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David Nicholls

David Nicholls is a British author, screenwriter, and actor. A student of Toynbee Comprehensive school and Barton Peveril Sixth Form College, he Graduated from the University of Bristol having studied English Literature and Drama.

After graduation, he won a scholarship to study at the American Musical and Dramatic Academy in New York, before returning to London in 1991 and finally earning an Equity card. He worked sporadically as an actor for the next eight years, eventually earning a three year stint at the Royal National Theatre, followed by a job at BBC Radio Drama as a script reader/researcher. This led to script-editing jobs at London Weekend Television and Tiger Aspect Productions.

During this period, he began to write, developing an adaptation of Sam Shepard’s stage-play Simpatico with the director Matthew Warchus, an old friend from University. He also wrote his first original script, a situation comedy about frustrated waiters, Waiting, which was later optioned by the BBC.

Simpatico was turned into a feature film in 1999, and this allowed David to start writing full-time. He has been twice nominated for BAFTA awards and his first novel, Starter for Ten was featured on the first Richard and Judy Book Club.


“To be honest, I don’t think you deserved her, but I don’t think any of us deserved her really. She was always going to be the smartest, kindest, funniest, loyalest person we would ever meet, and the fact of her not being here well it just isn’t right”
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“A moment passed, perhaps half a second when their faces said what they felt, and then Emma was smiling, laughing, her arms around his neck.”
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“For his thirtieth birthday he had filled a whole night-club off Regent Street; people had been queuing on the pavement to get in. The SIM card of his mobile phone in his pocket was overflowing with telephone numbers of all the hundreds of people he had met in the last ten years, and yet the only person he had ever wanted to talk to in all that time was standing now in the very next room.”
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“This is where it all begins. Everything starts here, today.”
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“You're gorgeous, you old hag, and if I could give you just one gift ever for the rest of your life it would be this. Confidence. It would be the gift of confidence. Either that or a scented candle”
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“...Emma Morley wasn't such a paragon either: pretentious, petulant, lazy, speechifying, judgmental. Self-pitying, self righteous, self-important, all the selfs except self-confident, the quality that she had always needed the most.”
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“Sometimes, when it's going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery. The true writer, the born writer, will scribble words on scraps of litter, the back of a bus tickets, on the wall of a cell .Emma is lost on anything less than 120gsm.”
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“Call me sentimental, but there's no-one in the world that I'd like to see get dysentery more than you”
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“You know what I can't understand? You have all these people telling you all the time how great you are, smart and funny and talented and all that, I mean endlessly, I've been telling you for years. So why don't you believe it? why do you think people say that stuff, Em? Do you think it's a conspiracy, people secretly ganging up to be nice about you?”
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“What are you going to do with your life?" In one way or another it seemed that people had been asking her this forever; teachers, her parents, friends at three in the morning, but the question had never seemed this pressing and still she was no nearer an answer... "Live each day as if it's your last', that was the conventional advice, but really, who had the energy for that? What if it rained or you felt a bit glandy? It just wasn't practical. Better by far to be good and courageous and bold and to make difference. Not change the world exactly, but the bit around you. Cherish your friends, stay true to your principles, live passionately and fully and well. Experience new things. Love and be loved, if you ever get the chance.”
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“Live each day as if it's our last', that was the conventional advice, but really who had the energy for that? What if it rained or you felt a bit glandy? It just wasn't practical. Better by far to simply try and be good and courageous and bold and to make a difference. Not change the world exactly, but the bit around you. Go out there with your passion and you relectric typewriter and work hard at...something. Change lives through art maybe. Cherish your friends, stay true to your principles, live passionately and fully and well. Experience new things. Love and be loved, if you ever get the chance.”
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“Can I say something?''Go on''I'm a little drunk''Me too. That's okay.''Just....I missed you, you know.''I missed you too.''But so, so much, Dexter. There were so many things I wanted to talk to you about, and you weren't there-''same here.''I tell you what it is. It's.....When I didn't see you, I thought about you every day, I mean EVERY DAY in some way or another-''same here.''-Even if it was just "I wish Dexter could see this" or "Where's Dexter now?" or "Christ that Dexter, what an idiot", you know what I mean, and seeing you today, well, I thought I'd got you back - my BEST friend. And now all this, the wedding, the baby- I'm so happy for you, Dex, but it feels like I've lost you again.'--'You know what happens you have a family, your responsibilities change, you lose touch with people''It won't be like that, I promise.''Do you?''Absolutely''You swear? No more disappearing?''I won't if you won't.'Their lips touched now, mouths pursed tight, their eyes open, both of them stock still. The moment held, a kind of glorious confusion.”
