David Mamet

“Fox: It's lonely at the top.Gould: But it ain't crowded.”

“What is our life: (Pause.) it’s looking forward or it’s looking back. And that’s our life. That’s it. Where is the moment?”

“How can I be secure? (Pause.) Through amassing wealth beyond all measure? No. And what’s beyond measure? That’s a sickness. That’s a trap. There is no measure. Only greed.”

“Every fear hides a wish.”

“Writers are asked, 'How could you know so much about [fill in the profession]?' The answer, if the writing satisfies, is that one makes it up. And the job, my job, as a dramatist, was not to write accurately, but to write persuasively. If and when I do my job well, subsequent cowboys, as it were, will talk like me.”

“Accepted nowhere, belonging nowhere, The Human Ant is forced to roam the world, half-ant, half-cow.”

“The first rule of tinkering is, of course, ‘save all the parts.’ But in dismantling the social fabric, the parts cannot all be saved, for one of them is time. Time, we were told, is a river flowing endlessly through the universe and one cannot step into the same river twice. Not only can we not undo actions taken in haste and in fear (the Japanese Internment), but those taken from the best reasons, but that have proved destructive (affirmative action); the essential mechanism of societal preservation is not inspiration, but restraint.”

“We cannot live in peace without Law. And though law cannot be perfect, it may be just if it is written in ignorance of the identity of the claimants and applied equally to all. Then it is a possession not only of the claimants but of the society, which may now base its actions upon a reasonable assumption of the law’s treatment.But ‘fairness’ is not only a nonlegal but an antilegal process, for it deals not with universally applicable principles and strictures, but with specific cases, responding to the perceived or proclaimed needs of individual claimants, and their desire for extralegal preference. And it could be said to substitute fairness (a determination which must always be subjective) for justice (the application of the legislated will of the electorate), is to enshrine greed--the greed, in this case, not for wealth, but for preference.”

“What is Big Government but the Executive’s cocaine dream, an activity devoted solely to jockeying for position, in which he may find license for malversation, and may take the company treasury and direct it toward those people who will support his continued incumbency--it is within the law. Its street name is ‘earmarks,’ but it is theft.”

“It is to a dramatist, which is to say, to an unfrocked psychoanalyst, stunning that that which has sustained the Left in my generation, its avatar, its prime issue, has been abortion. For, whether or not it is regarded as a woman’s right, an unfortunate necessity, or murder, which is to say, irrespective of differing and legitimate political views, to enshrine it as the most important test of the Liberal, is, mythologically, an assertion to the ultimate right of a postreligious Paganism.”

“The basis of drama is ... is the struggle of the hero towards a specific goal at the end of which he realizes that what kept him from it was, in the lesser drama, civilization and, in the great drama, the discovery of something that he did not set out to discover but which can be seen retrospectively as inevitable. The example Aristotle uses, of course, is Oedipus.”

“Anyone can write five people trapped in a snowstorm. The question is how you get them into the snowstorm. It's hard to write a good play because it's hard to structure a plot. If you can think of it off the top of your head, so can the audience. To think of a plot that is, as Aristotle says, surprising and yet inevitable, is a lot, lot, lot of work.”

“I examined my Liberalism and found it like an addiction to roulette. Here, though the odds are plain, and the certainty of loss apparent to anyone with a knowledge of arithmetic, the addict, failing time and again, is convinced he yet is graced with the power to contravene natural laws. The roulette addict, when he invariably comes to grief, does not examine either the nature of roulette, or of his delusion, but retires to develop a new system, and to scheme for more funds.”

“It's called a confidence game. Why? Because you give me your confidence? No. Because I give you mine.”

“FAUSTUS. To have fooled the philosopher.MAGUS. One finds, in my profession, sir, the greater the intellect, the more ease in its misdirection.FAUSTUS. One finds the same in mine.”

“...My dad, may he rest in peace, taught me many wonderful things. And one of the things he taught me was never ask a guy what you do for a living. He said "If you think about it, when you ask a guy, what do you do you do for a living," you’re saying "how may I gauge the rest of your utterances." are you smarter than I am? Are you richer than I am, poorer than I am?" So you ask a guy what do you do for a living, it’s the same thing as asking a guy, let me know what your politics are before I listen to you so I know whether or not you’re part of my herd, in which case I can nod knowingly, or part of the other herd, in which case I can wish you dead.”

