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D.H. Lawrence

David Herbert Richards Lawrence was an English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, paintings, translations, literary criticism, and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, human sexuality and instinct.

Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. He is now generally valued as a visionary thinker and a significant representative of modernism in English literature.

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“Love is never a fulfillment. Life is never a thing of continuous bliss. There is no paradise. Fight and laugh and feel bitter and feel bliss: and fight again. Fight, fight. That is life.”
D.H. Lawrence
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“What is pornography to one man is the laughter of genius to another.”
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“the more i live, the more i realize what strange creatures human beings are. some of them might just as well have a hundred legs, like a centipede, or six, like a lobster. the human consistency and dignity one has been led to expect from one's fellow-man seem actually non-existent. one doubts if they exist to any startling degree even in oneself.”
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“because when i feel the human world is doomed, has doomed itself by its own mingy beastliness, then i feel the colonies aren't far enough. the moon wouldn't be far enough, because even there you could look back and see the earth, dirty, beastly, unsavory among all the stars: made foul by men. Then i feel i've swallowed gall, and its eating my inside out, and nowhere's far enough to get away. but when i get a turn, i forget it all again. though it's a shame, what's been done to people these last hundred years: men turned into nothing but labor-insects, and all their manhood taken away, and all their real life. i'd wipe the machines off the face of the earth again, and end the industrial epoch absolutely, like a black mistake. but since i can't, an' nobody can, i'd better hold my peace, an' try an' life my own life: if i've got one to live, which i rather doubt.”
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“His body was urgent against her, and she didn't have the heart anymore to fight...She saw his eyes, tense and brilliant, fierce, not loving. But her will had left her. A strange weight was on her limbs. She was giving way. She was giving up...she had to lie down there under the boughs of the tree, like an animal, while he waited, standing there in his shirt and breeches, watching her with haunted eyes...He too had bared the front part of his body and she felt his naked flesh against her as he came into her. For a moment he was still inside her, turgid there and quivering. Then as he began to move, in the sudden helpless orgasm, there awoke in her new strange thrills rippling inside her. Rippling, rippling, rippling, like a flapping overlapping of soft flames, soft as feathers, running to points of brilliance, exquisite and melting her all molten inside. It was like bells rippling up and up to a culmination. She lay unconscious of the wild little cries she uttered at the last. But it was over too soon, too soon, and she could no longer force her own conclusion with her own activity. This was different, different. She could do nothing. She could no longer harden and grip for her own satisfaction upon him. She could only wait, wait and moan in spirit and she felt him withdrawing, withdrawing and contracting, coming to the terrible moment when he would slip out of her and be gone. Whilst all her womb was open and soft, and softly clamouring, like a sea anenome under the tide, clamouring for him to come in again and make fulfillment for her. She clung to him unconscious in passion, and he never quite slipped from her, and she felt the soft bud of him within her stirring, and strange rhythms flushing up into her with a strange rhythmic growing motion, swelling and swelling til it filled all her cleaving consciousness, and then began again the unspeakable motion that was not really motion, but pure deepening whirlpools of sensation swirling deeper and deeper through all her tissue and consciousness, til she was one perfect concentric fluid of feeling, and she lay there crying in unconscious inarticulate cries.”
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“Art-speech is the only truth.”
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“You live by what you thrill to, and there's the end of it.”
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“I am a man and alive. For this reason I am a novelist. And, being a novelist, I consider myself superior to the saint, te scientist, the philosopher, and the poet, who are all great masters of different bits of man alive, but never get the whole hog....Only in the novel are all things given full play.”
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“Instead of chopping yourself down to fit the world, chop the world down to fit yourself. ”
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“A woman has to live her life, or live to repent not having lived it.”
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“And woman is the same as horses: two wills act in opposition inside her. With one will she wants to subject herself utterly. With the other she wants to bolt, and pitch her rider to perdition.”
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“Those that go searching for love only make manifest their own lovelessness, and the loveless never find love, only the loving find love, and they never have to seek for it.”
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“I would rather sit still in a state of peace on a stone than ride in the motor-car of a multi-millionaire and feel the peacelessness of the multi-millionaire poisoning me.”
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“The human soul needs beauty more than bread.”
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“She herself had never been able to be altogether herself: it had been denied her.”
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“If I were the moon, I know where I would fall down.”
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“She could just distinguish his features, as he slept the perfect sleep. In this darkness, she seemed to see him so distinctly. But he was far off, in another world. Ah, she could shriek with torment, he was so far off, and perfected, in another world. She seemed to look at him as at a pebble far away under clear dark water. And here was she, left with all the anguish of consciousness, whilst he was sunk deep into the other element of mindless, remote, living shadow-gleam. He was beautiful, far-off, and perfected. They would never be together. Ah, this awful, inhuman distance which would always be interposed between her and the other being! There was nothing to do but to lie still and endure. She felt an overwhelming tenderness for him, and a dark, under-stirring of jealous hatred, that he should lie so perfect and immune, in an other-world, whilst she was tormented with violent wakefulness, cast out in the outer darkness.”
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“She looked at him, and oh, the weariness to her, of theeffort to understand another language, the weariness of hearinghim, attending to him, making out who he was, as he stood therefair-bearded and alien, looking at her. She knew something ofhim, of his eyes. But she could not grasp him. She closed hereyes.”
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“I fear my enthusiasm flags when real work is demanded of me.”
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“Lies About LoveWe are all liars, becauseThe truth of yesterdaybecomes a lie tomorrow,Whereas letters are fixed,and we live by the letter of truth.The love I feel for my friend, this year,is different from the love I felt last year.If it were not so, it would be a lie.Yet we reiterate love! love! love!as if it were a coin with fixed valueinstead of a flower that dies, and opens a different bud.”
