe interesting. Not that I was always any of those thing, but in certain situations, it was conceivable. But to be seen as pretty was to be fundamentally misunderstood. First of all, I wasn't pretty, and on top of that I didn't take care of myself like a pretty girl did; I wasn't even one of the unpretty girls who passes as pretty through effort and association. If a guy believed my value to lie in my looks, it meant either that he'd somehow been mislead and would eventually be disappointed, or that he had very low standards.”
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“To remain alone did not seem to me a terrible fate, no worse than being falsely joined to another person.”
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“Foolish names and foolish faces often appear in public places.”
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“His ambitions exceed his talent.”
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“Before and after... I heard a thousand times that a boy, or a man, can't make you happy, that you have to be happy on your own before you can be happy with another person. All I can say is, I wish it were true.”
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“I wanted to hold happiness in reserve, like a bottle of champagne. I postponed it because I was afraid, because I overvalued it, and then I didn't want to use it up, because what do you wish for then?”
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“I'm not a Democrat because I haven't thought about the issues. I'm a Democrat because I have.”
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“Being raised in an unstable household makes you understand that the world doesn't exist to accommodate you, which... is something a lot of people struggle to understand well into their adulthood. It makes you realize how quickly a situation can shift, how danger really is everywhere. But crises when the occur, do not catch you off guard; you have never believed you lived under a shelter of some essential benevolence. And an unstable childhood makes you appreciate calmness and not crave excitement.”
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“She has always been a bystander in family destruction, never realizing she herself possessed the capacity to inflict it.”
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“And an unstable childhood makes you appreciate calmness and not crave excitement. To spend a Saturday afternoon mopping your kitchen floor while listening to opera on the radio, and to go that night to an Indian restaurant with a friend and be home by nine o'clock - these are enough. They are gifts.”
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“I have always found the times when another person recognizes you to be strangely sad; I suspect the pathos of these moments is their rareness, the way they contrast with most daily encounters. That reminder that it can be different, that you need not go through your life unknown but that you probably still will--that is the part that's almost unbearable.”
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“And it wasn't that you couldn't be friends with a married woman, but you weren't friends in the same way, she didn't have the same freedom i her schedule, especially not after she had children, and even before that, she didn't need you; you needed friendship, and friendship to her was auxiliary, extra.”
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“...if it's great reverence you're looking for, or earnest expressions of gratitude - well, then you don't work with kids.”
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“It is not a camera, or a reporter that makes something real and genuine; more often a camera or a reporter does the opposite.”
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“Once I had asked, ‘But are you a Democrat or a Republican?” and Jonathan said, “I’m socially progressive but fiscally conservative,” and Doug Miles, a football player who also came to Sunday breakfast but only ever read the sports section and ignored everyone, lifted his head and said, “Is that like being bisexual?” Which I actually thought was funny, even though I was pretty sure Doug was a jerk.”
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“To think of the Midwest as a whole as anything other than beautiful is to ignore the extraordinary power of the land. The lushness of the grass and trees in August, the roll of the hills (far less of the Midwest is flat than outsiders seem to imagine), the rich smell of soil, the evening sunlight over a field of wheat, or the crickets chirping at dusk on a residential street: All of it, it has always made me feel at peace. There is room to breathe, there is a realness of place. The seasons are extreme, but they pass and return, pass and return, and the world seems far steadier than it does from the vantage point of a coastal city.Certainly picturesque towns can be found in New England or California or the Pacific Northwest, but I can't shake the sense that they're too picturesque. On the East Coast, especially, these places seem to me aggressively quaint, unbecomingly smug, and even xenophobic, downright paranoid in their wariness of those who might somehow infringe upon the local charm. I suspect this wariness is tied to the high cost of real estate, the fear that there might not be enough space or money and what there is of both must be clung to and defended. The West Coast, I think, has a similar self-regard...and a beauty that I can't help seeing as show-offy. But the Midwest: It is quietly lovely, not preening with the need to have its attributes remarked on. It is the place I am calmest and most myself.”
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“We have to make mistakes, it's how we learn compassion for others.”
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“There was a way in which my grandmother's true self was not these guests' business; no one's true self was the business of more than a very small number of family members or close friends.”
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“After all, these were not topics you could discuss with someone else; what was there to say to another person about how it felt? You could concoct things you wanted but in certain moments the light shifted or time slowed – on Sundays in particular, time slowed, and occasionally on Saturday afternoons, if you didn’t have a game – and you saw that it was all really nothing. It was just endlessness and what you got or didn’t get would hardly make a difference, and then what was there? The loathsomely familiar room where you lived, your horrible face and body, and the rebuke of other people, how they were unbothered, how you would seem, if you tried to explain, kind of weird and kind of boring and not even original. Why did their lives proceed so easily? Why was it that you needed to convince them and they needed to be convinced and not the other way around? Not, of course, that you would actually succeed if you tried.”
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“She opened her mouth but did not immediately speak, and I felt, simultaneously, the impulse to coax the words from her and the impulse to suppress them. I always thought I wanted to know a secret, or I wanted an event to unfold – I wanted my life to start – but in those rare moments when it seemed like something might actually change, panic shot through me.”
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“We all stood and gathered our backpacks and I looked at the floor around my chair to make sure I hadn’t dropped anything. I was terrified of unwittingly leaving behind a scrap of paper on which were written all my private desires and humiliations. The fact that no such scrap of paper existed, that I did not even keep a diary or write letters except bland, earnest, falsely cheerful ones to my family (We lost to St. Francis in soccer, but I think we’ll win our game this Saturday; we are working on self-portraits in art class, and the hardest part for me is the nose) never decreased my fear.”