“All drama is about lies. All drama is about something that’s hidden. A drama starts because a situation becomes imbalanced by a lie. The lie may be something we tell each other or something we think about ourselves, but the lie imbalances a situation. If you’re cheating on your wife the repression of that puts things out of balance; or if you’re someone you think you’re not, and you think you should be further ahead in your job, that neurotic vision takes over your life and you’re plagued by it until you’re cleansed. At the end of a play the lie is revealed. The better the play the more surprising and inevitable the lie is. Aristotle told us this”

“Society functions in a way much more interesting than the multiple-choice pattern we have been rewarded for succeeding at in school. Success in life comes not from the ability to choose between the four presented answers, but from the rather more difficult and painfully acquired ability to formulate the questions.”

“Invent nothing, deny nothing, speak up, stand up, stay out of school.”

“Every scene should be able to answer three questions: "Who wants what from whom? What happens if they don't get it? Why now?”

“Art is an expression of joy and awe. It is not an attempt to share one's virtues and accomplishments with the audience, but an act of selfless spirit.”

“As you all know first prize is a Cadillac El Dorado. Anyone wanna see second prize? Second prize is a set of steak knives. Third prize is you're fired.”

“People may or may not say what they mean... but they always say something designed to get what they want.”

“Superman comics are a fable, not of strength, but of disintegration. They appeal to the preadolescent, (sic) mind not because they reiterate grandiose delusions, but because they reiterate a very deep cry for help.Superman's two personalities can be integrated only in one thing: only in death. Only Kryptonite cuts through the disguises of both wimp and hero, and affects the man below the disguises.And what is Kryptonite? Kryptonite is all that remains of his childhood home.It is the remnants of that destroyed childhood home, and the fear of those remnants, which rule Superman's life. The possibility that the shards of that destroyed home might surface prevents him from being intimate- they prevent him from sharing the knowledge that the wimp and the hero are one. The fear of his childhood home prevents him from having pleasure.He fears that to reveal his weakness, and confusion, is, perhaps indirectly, but certainly inevitably, to receive death from the person who received that information.[...]Far from being invulnerable, Superman is the most vulnerable of beings, because his childhood was destroyed. He can never reintegrate himself by returning to that home- it is gone. It is gone and he is living among aliens to whom he cannot even reveal his rightful name.”

“Put. That coffee. Down. Coffee's for closers only.”

“We all hope. It's what keeps us alive.”

“It’s not a lie. It’s a gift for fiction.”

“Everybody makes their own fun. If you don't make it yourself, it isn't fun. It's entertainment.”

“In the meantime: (1) be direct; (2) remember that, being smarter than men, women respond to courtesy and kindness; (3) if you want to know what kind of a wife someone will make, observe her around her father and mother; (4) as to who gets out of the elevator first, I just can't help you.”

“I go out there. I'm out there every day. [Pause] There is nothing out there. ”

“We live in oppressive times. We have, as a nation, become our own thought police; but instead of calling the process by which we limit our expression of dissent and wonder ‘censorship,’ we call it ‘concern for commercial viability.”

“How was her crumbcake?oh.. from the store..........”

“[I]n the abstract, we may envision an Olympian perfection of perfect beings in Washington doing the business of their employers, the people, but any of us who has ever been at a zoning meeting with our property at stake is aware of the urge to cut through all the pernicious bullshit and go straight to firearms.”

“My motto is “Be Prepared.” I am told this is also the motto of the Boy Scouts, but, if so, this only proves that they were acting according to my motto earlier than I.”

“Life in the movie business is like the beginning of a new love affair: it's full of surprises, and you're constantly getting fucked.”

“Every reiteration of the idea that _nothing matters_ debases the human spirit.Every reiteration of the idea that there is no drama in modern life, there is only dramatization, that there is no tragedy, there is only unexplained misfortune, debases us. It denies what we know to be true. In denying what we know, we are as a nation which cannot remember its dreams--like an unhappy person who cannot remember his dreams and so denies that he does dream, and denies that there are such things as dreams.”

“We must have a pie. Stress cannot exist in the presence of a pie.”

“We're all put to the test... but it never comes in the form or at the point we would prefer, does it?”

“You know, I once read an interesting book which said that, uh, most people lost in the wilds, they, they die of shame. Yeah, see, they die of shame. 'What did I do wrong? How could I have gotten myself into this?' And so they sit there and they... die. Because they didn't do the one thing that would save their lives. Thinking.”

“It's only words... unless they're true.”