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Daniel Handler

Daniel Handler is the author of seven novels, including Why We Broke Up, We Are Pirates, All The Dirty Parts and, most recently, Bottle Grove.

As Lemony Snicket, he is responsible for numerous books for children, including the thirteen-volume A Series of Unfortunate Events, the four-volume All the Wrong Questions, and The Dark, which won the Charlotte Zolotow Award. 

Mr. Snicket’s first book for readers of all ages, Poison for Breakfast, will be published by Liveright/W.W. Norton on August 31, 2021.

Handler has received commissions from the San Francisco Symphony, Berkeley Repertory Theater and the Royal Shakespeare Company, and has collaborated with artist Maira Kalman on a series of books for the Museum of Modern Art in New York, and with musicians Stephin Merritt (of the Magnetic Fields), Benjamin Gibbard (of Death Cab for Cutie), Colin Meloy (of the Decemberists) and Torquil Campbell (of Stars).

His books have sold more than 70 million copies and have been translated into 40 languages, and have been adapted for film, stage and television, including the recent adaptation of A Series of Unfortunate Events for which he was awarded both the Peabody and the Writers Guild of America awards.

He lives in San Francisco with the illustrator Lisa Brown, to whom he is married and with whom he has collaborated on several books and one son.


“I waited just to see you at that kind of peace, I wanted to be beside you, I wanted you to wake up slowly or startle, or just half awaken and turn over or murmur my name. I wanted to watch you forever, or sleep beside you forever, or sleep forever while you woke and watched me, something forever anyway. I wanted to kiss you, rumple your hair, rest three fingertips on your hip bone warm and smooth, wake you that way or hush you back to sleep.”
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“Everything else has vanished, so you take them now. Maybe if you're the one keeping them, I'll be the one feeling better.”
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“This teaching job did not pay a lot of money, because, let's face it, nobody gives a flying fuck about education, but it was a temporary position.”
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“...there's not enough ink and paper to say all I wanted.”
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“This note was a jittery bomb ticking beneath my normal life, in my pocket all day fiercely reread, in my purse all week until I was afraid it would get crushed or snooped, in my drawer between two dull books to escape my mother and then in the box and now thunked back to you. A note, who writes a note like that? Who were you to write one to me? It boomed inside me the whole time, an explosion over and over, the joy of what you wrote to me jumpy shrapnel in my bloodstream. I can't have it near me anymore, I'm grenading it back to you, as soon as I unfold it and read it and cry one more time. Because me too, and f--- you. Even now.”
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“There were a million things, everything, I didn't know I was stupid- the official descriptive phrase for happy.”
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“That night it felt that somehow by flicking them off the roof, the matches would burn down everything, the sparks from the tips of the flames, torching the world and all the heartbroken people in it.”
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“The matches were a little 'he loves me, he loves me not,' but then I saw right on the box that I had twenty-four, which would end the game at not, so I just let the small handful sparkle and puff a bit, each one a thrill, a tiny delicious jolt for each part I remembered, until I burned my finger and went back in still thinking of all we did together.”
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“I was too jitterbuggy happy to sleep, and the whole day kept playing in my brain's little screening room.”
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“Let's see where this leads us, this adventure with the thrum of the music and the blizzard of stagy snow...happy tears freezing to diamonds...let's go, let's go, hurry towards the happy ending....let's go together toward something extraordinary, and I start making plans, thinking we would get that far.”
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“...everyone was right about you- prove them wrong.”
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“Numbersign questionmark you" and "Asterisk exclamation point the world.”
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“But it’s December now, and the sky is bright, and it’s clear to me. I’m telling you why we broke up, Ed. I’m writing it in this letter, the whole truth of why it happened. And the truth is that I goddamn loved you so much.”
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“A note, who writes a note like that? Who were you to write one to me? it boomed inside me the whole time, an explosion over and over, the joy of what you wrote to me jumpy shrapnel in my bloodstream. I can't have it near me anymore, I'm grenading it back to you, as soon as I unfold it and read it and cry one more time. Because me too, and fuck you. Even now.”
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“I can't have it near me anymore, I'm grenading it back to you, as soon as I unfold it and read it and cry one more time. Because me too, and fuck you. Even now.”
