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Douglas Coupland

Douglas Coupland is Canadian, born on a Canadian Air Force base near Baden-Baden, Germany, on December 30, 1961. In 1965 his family moved to Vancouver, Canada, where he continues to live and work. Coupland has studied art and design in Vancouver, Canada, Milan, Italy and Sapporo, Japan. His first novel, Generation X, was published in March of 1991. Since then he has published nine novels and several non-fiction books in 35 languages and most countries on earth. He has written and performed for the Royal Shakespeare Company in Stratford, England, and in 2001 resumed his practice as a visual artist, with exhibitions in spaces in North America, Europe and Asia. 2006 marks the premiere of the feature film Everything's Gone Green, his first story written specifically for the screen and not adapted from any previous work. A TV series (13 one-hour episodes) based on his novel, jPod premieres on the CBC in January, 2008.

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Retrieved 07:55, May 15, 2008, from http://www.coupland.com/coupland_bio....


“Give parents the tiniest of confidences and they'll use them as crowbars to jimmy you open and rearrange your life with no perspective. Sometimes I'd just like to mace them. I want to tell them that I envy their upbringings that were so clean, so free of futurelessness. And I want to throttle them for blindly handing over the world to us like so much skid-marked underwear.”
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“Sometimes you accidentally input an extra digit into the year: i.e, 19993 and you add 18,000 years on to *now*, and you realize that the year 19993 will one day exist and that time is a scary thing, indeed.”
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“I thought it would be such a sick joke to have to remain to be alive for decades and not believe in or feel anything.”
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“Society indeed conspires to keep you ball and chained.”
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“Time, Baby - so much, so much time left until the end of my life - sometimes I go crazy at how slowly time passes yet how quickly my body ages.But I shouldn't allow myself to think like this. I have to remind myself that time only frightens me when I think of having to spend it alone. Sometimes I scare myself with how many of my thoughts revolve around making me feel better about sleeping alone in a room.”
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“Do you remember how you felt at seventeen? I do and I don't (...) Imagine you came from outer space and someone showed you a butterfly and a caterpillar. Would you ever put the two of them together? That's me and my memories.”
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“Or maybe memories are like karaoke - where you realize up on the stage, with all those lyrics scrawling across the screen's bottom, and with everybody clapping at you, that you didn't even know the lyrics to your all-time favourite song. Only afterwards, when someone else is up on stage humiliating themselves amid the clapping and laughing, do you realize that what you liked most about your favourite song was precisely your ignorance of its full meaning - and you read more into it than maybe existed in the first place. I think it's better not to know the lyrics to your life.”
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“Life always wins.”
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“Post-adolescent Expert SyndromeThe tendency of young people around the age of eighteen, males especially, to become altruistic experts on everything, a state of mind required by nature to ensure warriors who are willing to die with pleasure on the battlefield. Also the reason why religions recruit kamikaze pilots and suicide bombers almost exclusively from the 18-21 range. "Kyle, I never would have guessed that when you were up in your bedroom playing World of Warcraft all through your teens, you were, in fact, becoming an expert on the films of Jean-Luc Godard.”
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“Dimanchophobia:Fear of Sundays, not in a religious sense but rather, a condition that reflects fear of unstructured time. Also known as acalendrical anxiety. Not to be confused with didominicaphobia, or kyriakephobia, fear of the Lord's Day.Dimanchophobia is a mental condition created by modernism and industrialism. Dimanchophobes particularly dislike the period between Christmas and New Year's, when days of the week lose their significance and time blurs into a perpetual Sunday. Another way of expressing dimanchophobia might be "life in a world without calendars." A popular expression of this condition can be found in the pop song "Every Day is Like Sunday," by Morrissey, in which he describes walking on a beach after a nuclear way, when every day of the week now feels like Sunday.”
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“Chronotropic Drugs:Drugs engineered to affect one's sense of time. Chronodecelocotropic drugs have no short term effect but over time give one the impression that time feels longer. Chronoaccelocotropic drugs have the opposite effect.”
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“Chronocanine Envy:Sadness experienced when one realized that, unlike one's dog, one cannot live only in the present tense. As Kierkegaard said, "Life must be lived forward.”
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“You should be spreading the good word. You should be etching the good word onto the glass scanning beds of library photocopiers. You should be scraping the truth onto old auto parts and throwing them off bridges so that people digging in the mud in a million years will question the world, too. You should be carving eyeballs into tire treads and onto shoe soles so that your every trail speaks of thinking and faith and belief. You should be designing molecules that crystallize into poems of devotion. You should be making bar codes that print out truth, not lies. You shouldn't even throw away a piece of litter unless it has the truth stamped on it--a demand for people to reach a finer place! ...Your new life will be tinged with urgency, as though you're digging out the victims of an avalanche. If you're not spending every waking moment of your life living the truth, if you're not plotting every moment to boil the carcass of the old order, then you're wasting your day.”
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“Humans are part of nature, and nature is one great big wood chipper. Sooner or later, everything shoots out the other end in a spray of blood, bones, and hair.”
