D.H. Lawrence

“She looked at her roses. They were white, some incurved and holy, others expanded in an ecstacy. The tree was dark as a shadow. She lifted her hand impulsively to the flowers; she went forward and touched them in worship.”

“Gods should be iridescent, like the rainbow in the storm. Man creates a God in his own image, and the gods grow old along with the men that made them... But the god-stuff roars eternally, like the sea, with too vast a sound to be heard.”

“She thought she loved, she thought she was full of love.”

“The hideousness {the author] sees is the reflection of himself, and of the automatic meat-lust with which he approaches another individual…Even the most “beautiful” woman is still a human creature. If {the author] approached her as such, as a being instead of as a piece of lurid meat, he would have no horrors afterwards.(in 1924, writing in response to a misogynistic article titled, 'The Ugliness of Women'.)”

“With Mrs. Morel it was one of those still moments when the small frets vanish, and the beauty of things stands out, and she had the peace and the strength to see herself.”

“The tall white lillies were reeling in the moonlight, and the air was charged with perfume, as with a presence. Mrs. Morel gasped slightly in fear. She touched the big, pallid flowers on their petals, then shivered. They seemed to be stretching in the moonlight. She put her hand into one white bin: the gold scarcely showed on her fingers by moonlight. She bent down to look at the binful of yellow pollen; but it only appeared dusky. The she drank a deep draught of the scent. It almost made her dizzy.”

“This was very bitter to Gerald, who had never known what boredom was, who had gone from activity to activity, never at a loss. Now, gradually, everything seemed to be stopping in him. He did not want any more to do the things that offered. Something dead within him just refused to respond to any suggestion. He cast over in his mind, what it would be possible to do, to save himself from this misery of nothingness, relieve the stress of this hollowness. And there were only three things left, that would rouse him, make him live. One was to drink or smoke hashish, the other was to be soothed by Birkin, and the third was women. And there was no-one for the moment to drink with. Nor was there a woman. And he knew Birkin was out. So there was nothing to do but to bear the stress of his own emptiness.”

“Couldn't one go right away, to the far ends of the earth, and be free from it all?One could not. The far ends of the earth are not five minutes from Charing Cross. nowadays. While the wireless is active, there are no far ends of the earth.”

“She came upon a bankside of lavender crocuses. The sun was on them for the moment, and they were opened flat, great five-pointed, seven-pointed lilac stars, with burning centres, burning with a strange lavender flame, as she had seen some metal burn lilac-flamed in the laboratory of the hospital at Islington. All down and oak-dry bankside they burned their great exposed stars. And she felt like going down on her knees and bending her forehead to the earth in an oriental submission, they were so royal, so lovely, so supreme. She came again to them in the morning, when the sky was grey, and they were closed, sharp clubs, wonderfully fragile on their stems of sap, among leaves and old grass and wild periwinkle. They had wonderful dark stripes running up their cheeks, the crocuses, like the clear proud stripes on a badger’s face, or on some proud cat. She took a handful of the sappy, shut, striped flames. In her room they opened into a grand bowl of lilac fire.”

“Whatever life may be, and whatever horror men have made of it, the world is a lovely place, something to marvel over. The world is an amazing place.”

“Every individual should, by nature, have his extraordinary points. But nowadays, you may look for them with a microscope, they are so worn-down by the regular machine-friction of our average and mechanical days.”

“Mr Hemingway does it extremely well. Nothing matters. Everything happens. One wants to keep oneself loose. Avoid one thing only: gettng connected up. Don't get connected up. If you get held by anything, break it. Don't be held. Break it, and get away. Don't get away with the idea of getting somewhere else. Just get away, for the sake of getting away. Beat it! “Well, boy, I guess I'll beat it.” Ah, the pleasure in saying that”

“So he was always in the town at one place or another, drinking, knocking about with the men he knew. It really wearied him. He talked to barmaids, to almost any woman, but there was that dark, strained look in his eyes, as if he were hunting something.Everything seemed so different, so unreal. There seemed no reason why people should go along the street, and houses pile up in the daylight. There seemed no reason why these things should occupy the space, instead of leaving it empty. His friends talked to him: he heard the sounds, and he answered. But why there should be the noise of speech he could not understand.”

“- Te iubesc foarte mult.. dar undeva, lipsește ceva. - Unde? întrebă ea privindu-l. -O, înăuntru, în mine. Eu ar trebui să mă rușinez.. sunt un olog psihic.”

“Cu tine nu comunic prin simțuri, ci prin spirit. De asta nu ne putem iubi în înțelesul comun. Afecțiunea noastră nu este dintre acelea pe care le întâlnești la tot pasul. Și totuși suntem muritori de rând, și a trăi unul alături de celălalt ar fi cumplit, deoarece cu tine nu pot fi carnal și, știi tu, a viețui de-a pururi mai presus de aceasta a muritorului de rând ar însemna s-o pierzi cu totul.”

