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Diane Ackerman

Diane Ackerman has been the finalist for the Pulitzer Prize for Nonfiction in addition to many other awards and recognitions for her work, which include the bestsellers The Zookeeper’s Wife and A Natural History of the Senses.

The Zookeeper’s Wife, a little known true story of WWII, became a New York Times bestseller, and received the Orion Book Award, which honored it as, "a groundbreaking work of nonfiction." A movie of The Zookeeper’s Wife, starring Jessica Chastain and Daniel Brühl, releases in theaters March 31st, 2017 from Focus Features.

She lives with her husband Paul West in Ithaca, New York.


“We think of it as a sort of traffic accident of the heart. It is an emotion that scares us more than cruelty, more than violence, more than hatred. We allow ourselves to be foiled by the vagueness of the word. After all, love requires the utmost vulnerability. We equip someone with freshly sharpened knives; strip naked; then invite him to stand close. What could be scarier?”
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“Love is the great intangible. In our nightmares, we can create beasts out of pure emotion. Hate stalks the streets with dripping fangs, fear flies down narrow alleyways on leather wings, and jealousy spins sticky webs across the sky. In daydreams, we can maneuver with poise, foiling an opponent, scoring high on fields of glory while crowds cheer, cutting fast to the heart of an adventure. But what dream state is love? Frantic and serene, vigilant and calm, wrung-out and fortified, explosive and sedate –love commands a vast army of moods. Hoping for victory, limping from the latest skirmish, lovers enter the arena once again. Sitting still, we are as daring as gladiators.”
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“I will not dishonormy soul with hatred,but offer myself humblyas a guardian of nature,as a healer of misery,as a messenger of wonder,as an architect of peace.I will honor all life—wherever and in whatever formit may dwell—on Earth my home,and in the mansions of the stars.”
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“In the early years of the Uprising, we survived on one meal a day of horse meat and soup, but by the end we ate only dried peas, dogs, cats and birds.”
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“The Germans have removed, murdered or burned alive tens of thousands of Jews. Out of the three million Polsih Jews, no more than 10 percent remain.”
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“Germany's crime is the greatest crime the world has ever known, because it is not on the scale of History: it is on the scale of Evolution.”
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“Every day our life was full of thoughts of the horrible present, and even our own death.”
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“Antonina felt convinced that people needed to connect more with their animal nature, but also that animals long for human company, reach out for human attention.”
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“Myself, I've always been organized in waves. For months on end, slowly descending into disorder, I drift with the status quo. Then I wake up one morning with a sudden compulsion to color-code my socks or stack them vertically.”
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“It's like having a head full of holes, in which the perfect repository of words have shamed themselves," he lamented.”
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“Much more. We're joined at the heart.""Bad luck for you, I'm afraid. My ticker's pretty wonky.""Too much boozing."His eyes twinkled, and he drew me close. "Not enough kissling.”
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“Listen, I'd rather lie naked in a plowed field under an incontinent horse for a week than have to read that paragraph again!”
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“We marry children who have grown up and still rejoice in being children, especially if we're creative. Imaginative people fidget with ideas, including the idea of a relationship. If they're wordsmiths like us, they fidget a lot in words.”
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“We can't enchant the world, which makes its own magic; but we can enchant ourselves by paying deep attention”
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“One job of the unconscious is to act as a workshop for rough-shaping ideas; crafting notions as new parts or tools become available; storing observations until something relevant appears in the landscape -- generally soaking, simmering, and incubating ideas. Gradually, while combing through its inventory, it finds bits and pieces that create a pattern. When it slips knowledge of that pattern to the conscious mind, it's a surprise, like a telegram slid under the door.”
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“<...> [Rainer Maria Rilke] speaks of absorbing Earth's phenomena with the full frenzy of human relish and insight as our destiny: "It is our task to imprint this temporary, perishable earth into ourselves so deeply, so painfully and passionately, that its essence can rise again... We are the bees of the invisible... [Our work is] the continual conversion of the beloved visible and tangible world into the invisible vibrations and agitation of our own nature.”
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“Insight roams the sea of the unconscious like the Loch Ness monster, a rumor whose wake occasionally becomes visible, but even then it's mystifying and scarcely believed.”