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“You know, I think the people I feel saddest for are the ones who once knew what profoundness was, but who lost or became numb to the sensation of wonder, who felt their emotions floating away and just didn't care. I guess that's what's scariest: not caring about the loss.”
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“By the age of twenty, you know you're not going to be a rock star. By twenty-five, you know you're not going to be a dentist or any kind of professional. And by thirty, darkness starts moving in- you wonder if you're ever going to be fulfilled, let alone wealthy and successful. By thirty-five, you know, basically, what you're going to be doing for the rest of your life, and you become resigned to your fate......I mean, why do people live so long? What could be the difference between death at fifty-five and death at sixty-five or seventy-five or eighty-five? Those extra years... what benefit could they possibly have? Why do we go on living even though nothing new happens, nothing new is learned, and nothing new is transmitted? At fifty-five, your story's pretty much over.”
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“Rick feels almost the way he used to halfway through his third drink, his favorite moment, the way he wishes all moments in life could feel: heightened with the sense that anything could happen at any moment--that being alive is important, because just when you least expect it, you might receive exactly what you least expect.”
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“Kaitlin said, "I'm so sick of that 'Greatest Generation' crap. We finally drove a silver nail through the heart of Generation X, only to have this new monster rear its head. And I'm soooooo sick of Tom Hanks looking earnest all the time. They should make a Tom Hanks movie where Tom kills off Greatest Generation figureheads one by one."Bree arrived on cue: "And then he starts killing other generations. He becomes this supernova of hate--all he wants to do is destroy.""Hate clings to him like a rich, lathery shampoo. His lungs secrete it like anthrax foam."Mom lost it. "Stop it! All of you! Tom Hanks is a fine actor who would never hurt anybody. At least not onscreen."I thought, 'Hey, didn't Tom Hanks mow down half of Chicago in "Road to Perdition?"' Well, whatever.”
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“Below a certain point, if you keep too quiet, people no longer see you as thoughtful or deep; they simply forget you.”
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“Maybe people with weird haircuts are like structures that become interesting only after being wrecked - Florida ranch houses half-fallen into sinkholes; bankrupt malls; civilizations after a nuclear war. I feel a warm tragic glow knowing I may be of interest to the world only once I have been destroyed.”
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“Imagine you are sitting down in a chair and on a screen before you you are shown a bloody, ripping film of yourself undergoing surgery. The surgery saved your life. It was pivotal in making you you. But you don't remember it. Or do you? Do we understand the events that make us who we are? Do we ever understand the factors that make us do the things we do? When we sleep at night - when we walk across a field and see a tree full of sleeping birds - when we tell small lies to our friends - when we make love - what acts of surgery are happening to our souls - what damage and healing and shock are we going through that we will never be able to fathom? What films are generated that we will never be shown?”
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“Imagine you're a forty-year-old, Richard," Hamilton said to me around this time, while working as a salesman at a Radio Shack in Lynn Valley,"and suddenly somebody comes up to you saying, 'Hi, I'd like you to meet Kevin. Kevin is eighteen and will be making all of your career decisions for you.' I'd be flipped out. Wouldn't you? But that's what life is all about - some eighteen-year-old kid making your big decisions for you that stick for a lifetime." He shuddered.”
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“If he'd learned one thing while he'd been away, it was that loneliness is the most taboo subject in the world. Forget sex or politics or religion. Or even failure. Loneliness is what clears out a room.”
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“It hit him that his own form of loneliness was a luxury, one as chosen and as paid for as three weeks in Kenya's velds or a cherry red Ferrari. Real loneliness wasn't something an assistant scoped out and got a good price on. Real loneliness was smothering and it stank of hopelessness.”
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“Sometimes I think God is like weather--you may not like the weather, but it has nothing to do wit you. You just happen to be there. Deal with it.”
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“Jason's father, Reg, always said "Love what God loves and hate what God hates," but more often than not I had the impression that he really meant "Love what Reg loves and hate what Reg hates.”
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“I watch these kids.They don't seem entirely unhappy. A few times I've even circled the Free Clinic on foot, trying to catch a closer glimpse of these kids and their lives as they pop in and out of the clinic's Sputnik-era, gone-to-seed building--Lancaster's future trolls and Popeyes loitering out back having hushed paranoid conversations. And once I even went to have a look where they hang out in a big way, out in the delivery bay behind the now-closed Donut Hut, the delivery bay grotto out back with a floor spongy with pigeon shit, chewing gum, cigarette ashes, and throat oysters--dank and sunless. I went to visit this place once when all the druggies were away, having their druggy lives downtown doing their druggy things: yelling at parked cars and having conversations with amber lights. I visited this place and I was confused: confused and attracted. Who do these people think they are? How can they not care about the future or hot running water or clean sheets or cable TV? These people. And on the walls down at the delivery bay, do you know what they had written? Written in letters several hands high, letters built of IV needles attached to the cement with soiled bandages and wads of chewing gum? They had written the words WE LIKE IT.”
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“You've seen what you've seen; you've felt what you've felt. Ideology is for people who don't trust their own experiences and perceptions of the world.”
