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David Lipsky

David Lipsky is a contributing editor at Rolling Stone magazine. His fiction and nonfiction have appeared in The New Yorker, Harper's Magazine, The Best American Short Stories, The Best American Magazine Writing, The New York Times, The New York Times Book Review, and many other publications. He contributes as an essayist to NPR's All Things Considered, and is the recipient of a Lambert Fellowship, a Media Award from GLAAD, and a National Magazine Award. He's the author of the novel The Art Fair, a collection of stories, Three Thousand Dollars, and the bestselling nonfiction book Absolutely American, which was a Time magazine Best Book of the Year.


“If you can think of times in your life that you've treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it's probably possible to achieve that. I think part of the job we're here for is to learn how to do it. I know that sounds a little pious. -- David Foster Wallace”
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“And I think that the ultimate way you and I get lucky is if you have some success early in life, you get to find out early it doesn't mean anything. Which means you get to start early the work of figuring out what does mean something -- David Foster Wallace”
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“Books are a social substitute; you read people who, at one level, you'd like to hang out with. [David Foster Wallace]'s writing self--it's most pronounced in his essays--was the best friend you'd ever have, spotting everything, whispering jokes, sweeping you past what was irritating or boring or awful in humane style.”
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“David Foster Wallace: I think the reason why people behave in an ugly manner is that it’s really scary to be alive and to be human, and people are really really afraid. And that the reasons…That the fear is the basic condition, and there are all kinds of reasons for why we’re so afraid. But the fact of the matter is, is that, is that the job that we’re here to do is to learn how to live in a way that we’re not terrified all the time. And not in a position of using all kinds of different things, and using people to keep that kind of terror at bay. That is my personal opinion.Well for me, as an American male, the face I’d put on the terror is the dawning realization that nothing’s enough, you know? That no pleasure is enough, that no achievement is enough. That there’s a kind of queer dissatisfaction or emptiness at the core of the self that is unassuageable by outside stuff. And my guess is that that’s been what’s going on, ever since people were hitting each other over the head with clubs. Though describable in a number of different words and cultural argots. And that our particular challenge is that there’s never been more and better stuff comin’ from the outside, that seems temporarily to sort of fill the hole or drown out the hole.Personally, I believe that if it’s assuageable in any way it’s by internal means. And I don’t know what that means. I think it’s fine in some way. I think it’s probably assuageable by internal means. I think those internal means have to be earned and developed, and it has something to do with, um, um, the pop-psych phrase is lovin’ yourself.It’s more like, if you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do this.”
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“He [David Foster Wallace] compares raising children to raising books, you should take pride in the work you do inside a family and not from how they make out in the world. “It’s good to want a child to do well, but it’s bad to want that glory to reflect back on you,” is what he says.”
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“David Foster Wallace: There’s so much beauty and profundity in all kinds of shitty pop culture all around us.”
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“David Foster Wallace: I always fear that when I really impose my will on something, the universe is gonna punish me.”
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“David Foster Wallace: I think one of the insidious lessons about TV is the meta-lesson that you’re dumb. This is all you can do. This is easy, and you’re the sort of person who really just wants to sit in a chair and have it easy. When in fact there are parts of us, in a way, that are a lot more ambitious than that. And what we need, I think—and I’m not saying I’m the person to do it. But I think what we need is seriously engaged art, that can teach again that we’re smart. And that there’s stuff that TV and movies—although they’re great at certain things—cannot give us.”
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“David Foster Wallace: We sit around and bitch about how TV has ruined the audience for reading—when really all it’s done is given us the really precious gift of making our job harder.”
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“David Foster Wallace: What writers have is a license and also the freedom to sit—to sit, clench their fists, and make themselves be excruciatingly aware of the stuff that we’re mostly aware of only on a certain level. And that if the writer does his job right, what he basically does is remind the reader of how smart the reader is. Is to wake the reader up to stuff that the reader’s been aware of all the time. And it’s not a question of the writer having more capacity than the average person. It’s that the writer is willing I think to cut off, cut himself off from certain stuff, and develop…and just, and think really hard. Which not everybody has the luxury to do.”
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“David Lipsky: Why aren't you married at thirty-four?David Foster Wallace: You first.David Lipsky: Um-I think it's hard to fill that role...to cast it and to fill it when you know it's for thirty or forty years...someone who, whatever mental landscape you're in, they're going to be in it too, you need someone who'll fit any landscape you can imagine.”
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“He had finished and collected the three years of drafts [of Infinite Jest], and finally sat down and typed the whole thing. Wallace didn't really type; he input the giant thing twice, with one finger. "But a really fast finger.”
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“My ambition is to not embarrass myself--which, if you know me, is a pretty serious ambition.”
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