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“Sylvie's sort of pregnant. Well not sort of. She is. Pregnant. Actually pregnant with a baby.''Oh Dexter! Do you know the father? I'm kidding! Congratulations, Dex. God, aren't you meant to space your bombshells out a bit. Not just drop them all at once?'She held his face in both hands, looked at it.'You're getting married?-''Yes'-'And you're going to be a father?''I know! Fuck me a father!''Is that allowed? I mean will they let you?''Apparently''I think it's wonderful. Fucking hell, Dexter, I turn my back for one minute...!'She hugged him once again her arms high round his neck. She felt drunk, full of affection and a certain sadness too, as if something was coming to an end. She wanted to say something along these lines, but thought it best to do this through a joke.'Of course you've destroyed any chance I had of future happiness, but I'm delighted for you, really.”
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“She realises that if she is to save the show she is going to have to improvise a rousing speech, one of the many Henry V moments that make up her working life.”
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“Independence is the luxury of all those people who are too confident, and busy, and popular, and attractive to be just plain old lonely. And make no mistake, lonely is absolutely the worst thing to be. Tell someone that you've got a drink problem, or an eating disorder, or your dad died when you were a kid even, and you can almost see their eyes light up with the sheer fascinating drama and pathos of it all, because you've got an issue, something for them to get involved in, to talk about and analyse and discuss and maybe even cure. But tell someone you’re lonely and of course they’ll seem sympathetic, but look very carefully and you'll see one hand snaking behind their back, groping for the door handle, ready to make a run for it, as if loneliness itself were contagious. Because being lonely is just so banal, so shaming, so plain and dull and ugly.”
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“Salmon. Salmon, salmon, salmon, salmon. I eat so much salmon at these weddings, twice a year I get this urge to swim upstream.”
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“Sometimes I wish that I hadn't learned how to crochet," I say, and Alice laughs. Obviously she thinks I'm joking, which is maybe for the best.”
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“They say the personal is political and it's certainly fair to say that, like her politics, Rebecca Epstein's kissing is radical, forthright and uncompromising.”
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“No matter how predictable, banal and listless the rest of my life might be, you can guarantee that there'll always be something interesting going on with my skin.”
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“...maybe I've just read too many novels. In novels, alcoholics are always attractive and fuuny and charming and complex, like Sebastian Flyte or ABe North in Tender in the Night, and they're drinking because of a deep, unquenchable sadness of the soul, or the terrible legacy of the First World War, whereas I just get drunk because I'm thirsty, and I like the taste of lager...”
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“I contemplate the idea that maybe I'm an alcoholic. I get this occassionally, the need to define myself as something-or-the-other, and at various times in my life have wondered if I'm a Goth, a homosexul, a Jew, a Catholic or a manic depressive, whether I am adopted, or have a hole in my heart, or possess the ability to move objects with the power of my mind, and have always, most regretfully, come to the conclusion that I'm none of the above. The fact is I'm actually not ANYTHING.”
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“As new dawns go, this one is depressingly like the old dawn.”
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“I can't believe it's actually happening. This is independent adulthood, this is what it feels like. Shouldn't there be some sort of ritual? In certain remote African tribes there'd be some incredible four day rites of passage ceremony involving tattooing and potent hallucinogenic drugs extracted from tree-frogs, and village elders smearing my body with monkey blood, but here,rites of passage is all about three new pairs of pants and stuffing your duvet in a bin-liner.”
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“I want to be able to listen to recording of piano sonatas and know who's playing. I want to go to classical concerts and know when you're meant to clap. I want to be able to 'get' modern jazz without it all sounding like this terrible mistake, and I want to know who the Velvet Underground are exactly. I want to be fully engaged in the World of Ideas, I want to understand complex economics, and what people see in Bob Dylan. I want to possess radical but humane and well-informed political ideals, and I want to hold passionate but reasoned debates round wooden kitchen tables, saying things like 'define your terms!' and 'your premise is patently specious!' and then suddenly to discover that the sun's come up and we've been talking all night. I want to use words like 'eponymous' and 'solipsistic' and 'utilitarian' with confidence. I want to learn to appreciate fine wines, and exotic liquers, and fine single malts, and learn how to drink them without turning into a complete div, and to eat strange and exotic foods, plovers' eggs and lobster thermidor, things that sound barely edible, or that I can't pronounce...Most of all I want to read books; books thick as brick, leather-bound books with incredibly thin paper and those purple ribbons to mark where you left off; cheap, dusty, second-hand books of collected verse, incredibly expensive, imported books of incomprehensible essays from foregin universities.At some point I'd like to have an original idea...And all of these are the things that a university education's going to give me.”