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“And then like a song we'd forgotten was even on the mix, you stepped into the house and my whole life.”
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“-Most people would say that she's beautiful.-That's because she's been with most people.”
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“You either have the feeling or you don’t.”
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“This is another thing I think of, turning it over, try to put together two pictures of it, but this time it's about me, it's myself I'm trying to figure. Because one sounds so disgusting, not even able to tell Al about it, win the big game, take the virgin to her first bonfire, feed her a beer or two, and then the two of us in someone's car with your hand between my legs, unbuttoned and hiked down and the noises I made, before I finally, gasping, stopped you. It sounds terrible and it's probably the truth, the real picture, gross when I write it down and shamed about it. But it's the real, whole truth I'm trying to get down, how it happened, and honestly it felt different then, different from that bad picture. I can see it, so gentle the way you moved, the thrill that was there with us as no one knew where we were or what we were doing.”
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“You flew your way through all those stone silent statues, and if I could I'd thunk them all at your goddamn doorstep, as noisy as you were quiet, as furious as we were giggly, as cold and scornful as I was breathless and hot watching you cat burglar for evidence and come back shrugging and empty-handed so we still didn't know, we still couldn't be sure, not until everything was developed...But we never developed them. Undeveloped, the whole thing, tossed into a box before we really had a chance to know what we had, and that's why we broke up.”
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“Here it is undeveloped, a roll of film with all its mysteries locked up. I never took it anyplace, just left it waiting in a drawer dreaming of stars. That was our time, to see if Lottie Carson was who we thought she was, all those shots we took, cracking up, kissing with our mouths open, laughing, but we never finished it. We thought we had time, running after her, jumping on the bus and trying to glimpse her dimple through the tired nurses arguing in scrubs and the moms on the phone with the groceries in the laps of the kids in the strollers. We hid behind the mailboxes and lampposts half a block away as she kept moving through her neighborhood, where I've never been, the sky getting dark on only the first date, thinking all the while we'd develop it later.”
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“I opened my mouth and kissed you then, the first time all night, attacked you and surrendered completely, and let’s get out of here. I’m ready, I’m finished, let’s not break up, no, no. Take me home, my boyfriend, my love.”
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“...the moron who thought love was forever.”
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“I started making plans, thinking we would get that far.”
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“I hadn't even been looking, not for you, and now you were my heart's desire.”
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“Let’s go, let’s go together toward something extraordinary and I started making plans, thinking we would get that far.”
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“Twenty-six,” you said. “One for each day we’ve been together, Min.”Somebody oohed. Somebody shushed them.“And I hope that someday I’ll do another something stupid and I’ll have to say it a million times because that’s how long it’ll be, together with you, Min. With you.”
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“I’m not a cuckoo, either. I’m a fool is what.”
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“She’s so, everybody’s so stupid, you know? Christian too, Todd, whoever says stupid things, you’re from different worlds, like you dropped here in a spaceship.”I had to say something. “Yeah,” I said. “So—?”“So they can fuck themselves,” you said. “I don’t care, you know?”I felt a smile on my face, tears too.“Because Min, I know, OK? I’m stupid I know, about faggy movies, sorry, fuck, I’m stupid about that too. No offense. Ha! But I want to do it, Min.Any party you want, anything, not go to bonfires. Whatever you want to do, for the eighty-ninth birthday, even though I can’t remember the name.”“Lottie Carson.” I stepped close to you, but you held your hands out, you weren’t done.“And they’ll say things, right? I know they will, of course they will. Your friends are, probably, too, right?”“Yes,” I said. I felt furious, or furiously something, pacing with you and waiting to fall into your moving arms.“Yes,” you said, with a huge grin. “Let’s stay together, I want to be with you. Let’s. Yes?”“Yes.”“Because I don’t care, virginity, different, arty, weird parties with bad cake, that igloo. Just together, Min.”“Yes.”“Like everyone is telling us not to be.”“Yes!”“Because Min, listen, I love you.”I gaped.“Don’t, you don’t have to—I know it’s crazy, Joan says I’ve really lost it, but—”“I love you too,” I said.”
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“when I think about sex, you know, I want it to feel good. Not feel good, shut up, but right. Happy, not just banging away somewhere. You know, you should not just do it to do it. You should love the guy.”