“Their whole life depends on spending money, and now they’vegot none to spend. That’s our civilization and our education: bring upthe masses to depend entirely on spending money, and then the moneygives out.”

“And however one might sentimentalise it, this sex business was one of the most ancient, sordid connections and subjections. Poets who glorified it were mostly men. Women had always known there was something better, something higher. And now they knew it more definitely than ever. The beautiful pure freedom of a woman was infinitely more wonderful than any sexual love. The only unfortunate thing was that men lagged so far behind women in the matter. They insisted on the sex thing like dogs.And a woman had to yield. A man was like a child with his appetites. A woman had to yield him what he wanted, or like a child he would probably turn nasty and flounce away and spoil what was a very pleasant connection. But a woman could yield to a man without yielding her inner, free self. That the poets and talkers about sex did not seem to have taken sufficiently into account. A woman could take a man without really giving herself away. Certainly she could take him without giving herself into his power. Rather she could use this sex thing to have power over him. For she only had to hold herself back in sexual intercourse, and let him finish and expend himself without herself coming to the crisis: and then she could prolong the connection and achieve her orgasm and her crisis while he was merely her tool.”

“I don't care. He'll only be painting his own feelings for me, and I don't mind if he does that. I wouldn't have him touch me, not for anything. But if he thinks he can do anything with his owlish arty staring, let him stare. He can make as many empty tubes and corrugations out of me as he likes. It's his funeral. He hated you for what you said: that his tubified art is sentimental and self-important. But of course it's true.”

“The human consistency and dignity one has been led to expect from one's fellow-men seem actually nonexistent”

“Now go away then, and leave me alone. I don't want any more of your meretricious persiflage.”

“They looked at each other and laughed, then looked away, filled with darkness and secrecy. Then they kissed and remembered the magnificence of the night. It was so magnificent, such an inheritance of a universe of dark reality, that they were afraid to seem to remember. They hid away the remembrance and the knowledge.”

“I am quite empty of feeling. I don't care the slightest bit in the world for anybody or anything except myself. But I do care for myself, and I'm going to survive in spite of them all, and I'm going to have my own success without caring the least in the world how I get it. Because I'm cleverer than they are, I'm cunninger than they are, even if I'm weak. I must build myself up proper protections, and entrench myself, and then I'm safe. I can sit inside my glass tower and feel nothing and be touched by nothing, and yet exert my power, my will, through the glass walls of my ego.”

“What we want is to destroy our false, inorganic connections, especially those related to money, and re-establish the living organic connections, with the cosmos, the sun and earth, with mankind and nation and family. Start with the sun, and the rest will slowly, slowly happen.”

“Really! But weren't you fearfully tempted?' 'In the abstract but not in the concrete,' said Ursula. 'When it comes to the point, one isn't even tempted—oh, if I were tempted, I'd marry like a shot. I'm only tempted NOT to.' The faces of both sisters suddenly lit up with amusement.”

“Have I interrupted a conversation?' she asked. 'No, only a complete silence,' said Birkin. 'Oh,' said Ursula, vaguely, absent.”

“Trust the tale, not the teller.”

“You can't insure against the future, except by really believing in the best bit of you, and in the power beyond it.”

“sun is anti-thought”

“Continuaré tirando pan al agua; y si mis hijos vuelven algún día, seré feliz.”

“I think,” said the Major, taking his pipe from his mouth, “that desire is the most wonderful thing in life. Anybody who can really feel it, is a king, and I envy nobody else!” He put back his pipe.”

“Yes, I do believe in something. I believe in being warm-hearted. Ibelieve especially in being warm-hearted in love, in fucking with awarm heart. I believe if men could fuck with warm hearts, and the womentake it warm-heartedly, everything would come all right. It's all thiscold-hearted fucking that is death and idiocy.”

“Sex is really only touch, the closest of all touch. And it’s touch we’re afraid of. We’re only half-conscious, and half-alive. We’ve for to come alive and aware. Especially the English have got to get into touch with one another, a bit delicate and a bit tender. It’s our crying need.”

“But, especially in love, only counterfeit emotions exist nowadays. We have all been taught to mistrust everybody emotionally, from parents downwards, or upwards. Don’t trust anybody with your real emotions: if you’ve got any: that is the slogan of today. Trust them with your money, even, but never with your feelings. They are bound to trample on them.”

“Here's to the thorn in the flower!”

“Cualquier ser capaz de demostrar valor no puede ser vil.”

“Oh God, if the mechanism of the consciousness itself was going to go wrong, then what was one to do? Hang it all, one did one's bit! Was one to be let down absolutely?”

“How she hated words, always coming between her and her life: they did the ravishing, if anything did: ready-made words and phrases, sucking all the live-sap out of living things.”