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“Sleep seems to hammer out for me the logical conclusions of my vague days, and offer them to me as dreams. ”
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“I want us to be together without bothering about ourselves- to be really together because we ARE together, as if it were a phenomenon, not a thing we have to maintain by our own effort.”
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“But better die than live mechanically a life that is a repetition of repetitions.”
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“I love trying things and discovering how I hate them.”
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“Connie went for walks in the park, and in the woods that joined the park, and enjoyed the solitude and the mystery, kicked the brown leaves of autumn, and picked the primroses of spring. But it was all a dream; or rather it was like the simulacrum of reality. The oak leaves were to her like oak-leaves seen ruffling in a mirror, she herself was a figure somebody had read about, picking primroses that were only shadows or memories, or words. No substance to her or anything...no touch, no contact!”
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“Vitally, the human race is dying. It is like a great uprooted tree, with its roots in the air. We must plant ourselves again in the universe.”
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“Never was an age more sentimental, more devoid of real feeling, more exaggerated in false feeling, than our own.”
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“Obscenity only comes in when the mind despises and fears the body, and the body hates and resists the mind.”
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“In the short summer night she learned so much. She would have thought a woman would have died of shame... She felt, now, she had come to the real bedrock of her nature, and was essentially shameless. She was her sensual self, naked an unashamed. She felt a triumph, almost a vainglory. So! That was how it was! That was life! That was how onself really was! There was nothing left to disguise or be ashamed of. She shared her ultimate nakedness with a man, another being.”
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“The least little bit o' money 'll really do... What have yer done ter yerselves, wi' the blasted work? Spoilt yerselves. No need to work that much. Take yer clothes off an' look at yourselves. Yer ought ter be alive an' beautiful, an' yer ugly an' half dead.”
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“For God's sake, all of you, say spiteful things about me, then I shall know I mean something to you. Don't say surgaries, or I'm done.”
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“There's lots of good fish in the sea...maybe...but the vast masses seem to be mackerel or herring, and if you're not mackerel or herring yourself, you are likely to find very few good fish in the sea.”
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“Money poisons you when you've got it, and starves you when you haven't.”
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“Was his life nothing? Had he nothing to show, no work? He did not count his work, anyone could have done it. What had he known, but the long, marital embrace with his wife. Curious, that this was what his life amounted to! At any rate, it was something, it was eternal. He would say so to anybody, and be proud of it. He lay with his wife in his arms, and she was still his fulfillment, just the same as ever. And that was the be-all and the end-all. Yes, and he was proud of it.”
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“When I read Shakespeare I am struck with wonder that such trivial people should muse and thunder in such lovely language.”
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“It was cold, and he was coughing. A fine cold draught blew over the knoll. He thought of the woman. Now he would have given all he had or ever might have to hold her warm in his arms, both of them wrapped in one blanket, and sleep. All hopes of eternity and all gain from the past he would have given to have her there, to be wrapped warm with him in one blanket, and sleep, only sleep. It seemed the sleep with the woman in his arms was the only necessity.”
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“I like to write when I feel spiteful. It is like having a good sneeze."(Letter to Cynthia Asquith, November 1913)”
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“It's not art for art's sake, it's art for my sake. ”
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“Religion was fading into the background. He had shovelled away all the beliefs that would hamper him, had cleared the ground, and come more or less to the bedrock of belief that one should feel inside oneself for right or wrong, and should have the patience to gradually realise one's God. Now life interested him more.”
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“Sometimes life takes hold of one, carries the body along, accomplishes one's history, and yet is not real, but leaves oneself as it were slurred over.”
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“And that is how we are. By strength of will we cut off our inner intuitive knowledge from admitted consciousness. This causes a state of dread, or apprehension, which makes the blow ten times worse when it does fall.”
D.H. Lawrence
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“All hopes of eternity and all gain from the past he would have given to have her there, to be wrapped warm with him in one blanket, and sleep, only sleep. It seemed the sleep with the woman in his arms was the only necessity.”
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“It was not the passion that was new to her, it was the yearning adoration. She knew she had always feared it, for it left her helpless; she feared it still, lest if she adored him too much, then she would lose herself, become effaced, and she did not want to be effaced, a slave, like a savage woman. She must not become a slave. She feared her adoration, yet she would not at once fight against it.”
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“She was always waiting, it seemed to be her forte.”
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“For {she} had adopted the standard of the young: what there was in the moment was everything. And moments followed one another without necessarily belonging to one another.”
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“For, of course, being a girl, one’s whole dignity and meaning in life consisted in the achievement of an absolute, a perfect, a pure and noble freedom. What else did a girl’s life mean?”
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“A new degree of anger came over him. What did it all matter? What did it matter if the mother talked Polish and cried in labour, if this child were stiff with resistance, and crying?Why take it to heart?Let the mother cry in labour, let the child cry in resistance, since they would do so. Why should he fight against it, why resist? Let it be, if it were so. Let them be as they were, if they insisted.”
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“Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather hard work: there is now no smooth road into the future: but we go round, or scramble over the obstacles. We’ve got to live, no matter how many skies have fallen.”
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“Every true artist is the salvation of every other. Only artists produce for each other a world that is fit to live in.”
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“Life and love are life and love, a bunch of violets is a bunch of violets, and to drag in the idea of a point is to ruin everything. Live and let live, love and let love, flower and fade, and follow the natural curve, which flows on, pointless.”
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