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“Personne n'est émotionnellement vide.”
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“My mind then wandered. I thought of this: I thought of how every day each of us experiences a few little moments that have just a bit more resonance than other moments—we hear a word that sticks in our mind—or maybe we have a small experience that pulls us out of ourselves, if only briefly—we share a hotel elevator with a bride in her veils, say, or a stranger gives us a piece of bread to feed to the mallard ducks in the lagoon; a small child starts a conversation with us in a Dairy Queen—or we have an episode like the one I had with the M&M cars back at the Husky station. And if we were to collect these small moments in a notebook and save them over a period of months we would see certain trends emerge from our collection—certain voices would emerge that have been trying to speak through us. We would realize that we have been having another life altogether; one we didn’t even know was going on inside us. And maybe this other life is more important than the one we think of as being real—this clunky day-to-day world of furniture and noise and metal. So just maybe it is these small silent moments which are the true story-making events of our lives.”
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“Everybody has a ‘gripping stranger’ in their lives, Andy, a stranger who unwittingly possesses a bizarre hold over you. Maybe it’s the kid in cut-offs who mows your lawn or the woman wearing White Shoulders who stamps your book at the library—a stranger who, if you were to come home and find a message from them on your answering machine saying ‘Drop everything. I love you. Come away with me now to Florida,’ you’d follow them.”
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“Beyond a certain age, sincerity ceases to feel pornographic.”
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“Hasn't it been a long time since you had a flying dream?”
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“The richness of the rain made me feel safe and protected; I have always considered the rain to be healing—a blanket—the comfort of a friend. Without at least some rain in any given day, or at least a cloud or two on the horizon, I feel overwhelmed by the information of sunlight and yearn for the vital, muffling gift of falling water.”
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“When you're young, you always feel that life hasn't yet begun—that "life" is always scheduled to begin next week, next month, next year, after the holidays—whenever. But then suddenly you're old and the scheduled life didn't arrive. You find yourself asking, 'Well then, exactly what was it I was having—that interlude—the scrambly madness—all that time I had before?”
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“Besides, animals don’t even have time. Only humans have time. It’s what makes us different.”
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“After you're dead and buried and floating around whatever place we go to, what's going to be your best memory of earth? What one moment for you defines what it's like to be alive on this planet. What's your takeaway? Fake yuppie experiences that you had to spend money on, like white water rafting or elephant rides in Thailand don't count. I want to hear some small moment from your life that proves you're really alive.”
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“Trevor realized that the odd thing about English is that no matter how much you screw sequences word up up, you understood, still, like Yoda, will be. Other languages don't work that way. French? Dieu! Misplace a single le or la and an idea vaporizes into a sonic puff. English is flexible: you can jam it into a Cuisinart for an hour, remove it, and meaning will still emerge.”
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“Books turn people into isolated individuals, and once that's happened, the road only grows rockier. Books wire you to want to be Steve McQueen, but the world wants you to be [email protected].”
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“And any small moments of intense, flaring beauty such as this morning's will be utterly forgotten, dissolved by time like a super-8 film left out in the rain, without sound, and quickly replaced by thousands of silently growing trees.”
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“Which is that there's too much weight improperly distributed: towers and elevators; steel, stone and cement. So much mass up so high that gravity itself could end up being warped--”
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“Negative? Moi? I think realistic might be a better word. You mean to tell me we can drive all the way here from L.A. and see maybe ten thousand square miles of shopping malls, and you don't have maybe just the weentsiest inkling that something, somewhere has gone very very cuckoo?”
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“So I came down here, to breathe dust and walk with the dogs-- to look at a rock or a cactus and know that I am the first person to see that cactus and that rock.”
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“Dag insists that all dogs secretly speak the English language and subscribe to the morals and beliefs of the Unitarian church...”
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“It is indeed a mistake to confuse children with angels”
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“Do you remember that old TV series, Get Smart? Do you remember at the beginning where Maxwell Smart is walking down the secret corridor and there are all of those doors that open sideways, and upside down and gateways and stuff? I think that everyone keeps a whole bunch of doors just like this between themselves and the world. But when you're in love, all of your doors are open, and all of their doors are open. And you roller-skate down your halls together.”
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“What is prayer but a wish for the events in your life to string together to form a story -- something that makes some sense of events you know have meaning.”
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“Here are some passing thoughts. Imagine looking up at the moon and seeing it burning. Imagine seeing the grocery store’s checkout girl grow horns. Imagine growing younger instead of older. Imagine feeling more powerful and more capable of falling in love with life every new day instead of being scared and sick and not knowing whether to stay under a sheet or venture forth into the cold.”
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“She thought about her life and how lost she’d felt for most of it. She thought about the way that all truths she’d been taught to consider valuable invariably conflicted with the world as it was actually lived. How could a person be so utterly lost, yet remain living?”
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“Life is boring. People are vengeful. Good things always end. We do so many things and we don’t know why, and if we do find out why, it’s decades later and knowing why doesn’t matter any more.”
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