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“In the rain forest, no niche lies unused. No emptiness goes unfilled. No gasp of sunlight goes untrapped. In a million vest pockets, a million life-forms quietly tick. No other place on earth feels so lush. Sometimes we picture it as an echo of the original Garden of Eden—a realm ancient, serene, and fertile, where pythons slither and jaguars lope. But it is mainly a world of cunning and savage trees. Truant plants will not survive. The meek inherit nothing. Light is a thick yellow vitamin they would kill for, and they do. One of the first truths one learns in the rain forest is that there is nothing fainthearted or wimpy about plants.”
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“I may enter a zone of transcendence, in which I marvel at all the accidents of fate, since the beginning of life on earth, that led to my genes being created and my standing in this particular garden in a contemplative and imagining mind. I’ve been reading recently how reflection evolved. what a fascinating solution to the rigors of survival…how amazing that a few basic ingredients- the same ones that form the mountains, plants, and rivers- when arranged differently and stressed could result in us.More and more of late, I find myself standing outside of life, with a sense of the human saga laid out before me. it is a private vision, balanced between youth and old age, a vision in which I understand how caught up in striving we humans get, and a little of why, and how difficult it is even to recognize, since it feels integral to our nature and is. but I find it interesting that, according to many religions, life and begins and ends in a garden.”
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“The sensory misers will inherit the earth, but first they will make it not worth living on. When you consider something like death, after which we may well go out like a candle flame, then it probably won’t matter if we try too hard, are awkward sometimes, care for one another too deeply, are excessively curious about nature, are too open to experience, enjoy a nonstop expense of the senses in an effort to know life intimately and lovingly.”
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“How can love's spaciousnessbe conveyed in the narrowconfines of one syllable?”
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“A life like an intricately woven basket, frayed, worn, broken, unraveled, reworked, reknit from many of its original pieces... Life can survive in the constant shadow of illness, and even rise to moments of rampant joy, but the shadow remains, and one has to make space for it.”
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“But who can say why two people become a couple, that small principality of mutual protection and regard? Couples are jigsaw puzzles that hang together by touching in just enough points.”
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“Our lives together, our duet, also continues to evolve, and even if we can’t go back to how it was, we’re designing a good life for us, in spite of everything.”
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“A caregiver is changed by the culture of illness, just as one is changed by the dynamic era in which one lives. For one thing, I don't have as much time in conversation with myself, and I feel the loss. Certainly I worry more about his death, and mine too, since I;m so much a part of the evolving saga of his health, which I have to monitor every day. But I've grown stronger in every aspect of my life. In small ways: speaking more directly with people. In large ways: discovering I can handle adversity and potential loss and yet keep going. I've a better idea of my strength. I feel like I've been tested, like a willow whipped around violently in a hurricane, but still stranding, its roots strong enough to hold. [p. 301]”
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“Out of the blue, Paul reported feeling bouts of calm euphoria, a mystical sense of all's-right-with-his-life-and-the-universe, a bright future in sight. ... I knew well the state of vigorous calm he meant, a frequent visitor throughout my own life. [p. 290]”
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“Our days flowed around well-charted, often traveled courses, and yet, the underlying sense of falling out of time, out of the trajectory of one's life, not by choice, but by subtraction, was frequent and disquieting. Then I grieved for him, for the lost and previous Paul. He grieved for that man too. Both our griefs were mainly private, internal, unuttered. Return was impossible, and there was only one direction open ; and so we kept our compass pointed forward. [p. 286]”
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“What remained would gradually acquire its own shape and dimension, but many of our favorite things, my favorite ways of being a couple, had vanished and it was no use pretending, hoping, wishing that he would return to his old self, and me to mine. [p. 156]”
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“I understood the therapists were trying to rebuild Paul's vocabulary, beginning wit the rudiments, but Paul found it taxing, boring, and disturbingly condescending. His loss of language didn't mean he was any less a grown-up with adult feelings, experiences, worries, and problems. [p. 144]”
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“Caregiving offers many fringe benefits, including the sheer sensory delight of nourishing and grooming, sharing, and playing. But caregiving does buttonhole you; you're stitched in one place. . . . Paul wasn't on a learning curve but seemed trapped in a circle. He's swoop forward only to loop back again and fall to earth.”
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“I do feel responsible. He used to be able to look after himself. Now he can't. That's so different, so strange. The big question is: Is more improvement really possible, or should I stop pushing him?' [p. 153]”
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“I was moving in a narrow range between busy distractedness and a pervasive sadness whose granules seemed to enter each cell, weighing it down... I ghosted between islands of anxiety... a fatigue that dulled my zest, decanted it. Sorrow felt like a marble coat I couldn’t shed.”
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“God may promise not to destroy creation, but it is not a promise humankind made - to our peril.”