“And here lies the vast importance of the novel, properly handled. It can inform and lead into new places the flow of our sympathetic consciousness, and it can lead our sympathy away in recoil from things gone dead. Therefore, the novel, properly handled, can reveal the most secret places of life: for it is in the passional secret places of life, above all, that the tide of sensitive awareness needs to ebb and flow, cleansing and freshening.”

“The wood was silent, still and secret in the evening drizzle of rain, full of the mystery of eggs and half-open buds, half unsheathed flowers. In the dimness of it all trees glistened naked and dark as if they had unclothed themselves, and the green things on earth seemed to hum with greenness.”

“The day was gone, the twilight was gone, and the snow was invisible as I came down to the side of the lake. Only the moon, white and shining, was in the sky, like a woman glorying in her own loveliness as she loiters superbly to the gaze of all the world, looking sometimes through the fringe of dark olive leaves, sometimes looking at her own superb, quivering body, wholly naked in the water of the lake.”

“Ideal mankind would abolish death, multiply itself million upon million, rear up city upon city, save every parasite alive, until the accumulation of mere existence is swollen to a horror.”

“Having lived among the owning classes, he knew the utter futility of expecting any solution of the wage-squabble. There was no solution, short of death. The only thing was not to care, not to care about the wages.Yet, if you were poor and wretched, you had to care. Anyhow, it was becoming the only thing they did care about. The care about money was like a great cancer, eating away the individuals of all classes. He refused to care about money.And what then? What did life offer apart from the care of money? Nothing.”

“In every living thing there is the desire for love.”

“Vaguely she knew herself that she was going to pieces in some way. Vaguely she knew she was out of connection: she had lost touch with the substantial and vital world. Only Clifford and his books, which did not exist... which had nothing in them. Void to void. Vaguely she knew. But it was like beating her head against a stone.”

“Used to all kinds of society, she watched people as one reads the pages of a novel, with a certain disinterested amusement.”

“Yes there were two great groups of dogs wrangling for the bitching-goddess: the group of the flatterers, those who offered her amusement, stories, films, plays: and the other, much less showy, much more savage breed, those who gave her meat, the real substance of money. The well-groomed showy dogs of amusement wrangled and snarled among themselves for the favors of the bitch-goddess. But it was nothing to the silent fight-to-the-death that went on among the indispensables, the bone-bringers.”

“What liars poets and everybody were! They made one think one wanted sentiment. When what one supremely wanted was this piercing, consuming, rather awful sensuality.”

“In the inner dark she saw a handsome bay horse with his clean earspricked like daggers from his naked head as he swung handsomely roundto stare at the open doorway. He had big, black, brilliant eyes, with asharp questioning glint, and that air of tense, alert quietness which betraysan animal that can be dangerous... He was of such a lovely red-goldcolour, and a dark, invisible fire seemed to come out of him .. .She looked at the glowing bay horse, that stood there with his ears back,his face averted, but attending as if he were some lightning conductor. Hewas a stallion . ..Dimly, in her weary young-woman's soul, an ancient understandingseemed to flood in . . . For some reason the sight of him, his power, his alive,alert intensity, his unyieldingness, made her want to cry. She never didcry ... But now, as if that mysterious fire of the horse's body had split somerock in her, she went home and hid herself in her room, and just cried. Thewild, brilliant, alert head of St Mawr seemed to look at her out of anotherworld. It was as if she had had a vision, as if the walls of her own world hadsuddenly melted away, leaving her in a great darkness, in the midst of whichthe large, brilliant eyes of that horse looked at her with demonish question,while his naked ears stood up like daggers from the naked lines of hisinhuman head, and his great body glowed red with power.What was it? Almost like a god looking at her terribly out of theeverlasting dark, she had felt the eyes of that horse; great, glowing,fearsome eyes, arched with a question, and containing a white blade oflight like a threat. What was his non-human question, and his uncannythreat? She didn't know. He was some splendid demon, and she mustworship him. (St Mawr)”

“I am not a mechanism, an assembly of various sections.and it is not because the mechanism is working wrongly, that I am ill.I am ill because of wounds to the soul, to the deep emotional self,and the wounds to the soul take a long, long time, only time can helpand patience, and a certain difficult repentancelong difficult repentance, realization of life’s mistake, and the freeing oneselffrom the endless repetition of the mistakewhich mankind at large has chosen to sanctify.”

“Meanwhile you just lived on and there was nothing to it. She understood perfectly well why people had cocktail parties, and jazzed, and Charlestoned till they were ready to drop. You had to take it out some way or other, your youth, or it ate you up. But what a ghastly thing, this youth! You felt as old as Methuselah, and yet the thing fizzed somehow, and didn't let you be comfortable. A mean sort of life! And no prospect! She almost wished she had gone off with Mick, and made her life one long cocktail party, and jazz evening. Anyhow that was better than just mooning yourself into the grave.”