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“Is it OK not to be a virgin, yes. Most people aren’t virgins, Min. That’s why there’s people to begin with.”
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“because damn it Ed, that’s not why we broke up. I love it, I miss it, I hate to give it back to you, this complicated thing, it’s why we stayed together.”
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“who would dare think that, forever? Some idiot girl who wouldn’t know how things played out.”
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“I’d ruin any day, all my days, for those long nights with you, and I did.”
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“Shit, I guess I already loved you then. Doomed like a wineglass knowing it’ll get dropped someday, shoes that’ll be scuffed in no time, the new shirt you’ll soon enough muck up filthy.”
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“...that's not why we broke up. I love it, I miss it, I hate to give it back to you, this complicated thing, it's why we stayed together”
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“I stand entwined in fire on the inextinguishable bonfire of inconceivable love.”
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“Take back the smile and the night, take it all back, I wish I could.”
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“You were all I wanted, the best gift. I hadn’t even been looking, not for you, and now you were my heart’s desire.”
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“But just suddenly I really, really needed to see you again right that minute, that night.”
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“The thing with your heart's desire is that your heart doesn't even know what it desires until it turns up. Like a tie at a tag sale, some perfect thing in a crate of nothing, you were just there, uninvited, and now suddenly the party was over and you were all I wanted. I hadn't even been looking, not for you, and now you were my heart's desire.”
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“The file clanked against me, my stupid idea nobody would have gotten had I ever done it. You even wouldn't have gotten it, Ed, I thought, watching her go. It's why we broke up, so here it is. Ed, how could you?”
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“I wore it, this careless thing you don't even remember giving to me from your bag. It wasn't a gift, this thing I'm returning. It was barely a gesture, almost forgotten already, this thing I wore like it was dear to me. And it was. No wonder we broke up.”
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“It didn't last, it wasn't clear for much longer, and that's why we broke up, but when I close this book and give it to you, I don't think about that, just us holding the book it our hands to buy it and take it here with us, because damn it Ed, that's not why we broke up. I love it, I miss it, I hate to give it back to you, this complicated thing, it's why we stayed together.”
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“Take it back, Ed. Take it all back.”
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“And this note was a jittery time bomb, ticking beneath my normal life, in my pocket all day firecely reread, in my purse all week until I was afraid it would get crushed or snooped, in my drawer between two dull books to escape my mother and then in the box and now thunked back to you. A note, who writes a note like that? Who were you to write one to me? It boomed inside me the whole time, an explosion over and over, the joy of what you wrote to me jumpy shrapnel in my bloodstream. I can't have it near me anymore, I'm grenading it back to you, as soon as I unfold it and read it and cry one more time. Because me too, and fuck you. Even now.I can’t stop thinking about you.”
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“Take them back, Ed. Here they are. Take back the smile and the night, take it all back, I wish I could.”
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“I know you can't see it, not you, Ed, but maybe if I tell you the whole plot you'll understand it this once, because even now I want you to see it. I don't love you anymore, of course I don't, but there's still something I can show you. You know I want to be a director, but you never truly see the movies in my head and that, Ed, is why we broke up.”
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“I'm telling you why we broke up, Ed. I'm writing this letter, the whole truth of why it happened. And the truth is that I goddamn loved you so much.”
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“...It was everything, those nights on the phone, everything we said until late became later & then later & very late & finally to go to bed with my ear warm & worn & red from holding the phone close, close, close so as not to miss a word of what it was, because who cared how tired I was in the humdrum slave drive of our days without each other? I'd ruin any day, all my days, for those long nights with you & I did. But that's why right there it was doomed. We couldn't only have the magic nights buzzing through the wires. We had to have the days, too, the bright impatient days spoiling everything with their unavoidable schedules, their mandatory times that don't overlap, their loyal friends who don't get along, the unforgiven travesties torn from the wall no matter what promises are uttered past midnight & that's why we broke up.”
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