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“You're not going to turn into a wanker, are you?" says Tone, opening a can of larger."What do you mean?""He means you're not going to get all studenty on us," says Spencer."Well, I am a student. I mean, I will be, so,...""No, but I mean you're not gong to get all twatty and up-your-own-arse and come home at Christmas in a gown, talking Latin and saying "one does" and "one thinks" and all that...""Yeah, Tone, that's EXACTLY what I'm going to do.”
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“All young people worry about things, it's a natural and inevitable part of growing up, and at the age of sixteen my greatest anxiety in life was that I'd never again achieve anything as good, or pure, or noble, or true, as my O-level results.”
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“Cuddling was for great aunts and teddy bears. Cuddling gave him cramp.”
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“And of course there is always joy in witnessing the joy of others.”
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“Life is about to change if only because it must.”
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“She was reaching the limits of how much its possible to change a man”
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“If you have to keep a secret it's because you shouldn't be doing it in the first place.”
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“Better by far to be good and courageous and bold and to make difference. Not change the world exactly, but the bit around you.”
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“Today. This bright new day that awaits us”
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“Things should look right, Fun; there should be a lot of fun and no more sadness than absolutely necessary”
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“I think reality is overrated.”
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“Dont run before you can walk”
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“Envy was just the tax you paid on success.”
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“So must people hate their jobs.That's why they're called it jobs”
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“And then some days you wake up and everything's perfect.”
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“She glanced at the other diners, all of them going into their act, and thought is this what it all boils down to? Romantic love, is this all it is, a talent show?”
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“It would be inappropiate, undignified, at 38, to conduct friendships or love affairs with the ardour or intensity of a 22 year old. Falling in love like that? Writing poetry? Crying at pop songs? Dragging people into photobooths? Taking a whole day to make a compilation tape? Asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or TS Eliot or, god forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at 38, to expect a song or book or film to change your life.”
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“This is me.’" He handed her the precious scrap of paper. ‘Call me or I’ll call you, but one of us will call, yes? What I mean is it’s not a competition. You don’t lose if you phone first.”
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“Oh you know me. I have no emotions. I'm a robot. Or a nun. A robot nun.”
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“As the possibility of a relationship had faded, Emma had endeavored to harden herself to Dexter's indifference and these days a remark like this caused no more pain than, say, a tennis ball thrown sharply at the back of her head.”
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“She sometimes wondered what her twenty-two-year-old self would think of today's Emma Mayhew. Would she consider her self-centered? Compromised? A bourgeois sell-out, with her appetite for home ownership and foreign travel, clothes from Paris and expensive haircuts? Would she find her conventional, with her new surname and hopes for a family life? Maybe, but then the twenty-two-year-old Emma Morley wasn't such a paragon either: pretentious, petulant, lazy, speechifying, judgmental. Self-pitying, self-righteous, self-important, all of the selfs except self-confident, the quality that she always needed most.”
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“And they did have fun, though it was of different kind now. All that yearning and passion had been replaced by a steady pulse of pleasure and satisfaction and occasional irritation, and this seemed to be a happy exchange; if there had been moments in her life when she had been more elated, there had never been a time when things had been more constant.”
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“And then she frowned, and shook her head, then put her arms around him once more, pressing her face into his shoulder, making a noise that sounded almost like rage.'What's up?' he asked.'Nothing. Oh, nothing. Just...' She looked up at him. 'I thought I'd finally got rid of you.''I don't think you can.' he said”
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“Em, we've known each other five or six years now, but two years properly, as, you know, 'friends', which isn't that long but I think I know a bit about you and I think I know what your problem is. Here it is. I think you're scared of being happy, Emma. I think you think that the natural way of things is for your life to be grim and grey and dour and to hate your job, hate where you live, not to have success or money or God forbid a boyfriend. In fact, I think I'll go further and say that I think you actually get a kick out of being disappointed and under-achieving, because it's easier, isn't it? Failure and unhappiness is easier because you can make a joke out of it.”
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“She drinks pints of coffee and writes little observations and ideas for stories with her best fountain pen on the linen-white pages of expensive notebooks. Sometimes, when it's going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery.”
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“Josh likes to say he put the funk in 'functional'. Personally I think he just put the ass in 'embarrassing', but, hey, what do I know?”
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