David Hare
Sir David Hare (born 5 June 1947) is an English playwright, screenwriter and theatre and film director. Most notable for his stage work, Hare has also enjoyed great success with films, receiving two Academy Award nominations for Best Adapted Screenplay for writing The Hours in 2002, based on the novel written by Michael Cunningham, and The Reader in 2008, based on the novel of the same name written by Bernhard Schlink.
On West End, he had his greatest success with the plays Plenty, which he adapted into a film starring Meryl Streep in 1985, Racing Demon (1990), Skylight (1997), and Amy's View (1998). The four plays ran on Broadway in 1982–83, 1996, 1998 and 1999 respectively, earning Hare three Tony Award nominations for Best Play for the first three and two Laurence Olivier Award for Best New Play. Other notable projects on stage include A Map of the World, Pravda, Murmuring Judges, The Absence of War and The Vertical Hour. He wrote screenplays for the film Wetherby and the BBC drama Page Eight (2011).
As of 2013, Hare has received two Academy Award nominations, three Golden Globe Award nominations, three Tony Award nominations and has won a BAFTA Award, a Writers Guild of America Award for Best Adapted Screenplay and two Laurence Olivier Awards. He has also been awarded several critics' awards such as the New York Drama Critics Circle Award, and received the Golden Bear in 1985. He was knighted in 1998.
source: http://en.wikipedia.org/wiki/David_Ha...
“You give them an environment where they feel they can grow. But also make bloody sure you challenge them. You make sure they realise learning is hard. Because if you don’t, if you only make it a safe haven, if it’s all clap-happy, and ‘everything the kids do is great’, then what are you creating? Emotional toffees, who’ve actually learnt nothing, but who then have to go back and face the real world … Find that balance, it stretches you, it stretches you as far as you’ll go.”
“Oh damn and fuck show business and all its ways.”
“And it's a preference, a long-held preference, what you might call a 'habit of mind'—putting words into other people's mouths. And those people are played by people whose profession is to pretend to be other people. For which purpose, they adopt gestures, voices, intonations, even sexual attitudes not their own. On stage, they affect to be ravished and amused by someone whom they will, afterwards, run a mile to avoid having dinner with. Likewise, they spit torrents of abuse against an actor who later, later, in the softness of the night, they will share their bed with.”
“The act of writing is the act of discovering what you believe.”
“Now it turns out that a few broadsheet film critics in Britain do indeed belong to a category of people who would have resisted Hitler when he came to power. So the great shame is, clearly film critics should have been running Austria at the time, because Hitler would have represented no problem to them at all. [The Guardian's] Peter Bradshaw would have known exactly what to do, and he would not have been remotely fallible to any Nazi who threatened his life. No, he would have died in heroic acts of individual resistance. So it's a privilege to live among people who enjoy such moral certainty.”
“On September 11th, America changed. Yes. It got much stupider.”
“You make love like a wounded panther. You are like a paintshop on fire.”