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“After I’d told her – the mall, the taxi, Cross stroking my hair – she said, ‘Did he kiss you?’‘John and Martin totally would have seen that,’ I said, and as I felt myself implying the circumstances had prevented our kissing, I thought maybe this was why you told stories to other people – for how their possibilities enlarged in the retelling.”
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“I couldn’t tell them about Cross, I thought. I couldn’t tell them because Dede liked him and because she wouldn’t believe or understand it, and I couldn’t tell them because I myself was unsure what there was to believe or understand. It wasn’t like he’d kissed me, or made any declarations. What could I claim? For years and years, I felt this way, not just about Cross but about other guys – if they didn’t kiss you, it didn’t mean anything. Their interest in you had been so negligible as, perhaps, to have all been in your head.”
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“If you knew where your happiness came from, it gave you patience. You realized that a lot of the time, you were just waiting out a situation, and that took the pressure off; you no longer looked to every interaction to actually do something for you.”
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“Ordinarily, of course, I thought it best to remain inconspicuous, but the gesture had a certain irresistable theatricaility, and an inevitablility. Sometimes you can feel the pull of what other people want from you, and you sacrifice yourself, you risk seeming odd or sunsavory, to keep them entertained.”
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“I did not care if Ella went to Princeton, if she was exceptionally pretty, if she grew up to marry a rich man, or really if she married at all - there were many incarnations of her I felt confident I could embrace, a hippie or a housewife or a career woman. But what I did care about, what I wanted most fervently, was for her to understand that hard work paid off, that decency begat decency, that humility was not a raincoat you occasionally pulled on when you thought conditions called for it, but rather a constant way of existing in the world, knowing that good luck and bad luck touched everyone and none of us was fully responsible for our fortunes or tragedies. Above all, I wanted my daughter to understand that many people were guided by bitterness and that it was best to avoid these individuals - their moods and behavior were a hornet's nest you had no possible reason to do anything other than bypass and ignore.”
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“I enjoyed making them, and if it's great reverence you're looking for, or earnest expressions of gratitude - well, then you don't work with kids.”
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“I feel like a lot of life is distasteful and embarrassing. And you just push through it. You fix what you can, and you let time pass.”
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“And I am pretty sure that's the point of reading fiction -- so someone else can say in a way you never would have something you recognize immediately.”
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“There are people we treat wrong and later, we're prepared to treat other people right.”
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“It's hard to imagine him angry without them. It must be like watching a game show by yourself, how calling out the answers feels silly and pointless. What is fury without witnesses? Where's the tension minus an audience to wonder what you'll do next?”
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“She really does like him, she likes lying next to him, she wants to be around him; when you get down to it, can you say that about many people?”
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“See, I always forget this about you," he says, and even now, long after we first lost our privacy, I can't help wondering who's overhearing him. "Every decade, you like to pin me to the ground, pull open my mouth, and take a sh** right into it.”
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“Dena seemed about to respond, but instead, she belched again, a smaller belch that seemed unequal as a harbinger to the monstrous chunky gush that erupted from inside her. I held her hair back and looked away as she finished retching. Working with children had made me less squeamish--they were constantly presenting their grubby hands to your, having accidents--but at some point, disgusting was still disgusting, Especially with an adult woman.”
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“The interest I felt in certain guys then confused me, because it wasn't romantic, but I wasn't sure what else it might be. But now I know: I wanted to take up people's time making jokes, to tease the dean in front of the entire school, to call him by a nickname. What I wanted was to be a cocky high-school boy, so fucking sure of my place in the world.”
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“In my expectation that good fortune will lead inextricably to its reversal, I should note that I don't think I'm less deserving of happiness than anyone else; it is that in an unequal world, nobody deserves the privileges I enjoy.”
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“If a man wants to be romantically involved with you, he tries to kiss you. That's the entire story, and if he doesn't kiss you, there is never a reason to wait around for him.”
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“The big occurrences in life, the serious ones, have for me always been nearly impossible to recognize because they never feel big or serious. In the moment, you have to pee, your arm itches, or what people are saying strikes you as melodramatic or sentimental, and it's hard not to smirk. You have a sense of what this type of situation should be like - for one thing, all-consuming - and this isn't it. But then you look back, and it was that; it did happen.”
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“The better you learn to take care of yourself, the less you settle for being around people who can't or won't treat you as well as you're accustomed.”
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“Perhaps this is how you know you're doing the thing you're intended to: No matter how slow or how slight your progress, you never feel that it's a waste of time.”
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“She nodded, jotting something in her notebook.You’re writing that down? Has the interview started?”Lee, whenever you’re talking to a reporter, you’re being interviewed.”
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“Sports contained the truth, I decided, the unspoken truth (how quickly we damn ourselves when we start to talk, how small and inglorious we always sound), and it seemed hard to believe that I had never understood this before. They rewarded effortlessness and unself-consciousness; they confirmed that yes, there are rankings of skill and value and that everyone knows what they are (seeing those guys who were subbed with two seconds left before the end of a quarter, I’d think how girls’ coaches were never that heartless); they showed that the best things in the world to be were young and strong and fast. To play a great game of high school basketball-it was something I myself had never done, but I could tell-made you know what it was to be alive. How much in an adult life can compare to that? Granted, there are margaritas, or there’s no homework, but there are also puffy white bagels under neon lights in the conference room, there’s waiting for the plumber, making small talk with your boring neighbor.”
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“And this is how I know that it's all just words, words, words - that fundamentally, they make no difference... Our relationship, for as long as things were good, and in that moment when they could have been good again, was about the irrelevance of words. You feel what you feel, you act as you act, who in the history of the world has ever been convinced by a well-reasoned argument?”
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