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David Guterson

David Guterson is an American novelist, short story writer, poet, journalist, and essayist.

He is best known as the author of the novel Snow Falling on Cedars (1994), which won the 1995 PEN/Faulkner Award. To date it has sold nearly four million copies. It was adapted for a 1999 film of the same title, directed by Scott Hicks and starring Ethan Hawke. The film received an Academy Award nomination for cinematography. Guterson's subsequent novels are East of the Mountains (1999), Our Lady of the Forest (2003), and The Other (2008). He is also the author of a short story collection, The Country Ahead of Us, the Country Behind (1989) and of a book of essays on education called Family Matters: Why Homeschooling Makes Sense (1992).

Guterson was born in Seattle, Washington, and received an M.A. from the University of Washington. A Guggenheim Fellow, and a former contributing editor to Harper's magazine, he is a co-founder of Field's End, an organization for writers.


“To die, he thought, was to escape passion's grasp, but that was the last thing he wanted. Instead he wished to be seized by passion and pinioned, held in its palm forever—he could not imagine any other existence as embracing any real happiness.”
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“His cynicism - a veteran's cynicism - was a thing that disturbed him all the time. It seemed to him after the war that the world was thoroughly altered. It was not even a thing you could explain to anybody, why it was that everything was folly. People appeared enormously foolish to him. He understood that they were only animated cavities full of jelly and strings and liquids. He had seen the insides of jaggedly ripped-open dead people. He knew, for instance, what brains looked like spilling out of somebody's head. In the context of this, much of what went on in normal life seemed wholly and disturbingly ridiculous.”
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“Satellites can see your thoughts, but not through rock,' is like something they might say. In John William's case, it was conscious hyperbole and therefore commentary. At one level, it was reefer-inspired. It was partly for fun. It was other things, too-but not derangement. I give no credence to the interpretation, and I knew him better than anybody.”
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“Losing is like knowing that, in the movie scene where a thousand die but the hero lives, you're one of the obliterated.”
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“We Japanese, on the other hand, know our egos are nothing. We bend our egos, all of the time, and that is where we differ. That is the fundamental difference, Hatsue. We bend our heads, we bow and are silent, because we understand that by ourselves alone, we are nothing at all, dust in a strong wind, while the 'hakujin' believes his aloneness is everything, his separateness is the foundation of his existence. He seeks and grasps, seeks and grasps for his separateness, while we seek union with the Greater Life--you must see that these are distinct paths we are travelling, Hatsue, the 'hakujin' and we Japanese" (p. 176).”
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“The trick was to refuse to allow your pain to prevent you from living honorably. In Japan, she said, a person learned not to complain or be distracted by suffering. To persevere was always a reflection of the state of one’s inner life, one’s philosophy, and one’s perspective. It was best to accept old age, death, injustice, hardship – all of these were part of living”
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“The rain fell with such fervor that the world disappeared.”
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“Accident ruled every corner of the universe except the chambers of the human heart.”
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“Ishmael gave himself to the writing of it, and as he did so he understood this, too: that accident ruled every corner of the universe except the chambers of the human heart.”
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“Oh, to be young. To still be one's own hero.”
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“There are things in this universe that we cannot control, and then there are the things we can. . . . Let fate, coincidence, and accident conspire; human beings must act on reason.”
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“One thing has led to the next in my life, but like lines of a poem. I suppose I've thrown in my lot with love, and don't know any other way to go on breathing. ”
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“If disaster, so be it, they said to themselves. There was nothing to be done except what could be done. The rest -- like the salt water around them, which swallowed the snow without effort, remaining what it was implacably -- was out of their hands, beyond.”
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“The world was incomprehensibly intricate, and yet this forest made a simple sense in her heart that she felt nowhere else.[S]he wanted only her own strawberry farm, the fragrance of the fields and the cedar trees, and to live simply in this place forever.[S]he had fallen into loving him long before she knew herself, though it occurred to her now that she might never know herself, that perhaps no one ever does, that such a thing might not be possible.[Y]ou should learn to say nothing that will cause you regret. You should not say what is not in your heart -- or what is only in your heart for a moment. But you know this -- silence is better.”
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“To persevere is always a reflection of the state of one's inner life, one's philosophy and one's perspective”
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“I know you'll think this is crazy, but all I want to do is hold you, and I think that if you'll let me do that just for a few seconds, I can walk away, and never speak to you again.”
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“He didn't like very many people any more, or very many things either. He preferred not to be this way, but there it was, he was like that. His cynicism, a veteran's cynicism, was a thing that disturbed him all the time.”
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“The strange thing was, he wanted to like everyone. He just couldn't find a way to do it.”
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“The river of his youth had been diverted and poured out broadly across the land to seep through dirt to the roots of crops instead of running in its bed. The river was no longer a river, and the desert was no longer a desert. Nothing was as it had been. He knew what had happened to the sagelands. He himself had helped burn them. Then men like his father had seized the river without a trace of evil in their hearts, sure of themselves but ignorant, and children of their time entirely, with no other bearings to rely on. Irrigators and fruit-tree growers, they believed the river to be theirs. His own life spanned that time and this, and so he believed in the old fast river as much as he believed in apple orchards, and yet he saw that the two were at odds, the river defeated that apples might grow as far as Royal Slope. It made no more sense to love the river and at the same time kill it growing apples than it made sense to love small birds on the wing and shoot them over pointing dogs. But he'd come into the world in another time, a time immune to these contradictions and in the end he couldn't shake old ways any more than he could shake his name.”
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“To deny that there was this dark side of life would be like pretending that the cold of winter was somehow only a temporary illusion, a way station on the way to the higher "reality" of long, warm, pleasant summers. But summer, it turned out, was no more real than the snow that melted in wintertime.”
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“Ben remembered that in Italy, he and Rachel had slipped down between rows of apple trees on the plain of the Po, deep into the cool and dark of orchards, and there they had kissed with the sadness of newlyweds who know that their kisses are too poignantly tender and that their good fortune is subject, like all things, to the crush of time, which remorselessly obliterates what is most desired and pervades all that is beautiful. ”
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“That the world was silent and cold and bare and that in this lay its terrible beauty”
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“As soon as he was gone, we opened, "Baucis and Philemon." An elderly couple living in a cottage, they're granted a wish by Jove. They confer in private before Philemon asks, "May one hour take us both away; let neither outlive the other." The wish is granted. I said, "Simultaneous deaths? Why didn't they wish for eternal happiness instead? What else would anyone wish for?" "They did wish for that," answered Jamie.”
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“The snowfall obliterated the borders between the fields and made Kabuo Miyamoto's long-cherished seven acres indistinguishable from the land that surrounded them. All human claims to the landscape were superseded, made null and void by the snow. The world was one world, and the notion that a man might kill another over some small patch of it did not make sense.”
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“None of those other things makes a difference. Love is the strongest thing in the world, you know. Nothing can touch it. Nothing comes close. If we love each other we're safe from it all. Love is the biggest thing there is.”
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“How could they say that they truly loved each other? They had simply grown up together, been children together, and the proximity of it, the closeness of it, had produced in them love s illusion. And yet--on the other hand--what was love if it wasn't this instinct she felt...”
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