David Levithan (born 1972) is an American children's book editor and award-winning author. He published his first YA book, Boy Meets Boy, in 2003. Levithan is also the founding editor of PUSH, a Young Adult imprint of Scholastic Press.
“Now, I don't believe in doing hugs halfway. I can't stand people who try to hug without touching. A hug should be a full embrace - as I wrap my arms around Tony, I am not just holding him, but also trying to lift off his troubles for a moment so that the only thing he can feel is my presence, my support.”
“I kiss her and she finds the light switch and turns it off, and we're just lit in Pepsi-can colors and it's like we've finally found this other kind of conversation, this conversation in gestures and pulls and pushes and breaths and grasps and teases and glimmers and rubs and expectation.”
“But isn't this a dance? Isn't all of this a dance? Isn't that what we do with words? Isn't that what we do when we talk, when we spar, when we make plans or leave it to chance? Some of it's choreographed. Some of the steps have been done for ages. And the rest -- the rest is spontaneous. The rest has to be decided on the floor, in the moment, before the music ends.”
“tiny: maybe there's something you're afraid to say, or someone you're afraid to love, or somewhere you're afraid to go. it's gonna hurt. it's gonna hurt because it matters.”
“luckily, tiny texts me every five minutes or so. i don't know how he does it without getting caught in class. maybe he hides the phone in the folds of his stomach or something.”
“But I guess you don't see the planets when you're staring at the sun. You just get blinded.”
“Dev's elbow hits my back and I press forward and she's right there and I'm reaching out and she's right there and right at that moment the amps amplify and the music takes on such a pulse that it becomes my heartbeat and her heartbeat and I know it and she knows it and this is the point where we could break apart and that would be it, totally it. But I look into her eyes and she looks into my eyes and we recognize it--the exitement of being here, the excitement of being now. And maybe I'm realizing what a part of it she is and maybe she's realizing what a part of it I am, because suddenly we're not crashing as much as we're combining. The chords swirling around us are becoming a tornado, tightening and tightening and tightening, and we are at the center of it, and we are at the center of each other. My wrist touches hers right at the point of our pulses, and I swear I can feel it. That thrum. We are moving to the music and at the same time we are a stillness. I am not losing myself in the barrage. I am finding her. And she is--yes, she is finding me.”
“You know the reason The Beatles made it so big?...'I Wanna Hold Your Hand.' First single. Fucking brilliant. Perhaps the most fucking brilliant song ever written. Because they nailed it. That's what everyone wants. Not 24/7 hot wet sex. Not a marriage that lasts a hundred years. Not a Porsche...or a million-dollar crib. No. They wanna hold your hand. They have such a feeling that they can't hide. Every single successful song of the past fifty years can be traced back to 'I Wanna Hold Your Hand.' And every single successful love story has those unbearable and unbearably exciting moments of hand-holding.”
“it's the belief, not the words, that mean everything. it's the floating.”
“I don't want to fall. All I want to do is stand on solid ground.”
“this is why we call people exes, I guess - because the paths that cross in the middle end up separating at the end. it's too easy to see an X as a cross-out. it's not, because there's no way to cross out something like that. the X is a diagram of two paths.”
“underneath all that denial, you're someone who's deeply, deeply nice.”
“need is never a good basis for any relationship. it has to be much more than that.”
“that's it - hundreds of texts and conversations, thousands upon thousands of words spoken and sent, all boiled down into a single line. is that what relationships become?”
“me: why is it upset? shouldn't it be downset?gideon: i will file a lawsuit against the dictionaries first thing tomorrow morning. we're going to tear merriam a new asshole and throw webster inside of it.”
“After tiny has tried ballerina pose, swing-batter-batter pose, pump-up-the-jam pose, and top-of-the-mountain-sound-of-music pose in the reflection of the bean, he walks us to a bench overlooking lake shore drive.”
“I get it. The things you hope for the most are the things that destroy you in the end.”
“I close my eyes. And i scream. If my whole world is crashing down around me, then I am going to make the sound of the crashing. I want to scream until all my bones break.”
“i do not say 'good-bye.' i believe that's one of the bullshittiest words ever invented. it's not like you're given the choice to say 'bad-bye' or 'awful-bye' or 'couldn't-care-less-about-you-bye.' every time you leave, it's supposed to be a good one. well, i don't believe in that. i believe against that.”
“Mental health days only exist for people who have the luxury of saying 'I don't want to deal with things today' and then can take the whole day off, while the rest of us are stuck fighting the fights we always fight, with no one really caring one way or another, unless...”
“Once time is lit, it will burn whether or not you're breathing it in. Even after smoke becomes air, there is the memory of smoke. I am seeing as if by the light of a match, a glimpse of my life and having it feel right.”
“I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.”
“When is a night over? Is it the start of sunrise or the end of it? Is it when you finally go to sleep or simply realize that you have to? When the club closes or when you everyone leaves?"It's over when you decide it's over," she says. "When you call it a night. The rest is just a matter of where the sun is in the sky.”