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“Five weeks in the hospital fled as if down a sinkhole into the middle of the earth. ... Can waiting by definition slow, flash by? ... Time becomes even more elastic than usual--minutes can stretch for ages and days suddenly snap together. [p. 97]”
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“I'd suffered many losses in recent years after my father mother uncle aunt and cousin had all passed away. In her final years my mother often lamented that there was no one alive who had known her as a girl and I was starting to understand how spooked she'd felt. I wasn't sure I could take any more abandonments. One succumbs so easily to mind spasms, worry spasms. [p. 95]”
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“Sometimes with a flutter of agitated worry that felt like a beetle was trapped inside my ribs. p. 90”
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“So much in a relationship changes when a partner is seriously ill, helpless yet blameless, and indefatigably needy. I felt old. [p. 99] The animal part of him in pain accepted my caring. But the part of himself watching himself in that pain didn't believe I could ever respect him again. None of this crossed my mind. I couldn't risk knowing it. No one could and continue caregiving. They'd feel so unappreciated and wronged that it would drive them away. [p. 100]”
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“And yet, words are the passkeys to our souls. Without them, we can't really share the enormity of our lives.”
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“Love is like a batik created from many emotional colors, it is a fabric whose pattern and brightness may vary.”
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“Couples are jigsaw puzzles that hang together by touching in just enough points.”
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“Which is crueler, an old man's lost memories of a life lived, or a young man's lost memories of the life he meant to live?”
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“Invisible prose only!" rules out the sparkling style of [writers]. . . For [whom] vivid prose, and the visionary mind it evinces, rich with speculation, insight, and subjectivity, is the craft and offers a unique caliber of truth. Is there any other art form one would praise by saying it's "invisible"? By definition, art transcends the ordinary, calls attention to itself, and offers virtuosity as its calling card. One that makes it possible to do what metaphor does so well: illuminate what can't be wholly understood.”
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“Metaphor isn't just decorative language. If it were, it wouldn't scare us so much. . . . Colorful language threatens some people, who associate it, I think, with a kind of eroticism (playing with language in public = playing with yourself), and with extra expense (having to sense or feel more). I don't share that opinion. Why reduce life to a monotone? Is that truer to the experience of being alive? I don't think so. It robs us of life's many textures. Language provides an abundance of words to keep us company on our travels. But we're losing words at a reckless pace, the national vocabulary is shrinking. Most Americans use only several hundred words or so. Frugality has its place, but not in the larder of language. We rely on words to help us detail how we feel, what we once felt, what we can feel. When the blood drains out of language, one's experience of life weakens and grows pale. It's not simply a dumbing down, but a numbing.”
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“Because IQ tests favor memory skills and logic, overlooking artistic creativity, insight, resiliency, emotional reserves, sensory gifts, and life experience, they can't really predict success, let alone satisfaction.”
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“Studies show that the IQ range of most creative people is surprisingly narrow, around 120 to 130. Higher IQs can perform certain kinds of tasks better--logic, feats of memory, and so on. But if the IQ is much higher or lower than that, the window of creativity closes. Nonetheless, for some reason we believe more is better, so people yearn for tip-top IQs, and that calls for bigger memories. A fast, retentive memory is handy, but no skeleton key for survival.”
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“We tend to think of memories as monuments we once forged and may find intact beneath the weedy growth of years. But, in a real sense, memories are tied to and describe the present. Formed in an idiosyncratic way when they happened, they're also true to the moment of recall, including how you feel, all you've experienced, and new values, passions, and vulnerability. One never steps into the same stream of consciousness twice.”
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“I'm an Earth ecstatic, and my creed is simple: All life is sacred, life loves life, and we are capable of improving our behavior toward one another. As basic as that is, for me it's also tonic and deeply spiritual, glorifying the smallest life-form and embracing the most distant stars.”
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“Fear is danger to your body, but disgust is danger to your soul.”
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“At some point, one asks, "Toward what end is my life lived?" A great freedom comes from being able to answer that question. A sleeper can be decoyed out of bed by the sheer beauty of dawn on the open seas. Part of my job, as I see it, is to allow that to happen. Sleepers like me need at some point to rise and take their turn on morning watch for the sake of the planet, but also for their own sake, for the enrichment of their lives. From the deserts of Namibia to the razor-backed Himalayas, there are wonderful creatures that have roamed the Earth much longer than we, creatures that not only are worthy of our respect but could teach us about ourselves.”
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“Wonder is the heaviest element on the periodic table. Even a tiny fleck of it stops time.”
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