“I mean, what if love isn't a yes-or-no question? It's not either you're in love or you're not. I mean, aren't there different levels? And maybe these things, like words and expectations and whatever, don't go on top of the love. Maybe it's like a map, and they all have their own place, and then when you see it from the sky - whoa.”
“Luckily, I always travel with a book, just in case I have to wait on line for Santa, or some such inconvenience.”
“rolf! what? are you really rolling on the floor laughing? well, please stay down there for a sec while I KICK YOUR ASS.”
“And I find myself saying, “It wasn’t really about her.” And finding it’s true.What do you mean?” Norah asks.It was about the feeling, you know? She caused it in me, but it wasn’t about her. It was about my reaction, what I wanted to feel and then convinced myself that I felt, because I wanted it that bad. That illusion. It was love because I created it as love.”
“I was attempting to write the story of my life. It wasn't so much about plot. It was much more about character.”
“Since I'm not part of it yet, I see it: how a group of people can become a blizzard, how all the tie spent buying and picking out exactly the right clothes doesn't mean shit now because nobody is looking at clothes or poses.”
“I was horribly bookish, to the point of coming right out and saying it, which I knew was not socially acceptable. I particularly loved the adjective bookish, which I found other people used about as often as ramrod or chum or teetotaler.”
“You think fairy tales are only for girls? Here's a hint - ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy - all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know - this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtships. They want to know immediately.”
“It's bullshit to think of friendship and romance as being different. They're not. They're just variations of the same love. Variations of the same desire to be close.”
“I have no idea how he knows when I need him. We can go weeks without speaking, and then, when my blue moods threaten to turn black, he will show up and tell me my moods areazureindigoceruleancobaltperiwinkleand suddenly the blue will not seem so dark, more like the color of a noon-bright sky.He brings the sun.”
“The three of us do not go out very often as the three of us. I think Daniel is perfect for Jed, which is the highest compliment I can give. But my friendship isn't with him, and Jed understands that. When we hit the road, we hit it together alone.We get to the bridge, out undestined destination. Even though there's no sign, no arrow, Jed turns at the last minute and parks us in a verge right before the bridge leaves the ground.The trunk pops open, and Jed runs round back to retrieve a bag of oranges and a sweatshirt that fits me better.Shall we make like lizards and leap? he asks.I never felt the urge to jump off a bridge, but there are times I have wanted to jump out of my life, out of my skin. Would you stroll me down the promenade instead? I ask back.Most certainly, my splendid. There is no word for our kind of friendship. Two people tho don't see each other a lot, but can make each other effortlessly happy.”
“I want to have faith in strangers. I want to have faith in what we're all going to do next. But I'm worried. I see things shifting from United We Stand to God Bless America. I don't believe in God Bless America. I don't believe a higher power is standing beside us and guiding us. I don't believe we're being singled out. I believe much more in United We Stand. I have my doubts, but I want it to be true. Wouldn't it be wonderful if we really came together, if we really found a common humanity? The hitch is that you can't find a common humanity just because you have a common enemy. You have to find a common humanity because you believe that's true. ”
“I want this worldsmall enough for the two of usI want you to think of methat wayI want this worldto crash us into marvelousI want you to kiss meand say:”
“seven wonders of the worldand I have to ask for an eighthfill a bottle with some prayersand spend them on hopecreate an easy routejust so I can complicatesend my heart down thatslippery slope”
“Maybe that's it, [...] [w]ith what you were talking about before. The world being broken. Maybe it isn't that we're supposed to find the pieces and put them back together. Maybe we're the pieces." [...] "Maybe [...] what we're supposed to do is come together. That's how we stop the breaking.”
“this blue shirt i have is practically the same color as my jeans, and looking all-blue is something only cookie monster can pull off.”
“Then I go in the den and turn on Law & Order, since the only thing i can really count on in life is that whenever I turn on the TV, there will be a Law & Order episode.”
“We pencil-sketch our previous life so we can contrast it to the technicolor of the moment. ”
“When it comes to true dance, it's not about how you look, it's all about the joy you feel. ”
“Holden Caulfield is the embodiment of what we mean by the phrase “young adult” – too young to be a grown-up, but too wise to the world to be completely innocent. He’s caught in the in-between, and that in-between is what all young adult authors write about.”
“this might be the happy ending without the ending”
“I never felt the urge to jump off a bridge, but there are times I have wanted to jump out of my life, out of my skin.”
“We switch to another language-- not our invented language or the language we've learned from our lives. As we walk further up the mountain, we speak the language of silence. This language gives us time to think and move. We can be here and elsewhere at the same time.”
“You know what’s a great metaphor for love? Sleeping beauty. Because you have to plow through this incredible thicket of thorns in order to get to beauty, and even then, when you get there, you still have to wake her up.— Tiny Cooper”
“I could point out that it isn't always easy knowing who you are and what you want, because then you have no excuse for not trying to get it.”
“Life goes on. Get over it. You're still young. It'll get better. Blah, Blah, Blah”
“It's b******* to think of friendship and romance being different. They're not. They're just variations of the same love. Variatons of the same desire to be close.”